Old Thunder
252 pages
English

Vous pourrez modifier la taille du texte de cet ouvrage

Découvre YouScribe en t'inscrivant gratuitement

Je m'inscris

Old Thunder , livre ebook

-

Découvre YouScribe en t'inscrivant gratuitement

Je m'inscris
Obtenez un accès à la bibliothèque pour le consulter en ligne
En savoir plus
252 pages
English

Vous pourrez modifier la taille du texte de cet ouvrage

Obtenez un accès à la bibliothèque pour le consulter en ligne
En savoir plus

Description

Hilaire Belloc is one of the most important writers of the twentieth century. At turns reviled or revered, depending on the audience, he was a razor sharp social commenter and a master of both poetry and prose, who continues to captivate readers. In Old Thunder, Joseph Pearce examines Belloc's enduring impact on British intellectual life. Along the way, Pearce uncovers Belloc's relationships with Chesterton, Waugh, and Sassoon, among others. Pearce also illuminates another side of Belloc's personality by relaying his long courtship with Elodie Hogan, her brief stint in a convent, and his ultimate grief at her death. In this updated biography, with a new introduction by Dale Alhquist, Joseph Pearce uses previously unpublished letters and photographs to reveal in Belloc a romantic, complex, and solitary man, who is one of the true giants of the Catholic revival in the last century.

Sujets

Informations

Publié par
Date de parution 31 mars 2015
Nombre de lectures 0
EAN13 9781618907318
Langue English

Informations légales : prix de location à la page 0,0400€. Cette information est donnée uniquement à titre indicatif conformément à la législation en vigueur.

Extrait

Copyright © 2015 Joseph Pearce
All rights reserved. With the exception of short excerpts used in articles and critical review, no part of this work may be reproduced, transmitted, or stored in any form whatsoever, printed or electronic, without the prior written permission of the publisher.
This book was first published in the United States by Ignatius Press in 2003. This TAN Books edition has been re-typeset and revised. Revisions include occasional spelling, punctuation, and typography corrections.
Typeset by Lapiz
Cover design by Caroline Kiser
Cover image: British historian and author Hilaire Belloc. Photo by Time Life Pictures/Mansell.
ISBN: 978-1-61890-656-4
Published in the United States by TAN Books PO Box 410487 Charlotte, NC 28241 www.TANBooks.com
Printed and bound in the United States of America.
For James Catford,
In lasting gratitude for the faith he has always shown in my work
CONTENTS
Acknowledgments
Preface
1 Cradle Refugee
2 An Anglo-French Childhood
3 First Love
4 “ Youth Gave You to Me”
5 Editor and Tramp
6 Soldier and Scholar
7 Survivals and New Arrivals
8 Baring and Buchan
9 Baring and Chesterton
10 Romeward Bound
11 The South Country
12 The Chesterbelloc
13 The Party System
14 Friends and Disciples
15 Love and Laughter
16 Religion and Politics
17 Farewell to Parliament
18 Eye-Witness to Scandal
19 Ghostly Secrets and Mortal Wounds
20 “Where Darkness Is …”
21 War and Other Diversions
22 A Private Friendship
23 Popes, Dictators and Jews
24 Friends and Family
25 War of the Wells
26 Reformed Characters
27 A Final Flourish
28 Farewell to the Chesterbelloc
29 The Last Rally
30 Decline without Fall
31 The Fading
Notes
Bibliography
ACKNOWLEDGMENTS
I have been truly blessed during my work on this volume to have received the help and cooperation of several of Belloc’s descendents. I enjoyed many delightful hours in the presence of his granddaughter, Sister Emmanuel Mary, nee Marianne Jebb, amidst the idyllic tranquility of the convent of the Canonesses of St. Augustine, the order she joined in 1945. A similarly fruitful visit was enjoyed in the company of Rom Philip Jebb, Belloc’s grandson, at Downside Abbey, and with Zita Caldecott, another granddaughter, in her London flat, nestled in the shadow of Westminster Cathedral. The Earl of Iddesleigh and Edward Northcote, grandsons of Marie Belloc Lowndes, offered their time and their anecdotal memories. Barbara Wall and Bob Copper were also kind enough to share their memories with me. Chloe Blackburn, daughter of the artist Sir James Gunn, shared her fond reminiscences of her father’s friendship with Belloc and Chesterton. I am particularly indebted to Zita Caldecott, Chloe Blackburn, and Miranda Mackintosh for the loan of many letters to and from Belloc, the quotations from which have enriched this volume considerably.
Apart from the unique insights offered by the aforementioned, my work has been assisted greatly by those academics and devotees of Belloc who have assisted me in my research. Kim Leslie, chief archivist at the West Sussex Record Office in Chichester, was utterly selfless in making many previously unpublished letters available to me, as were Grahame and Gill Clough at the Belloc Study Centre, also in Sussex. Mike Hennessy allowed me access to his own exhaustive research into Belloc’s parliamentary career, and I am grateful to William Griffiths and Alan Davidson for their knowledge and their support. Gerard Tracey, Archivist at the Birmingham Oratory, was very helpful in assisting my efforts to piece together the missing details of Belloc’s schooldays at the Oratory school.
Further afield, I have been the beneficiary of the fruits of the diligent labour of a number of American academics. Dale Ahlquist spent several hours trawling through the Special Collections in the O’Shaugnessy-Frey Library at the University of St. Thomas in St. Paul, Minnesota. During his endeavors on my behalf he was assisted by Jim Kellen, the Librarian responsible for the Special Collections. Nicholas Scheetz, Manuscripts Librarian at Georgetown University Library, was generous with his time and his patience as he guided me through the Belloc material at Georgetown. Marty Barringer, Associate University Librarian, responsible for the Special Collections and Archives at Georgetown, was also very helpful, as was my friend and colleague on the Saint Austin Review, Father James V. Schall.
By far the greatest collection of Belloc material is to be found at Boston College, and I have to thank several people for their valuable assistance. Robert K. O’Neill, Father Frank Vye, John Atteberry and, most particularly, Peter Kreeft were all most helpful in making the material at Boston College available to me.
Others who have assisted in sundry ways include Father Fessio at the Ignatius Press and Amy Boucher-Pye at HarperCollins. Penultimately, and emphatically, I must thank my wife, Susannah, who assisted me in multifarious ways throughout the months in which this labor of love was in preparation. Ultimately, however, I must conclude with a confession of all the sins of omission that I have doubtless committed in leaving out many other people who have assisted my efforts on this volume. To these unsung heroes and heroines I offer my sincerest gratitude and my heartfelt apologies for my failure to acknowledge their efforts individually.
Preface
By Dale Ahlquist
G.K. Chesterton said that he and Belloc were completely different. It just so happened that they agreed on politics and religion. It was precisely that agreement that has caused most observers to associate them with one another. Certainly they both advocated widespread ownership and local-based economies. They both defended the Catholic faith—even before Chesterton became Catholic. They both extolled “laughter and the love of friends.” And they were both virtuosos of the written word, which was not only put to use defending the same ideas, but defending each other. It was, of course, their agreement on politics and religion that provoked George Bernard Shaw to label them as one four-legged beast known as the Chesterbelloc.
But they were different.
The revival of interest in Chesterton has predictably helped revive an interest in Belloc as well, but it is almost as if Belloc has been forced to tag along, as if being attached to Chesterton by a tether. I am often asked, “When are you going to do Belloc?” as if I am expected to “do” what I have been involved in doing with Chesterton: establishing a literary society devoted to him, collecting and cataloguing his entire literary output, drawing attention to his writings through a magazine, a television show, an active website, an annual conference, dozens of local societies, and putting a great deal of effort into reinvigorating scholarship and research. But I still have my hands full. Someone else is going to have to “do” Belloc. After all, they were different. And it should be done. Belloc deserves it. He is a great writer and a great warrior and certainly a great wit, especially when it comes to the skewering in verse of naughty boys and girls.
Joseph Pearce, of course, does not have the same limitations I have. While I am eternally stuck on my one writer, he simply takes on one great literary figure after another and writes a profound and permanent treatment of their life and works, managing somehow to distill a great mass of material into one book, even while adding to our understanding and pointing out something new. But even after Joseph Pearce began his prolific career as a biographer, starting with his book on Chesterton, the question among his growing legion of fans was “When will he do Belloc?” The assumption was: if one, then the other.
But they were different. And this, the most “expected” of Joseph Pearce’s books, bears out the unexpected conclusion.
In some ways, both Chesterton and Belloc have been treated unfairly because of the obligation to hook them together. What some critics do not like about Chesterton (i.e. his politics and his religion), they blame on Belloc. What some critics admire about Belloc (something other than his politics and religion), they attribute to Chesterton. Wrong on all counts. Neither can escape the other’s shadow (and as good friends, neither would wish to), but Belloc has suffered most from being part of the mythological creature because his work is seldom considered independently of Chesterton.
But they were different.
Anyone who spends anytime with the two writers will soon see their differences, but even then there is the danger of being superficial when making the distinctions: Chesterton will be the optimist, Belloc the pessimist; Chesterton will be seen as comic and Belloc as tragic; Chesterton as the happy child and Belloc as the grumpy old man. But even in touching the tragic aspect of Belloc, his critics do not go deep enough. Those who scoff at or satirize him only parade their ignorance and insensitivity about what another man is called to endure. For Belloc was visited by tragedies that most people will never imagine much less experience. Many public figures hide sin and scandal. Belloc hid only his private pain and heroic suffering. As a cradle Catholic surrounding by converts, he was always expected to be the pillar of faith, but no one realizes the extent of the trials to which his faith was put. You will learn them in this book.
You will also learn why Belloc is more complicated and more fascinating than the cardboard cutouts of him. He was a child of two worlds, being an unwavering defender of the country he left behind and a relentless critic of the country he made his home. He truly loved southern England and the Sussex landscape and history and people and windmills, and he loathed the British political and economic machine that was destroying it all before his eyes.
He was also a child of both the land

  • Univers Univers
  • Ebooks Ebooks
  • Livres audio Livres audio
  • Presse Presse
  • Podcasts Podcasts
  • BD BD
  • Documents Documents