Ordinary Affects is a singular argument for attention to the affective dimensions of everyday life and the potential that animates the ordinary. Known for her focus on the poetics and politics of language and landscape, the anthropologist Kathleen Stewart ponders how ordinary impacts create the subject as a capacity to affect and be affected. In a series of brief vignettes combining storytelling, close ethnographic detail, and critical analysis, Stewart relates the intensities and banalities of common experiences and strange encounters, half-spied scenes and the lingering resonance of passing events. While most of the instances rendered are from Stewart's own life, she writes in the third person in order to reflect on how intimate experiences of emotion, the body, other people, and time inextricably link us to the outside world.Stewart refrains from positing an overarching system-whether it's called globalization or neoliberalism or capitalism-to describe the ways that economic, political, and social forces shape individual lives. Instead, she begins with the disparate, fragmented, and seemingly inconsequential experiences of everyday life to bring attention to the ordinary as an integral site of cultural politics. Ordinary affect, she insists, is registered in its particularities, yet it connects people and creates common experiences that shape public feeling. Through this anecdotal history-one that poetically ponders the extremes of the ordinary and portrays the dense network of social and personal connections that constitute a life-Stewart asserts the necessity of attending to the fleeting and changeable aspects of existence in order to recognize the complex personal and social dynamics of the political world.
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I am grateful to te National Endowment for te Humanities for a fellowsip year at te Scool of American Researc in Santa Fe; to te University of California, Irvine, Humanities Institute for six monts in Orange County; and to te University of Texas for a Dean’s Fellowsip and a Faculty Researc Assignment. Versions of various small parts of tis book ave been publised elsewere, as follows:Annual Review of Antropology (); Intimacy, ed. Lauren Berlant (Cicago: University of Cicago Press, );Cultural Studies and Political heory, ed. Jodi Dean (Itaca: Cornell University Press, );Cross Cultural Poetics, no. ();Modernism, Inc.: Essays on American Modernity, ed. Jani Scanduri and Micael hurston (New York: New York Uni-versity Press, ); “Public Sentiments: Memory, Trauma, His-tory, Action,” ed. Ann Cvetkovic and Ann Pelegrini, special issue ofScolar and Feminist Online, no. ();Aestetic Subjects: Pleasures, Ideologies, and Etics, ed. Pamela Mattews and David McWirter (Minneapolis: University of Minnesota Press, ); Transparency and Conspiracy: Etnograpies of Suspicion in te New World Order, ed. Harry G. West and Todd Sanders (Dur-am, N.C.: Duke University Press, );Histories of te Future, ed. Susan Harding and Daniel Rosenberg (Duram, N.C.: Duke University Press, );Handbook of Qualitative Researc, ed. Norman Denzin and Yvonna Lincoln (London: Sage, ); and “Uncarted Territories: An Experiment in Finding Missing Cul-tural Pieces,” ed. Orvar Lofgren, special issue,Etnologia Europea: Journal of European Etnology, no. (). Many people ave read or listened to parts or all of te various versions of tis book. I am especially grateful to Begoña Aretxaga,