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Lynette Roberts is an extraordinary modernist poet and novelist, with her vivid imagery and restless experimentalism. Her writing displays a kind of double longing – for Wales, and for the Argentina she left behind. Her poetry constantly moves between the colours, mythologies and landscapes of the two countries and, in so doing, poses a series of important questions: where, and what, is home? How do we inhabit a particular time and place? This volume of essays brings together for the first time some of the most important research on Roberts’s work that has emerged since the landmark republication of her Collected Poems in 2005. Written by a range of prominent scholars, writers and poets, each essay strives in some way to ‘place’ Roberts, analysing the environments to which her writing responds and teasing out the interwoven skeins of her national, cultural and political affiliations. Together, they pinpoint key concerns in Roberts’s elusive, haunting work, and define her original contribution to twentieth-century literary culture.

Notes on Contributors
Acknowledgments
Introduction: Locating Lynette Roberts: ‘always observant and slightly obscure’- Siriol McAvoy
1. The Scarlet Woman - M. Wynn Thomas
2. ‘“You have a Welsh name, are you Welsh?’ he asked. ‘I don’t know,’ I replied”’: Lynette Roberts and Elective Welsh Identity - Katie Gramich
3. ‘I remember these things’: Memory, Misrepresentation and Cultural Tradition in Lynette Roberts’s Seven Stories - Michelle Deininger
4. ‘What changes break before us’: Semi-Peripheral Modernity in Lynette Roberts’s Poetry and Prose - Andrew Webb
5. Welsh Literary Modernism, Lynette Roberts, and David Jones: Unearthing ‘a huge and very important culture’ - Daniel Hughes
6. ‘Crusaders uncross limbs by green light of flares’: Lynette Roberts’s Avant-Garde Medievalism - Siriol McAvoy
7. Burnt Pain and Blasted Seashells: Lynette Roberts’s Estuarine War Writing - Leo Mellor
8. Listening and Location in the Poetry of Lynette Roberts - Zoë Skoulding
9. Lynette Roberts’s The Endeavour: A Generic Adventure - Charles Mundye
Select Bibliography
Index

Sujets

Poetry

Literary Criticism

Informations

Publié par	University of Wales Press
Date de parution	01 avril 2019
Nombre de lectures	0
EAN13	9781786833846
Langue	English

Informations légales : prix de location à la page 0,0542€. Cette information est donnée uniquement à titre indicatif conformément à la législation en vigueur.

Extrait

L OCATING L YNETTE R OBERTS
WRITING WALES IN ENGLISH
CREW series of Critical and Scholarly Studies
General Editors: Kirsti Bohata and Daniel G. Williams ( CREW , Swansea University)
This CREW series is dedicated to Emyr Humphreys, a major figure in the literary culture of modern Wales, a founding patron of the Centre for Research into the English Literature and Language of Wales . Grateful thanks are due to the late Richard Dynevor for making this series possible.
Other titles in the series
Stephen Knight, A Hundred Years of Fiction (978-0-7083-1846-1)
Barbara Prys-Williams, Twentieth-Century Autobiography (978-0-7083-1891-1)
Kirsti Bohata, Postcolonialism Revisited (978-0-7083-1892-8)
Chris Wigginton, Modernism from the Margins (978-0-7083-1927-7)
Linden Peach, Contemporary Irish and Welsh Women’s Fiction (978-0-7083-1998-7)
Sarah Prescott, Eighteenth-Century Writing from Wales: Bards and Britons (978-0-7083-2053-2)
Hywel Dix, After Raymond Williams: Cultural Materialism and the Break-Up of Britain (978-0-7083-2153-9)
Matthew Jarvis, Welsh Environments in Contemporary Welsh Poetry (978-0-7083-2152-2)
Harri Garrod Roberts, Embodying Identity: Representations of the Body in Welsh Literature (978-0-7083-2169-0)
Diane Green, Emyr Humphreys: A Postcolonial Novelist (978-0-7083-2217-8)
M. Wynn Thomas, In the Shadow of the Pulpit: Literature and Nonconformist Wales (978-0-7083-2225-3)
Linden Peach, The Fiction of Emyr Humphreys: Contemporary Critical Perspectives (978-0-7083-2216-1)
Daniel Westover, R. S. Thomas: A Stylistic Biography (978-0-7083-2413-4)
Jasmine Donahaye, Whose People? Wales, Israel, Palestine (978-0-7083-2483-7)
Judy Kendall, Edward Thomas: The Origins of His Poetry (978-0-7083-2403-5)
Damian Walford Davies, Cartographies of Culture: New Geographies of Welsh Writing in English (978-0-7083-2476-9)
Daniel G. Williams, Black Skin, Blue Books: African Americans and Wales 1845–1945 (978-0-7083-1987-1)
Andrew Webb, Edward Thomas and World Literary Studies: Wales, Anglocentrism and English Literature (978-0-7083-2622-0)
Alyce von Rothkirch, J. O. Francis, realist drama and ethics: Culture, place and nation (978-1-7831-6070-9)
Rhian Barfoot, Liberating Dylan Thomas: Rescuing a Poet from Psycho-Sexual Servitude (978-1-7831-6184-3)
Daniel G. Williams, Wales Unchained: Literature, Politics and Identity in the American Century (978-1-7831-6212-3)
M. Wynn Thomas, The Nations of Wales 1890–1914 (978-1-78316-837-8)
Richard McLauchlan, Saturday’s Silence: R. S. Thomas and Paschal Reading (978-1-7831-6920-7)
Bethan M. Jenkins, Between Wales and England: Anglophone Welsh Writing of the Eighteenth Century (978-1-7868-3029-6)
M. Wynn Thomas, All that is Wales: The Collected Essays of M. Wynn Thomas (978-1-7868-3088-3)
Laura Wainwright, New Territories in Modernism: Anglophone Welsh Writing , 1930–1949 (978-1-7868-3217-7)
L OCATING L YNETTE R OBERTS
‘A LWAYS O BSERVANT AND S LIGHTLY O BSCURE ’
WRITING WALES IN ENGLISH
E DITED BY S IRIOL M CAVOY
© The Contributors, 2019
All rights reserved. No part of this book may be reproduced in any material form (including photocopying or storing it in any medium by electronic means and whether or not transiently or incidentally to some other use of this publication) without the written permission of the copyright owner. Applications for the copyright owner’s written permission to reproduce any part of this publication should be addressed to the University of Wales Press, University Registry, King Edward VII Avenue, Cardiff CF10 3NS.
www.uwp.co.uk
British Library CIP Data
A catalogue record for this book is available from the British Library.
ISBN: 978-1-78683-382-2
e-ISBN: 978-1-78683-384-6
The right of The Contributors to be identified as authors of this work has been asserted in accordance with sections 77 and 79 of the Copyright, Designs and Patents Act 1988.

The publisher has no responsibility for the persistence or accuracy of URLs for any external or third-party internet websites referred to in this book, and does not guarantee that any content on such websites is, or will remain, accurate or appropriate.
Cover image: Osi Rhys Osmond, Gwag yw’r Bydysawd (2010), mixed media. By permission of the artist’s estate.
C ONTENTS
Series Editors’ Preface
Notes on Contributors
Acknowledgements
Introduction: Locating Lynette Roberts: ‘Always observant and slightly obscure’
Siriol McAvoy
1 The Scarlet Woman
M. Wynn Thomas
2 ‘“You have a Welsh name, are you Welsh?” he asked. “I don’t know,” I replied’: Lynette Roberts and Elective Welsh Identity
Katie Gramich
3 ‘I remember these things’: Memory, Misrepresentation and Cultural Tradition in Lynette Roberts’s ‘Seven Stories’
Michelle Deininger
4 ‘What changes break before us’: Semi-peripheral Modernity in Lynette Roberts’s Poetry and Prose
Andrew Webb
5 Welsh Literary Modernism, Lynette Roberts and David Jones: Unearthing ‘a huge and very important culture’
Daniel Hughes
6 ‘Crusaders uncross limbs by the green light of flares’: Lynette Roberts’s Avant-garde Medievalism
Siriol McAvoy
7 Burnt Pain and Blasted Seashells: Lynette Roberts’s Estuarine War Writing
Leo Mellor
8 Listening and Location in the Poetry of Lynette Roberts
Zoë Skoulding
9 Lynette Roberts’s The Endeavour : a Generic Adventure
Charles Mundye
Select Bibliography
Notes
S ERIES E DITORS ’ P REFACE
The aim of this series, since its founding in 2004 by Professor M. Wynn Thomas, is to publish scholarly and critical work by established specialists and younger scholars that reflects the richness and variety of the English-language literature of modern Wales. The studies published so far have amply demonstrated that concepts, models and discourses current in the best contemporary studies can illuminate aspects of Welsh culture, and have also foregrounded the potential of the Welsh example to draw attention to themes that are often neglected or marginalised in anglophone cultural studies. The series defines and explores that which distinguishes Wales’s anglophone literature, challenges critics to develop methods and approaches adequate to the task of interpreting Welsh culture, and invites its readers to locate the process of writing Wales in English within comparative and transnational contexts.
Professor Kirsti Bohata and Professor Daniel G. Williams
Founding Editor: Professor M. Wynn Thomas (2004–15)
CREW ( Centre for Research into the English Literature and Language of Wales ) Swansea University
C ONTRIBUTORS
Michelle Deininger is Lecturer and Co-ordinator of the Humanities provision at the Department of Continuing and Professional Education, Cardiff University. Her interests include Welsh women’s short stories in English from the mid-nineteenth century to the present. She has recently published an essay on ecofeminism in contemporary Welsh women’s writing, and is preparing (with Claire Flay-Petty) a major monograph on women, writing and higher education in twentieth-century culture.
Katie Gramich is Professor of English Literature at Cardiff University. Her research has focused on rediscovering Welsh women writers. She has edited texts by Allen Raine, Amy Dillwyn, and Eiluned Lewis and co-edited a wide-ranging anthology of Welsh women’s poetry for the Honno Classics series. Her monographs include Twentieth-Century Women’s Writing in Wales: Land, Gender, Belonging (UWP) and Kate Roberts (UWP). Broadview Press published her new edition and translation of the poetry of the late medieval Welsh woman poet Gwerful Mechain in 2018.
Daniel Hughes is lecturer in modern and contemporary literature at Bangor University. His work has been published in Wales Arts Review and The International Journal of Welsh Writing in English . Daniel is preparing a monograph on anglophone Welsh modernism, as well as a co-authored monograph (with Tomos Owen), on the poet, critic and translator Tony Conran.
Siriol McAvoy is a writer and literary researcher. She teaches in the Department of Continuing and Professional Education, Cardiff University. An Honorary Research Fellow in CREW, Swansea University, she is also co-chair of Modernist Network Cymru. She completed a PhD at Cardiff University in 2017, and her current research projects focus on Anglophone Welsh poetry of the 1940s and 1950s and twentieth-century women’s writing.
Leo Mellor is the Roma Gill Fellow in English and Director of Studies at Murray Edwards College, the University of Cambridge. He has published widely on modernism and twentieth-century literature, and is the author of Reading the Ruins: Bombsites, Modernism and British Culture (Cambridge University Press, 2011).
Charles Mundye is President of the Robert Graves Society and Fellow of the English Association. He is the editor of Keidrych Rhys’s The Van Pool: Collected Poems (Seren, 2012), and Robert Graves’s War Poems (Seren, 2016). He is currently Deputy Head and Head of Academic Development in the Department of Humanities at Sheffield Hallam University.
Zoë Skoulding is a poet and Reader at Bangor University. She has published several volumes of poetry including The Museum of Disappearing Sounds (Seren, 2013), and a monograph, Experimental Cities: Contemporary Women’s Poetry and Urban Space (Palgrave Macmillan, 2013).
Professor M. Wynn Thomas holds the Emyr Humphreys Chair of Welsh Writing in English at Swansea University, and is the former Director and founder of CREW, the Centre for Research into the English Literature and Language of Wales. A Fellow of the British Academy and the Learned Society of Wales, he has published over twenty books on American poetry and on the two literatures of Wales. In 2018 he won the Wales Book of the Year Award for creative non-fiction with his essay collection, All That is Wales .
Andrew Webb is Senior Lecturer in Welsh Writing in English at Bangor University, where he is also currently Head of the School of Languages, Literatures an