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With Kirsti Bohata, Jon Anderson, Jeffrey Morgan, ‘It’ll be our own little Wales out there’: re-situating Bardsey Island for post-devolution Wales in Fflur Dafydd’s Twenty Thousand Saints’, Island Studies Journal 12:2 (2017), 317-328.
‘Madawaska Valley: John Ormond’s lost film at the National Film Board of Canada’, Canadian Journal of Film Studies 25:1 (2017), 27-45.
‘Wales and the BBC’s Long Revolution’, Raymond Williams Kenkyu (2013), 71-82.
‘Constructing the Map: Welsh Criticism of Caradoc Evans’, Almanac, 16 (2012), 89-120.
Forthcoming: Edited with Rhian Barfoot, Dylan Unchained: New Critical Essays on Dylan Thomas (Cardiff: University of Wales Press, 2019)
In a uniquely dualistic creative career spanning five decades, John Ormond made major contributions to both English-language poetry and documentary filmmaking. Born in Swansea, he learned to ‘think in terms of pictures’ while working as a journalist in London, where he secured a job at the celebrated photojournalist magazine Picture Post. Employed later by the BBC in Cardiff during the early days of television, Ormond went on to become a pioneer in documentary film. This book is the first in-depth examination of the fascinating correspondences between Ormond’s twin creative channels; viewing his work against the backdrop of a changing Wales, it constitutes an important case study in the history of documentary filmmaking, in the history of British television, and in the cultural history of Wales.
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Informations
Publié par | University of Wales Press |
Date de parution | 15 octobre 2019 |
Nombre de lectures | 0 |
EAN13 | 9781786834898 |
Langue | English |
Poids de l'ouvrage | 3 Mo |
Informations légales : prix de location à la page 0,1250€. Cette information est donnée uniquement à titre indicatif conformément à la législation en vigueur.
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