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70 pages

English

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Suffering in an unjust world is the theme of this book. God punishes Job, a wealthy and pious man, after giving an assertion to Satan that his subject will never curse him. It goes on to explain why Job has suffered, raising ethical questions about the nature of divinity. The text is introduced by author Louis de Bernieres

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Philosophie et théologie

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Publié par	Canongate Books
Date de parution	01 janvier 1999
Nombre de lectures	0
EAN13	9780857860927
Langue	English

Informations légales : prix de location à la page 0,0050€. Cette information est donnée uniquement à titre indicatif conformément à la législation en vigueur.

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Contents
Title Page a note about pocket canons introduction by louis de bernières: the impatience of job the book of job 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 About the Author Copyright
a note about pocket canons
The Authorised King James Version of the Bible, translated between 1603–11, coincided with an extraordinary flowering of English literature. This version, more than any other, and possibly more than any other work in history, has had an influence in shaping the language we speak and write today. Presenting individual books from the Bible as separate volumes, as they were originally conceived, encourages the reader to approach them as literary works in their own right.
The first twelve books in this series encompass categories as diverse as history, fiction, philosophy, love poetry and law. Each Pocket Canon also has its own introduction, specially commissioned from an impressive range of writers, which provides a personal interpretation of the text and explores its contemporary relevance.
introduction by louis de bernières: the impatience of job
One would naturally assume that a book of the Old Testament must have been written by an Israelite, and indeed the earliest rabbinical tradition asserts that Moses was the author of The Book of Job . In the past Christians readily accepted this notion, which is why, for example, one finds Isaak Walton referring to it whilst discoursing on the alleged patience of the angler. In fact there are literary parallels to the story in Persian, Sumerian, Akkadian and Babylonian, and in the Biblical version there appear to be several allusions to Ugaritic myth. Some of the unique or rare words in the text are possibly Edomite. There exists an apocryphal ‘Testament of Job’, and there is even an amusing tale about Job and his wife in the Islamic tradition. It would seem, then, that the story is a variant on an ancient folktale, that may indeed be as old as the patriarchs, but could have been composed by anyone from any of the interlocking mosaic of cultures that existed in the region between 2000 and 700 BCE . God, in the story, is not omniscient (He asks Satan what he has been up to), there is no clear belief in the afterlife, and Satan is still one of God’s courtiers. This means that if the tale is Jewish, it would have to date from before the exile in Babylon.
There may have been at least three authors of the book, since Elihu’s intervention, and the long and wonderful poem about the inaccessibility of wisdom are almost certainly interpolations, but whoever the main author was, he was a great poet. The original is very terse, but since Hebrew requires half the number of words needed in English, no English translation could hope to do justice to it. Furthermore, no-one knows exactly how Hebrew poetry was stressed or scanned, and so for us the quality of the verse will depend upon the force, aptness and beauty of expression; the reader of Job will be struck mostly by the skill of the author in repeating the same thoughts in new ways that are continually refreshing and illuminating. It has to be said that one gains very little new information from each speech, and anyone looking for snappy action and exciting new events would certainly be better off hiring a video, the point being that this is really a long and beautiful poem about divine justice, rendered in the forms of narrative, dialogue, hymn, lament, proverb, and oracle. The compilers of the King James version in this volume did not have the benefit of modern scholarship, and so their rendition is often confused and inaccurate, but they have nonetheless managed to contribute their sonorously fair share of poetry to the English language. Chapter 14 stands independently as a moving lament for the human condition: ‘Man that is born of a woman is of few days, and full of trouble. He cometh forth like a flower, and is cut down …’.
Elsewhere we find the proverbs: ‘The price of wisdom is above rubies’ and ‘The fear of the Lord, that is wisdom’, and the memorable words adapted by Handel for his Messiah : ‘I know that my redeemer liveth, and that he shall stand at the latter day upon the earth; and though after my skin worms destroy this body, yet in my flesh shall I see God.’ It may be unfortunate that this is a hopeless mistranslation of the original verses, which are not about redemption and resurrection at all, but it is still great writing.
The book is in fact very largely about faith, however, and particularly about the issue of theodicy – whether or not one can have faith in the goodness and worthiness of an omnipotent creator who is apparently responsible for creating evil, and tolerating the suffering of the innocent. Whereas Job’s attitude is profoundly felt and deeply personal, his four comforters take a more detached and philosophical line, but it is important to remember that God and Satan are the only two who really know what is going on.
Satan is portrayed as an affable but astute fellow who is on terms of familiarity with God; when the latter asks him where he has been, Satan casually replies ‘From going to and fro in the earth, and from walking up and down in it.’ When God invites Satan to admire Job’s uprightness, Satan very acutely points out that God has made sure that Job has had an easy ride of it, ‘but put forth thine hand now, and touch all he hath, and he will curse thee to thy face.’ God accepts the challenge, with the proviso that Job himself must not be physically harmed, whereupon Satan destroys Job’s oxen, sheep, camels, servants and children. Job’s equanimity survives these trials, and Satan points out to God that an attack on Job’s person is more likely to do the trick. God gives his permission, and Job is struck down by a revolting combination of foul diseases. At this point Job does indeed turn against God, and Satan is heard of no more, having won his wager. The quantity of shekels involved in this bet is not recorded, but no doubt Satan spends them whilst going once more to and fro in the earth, and walking up and down in it, his conscience eased by the thought that he has merely been obeying orders from a superior.
Job’s comforters are possibly the most irritating characters in all of literature, and Job more than once tells them that they are completely intolerable. Elihu is the last, and is the most annoying of all of them, since he announces that all the others have been beside the point, whilst he, although the young est, has the conclusive arguments. He then says nothing interesting or original, in the manner of sententious bores the world over. He says that God rescues people repeatedly, that it is up to God to choose what happens, that Job must have done some thing wrong, because God is righteous, that God is beyond our capacity to comprehend, and that God does not do evil.
To be fair to young Elihu, he was probably not in the original story, but the other self-righteous prigs certainly were. Each has three speeches, and Job replies to them in turn. Eliphaz says that God only punishes the wicked, that God saves and protects, that we cannot know God’s plans, that Man is naturally vile and unclean in God’s eyes, that God punishes sinners in their own lifetime, and that Job must therefore be a rebel and a sinner. His concluding comment is that none of us make any difference to God one way or the other.
Bildad asserts that God does not pervert justice, that we are ignorant of the real state of things, that God will not reject the upright, that we are punished for forgetting God, and that Job must therefore be evil and Godless. His final thought is that we are nothing, before God’s omnipotence.
Zophar says that God knows what the reality is, and that therefore Job must be guilty of something. The mirth of the wicked is brief, he says, and God brings them down.
That phrase about the ‘patience of Job’ could not be further from the mark. Job is, for all but three of the forty-two chapters, exasperated by his comforters, reduced to abject misery by his afflictions, and disillusioned and furious with God. ‘The defiance of Job’ would have been a far more apposite figure of speech to have passed into the language. His comforters have all the usual inane, pious, platitudinous, facile morsels of cod-wisdom at their fingertips, but it is Job who has all the passion, and all the grasp of the real paradoxes implicit in the idea of theodicy. Job tells his comforters that his argument is with God, and not with them, and that, if they are just trying to curry favour with God, then the latter will surely see through them. He says that in their position he would talk the same rot. He even accuses them of behaving like God, and persecuting him unjustly. Readers, of course, are in the privileged position of knowing that all the arguments of the comforters are either false or completely beside the point, since God’s assault on Job is nothing whatsoever to do with just punishment, it is to do with an interesting bet between Himself and one of His friends.
There is an amusing vignette, wherein Job’s wife advises him to curse God and die, whereupon he says, ‘Thou speakest as one of the foolish women speaketh.’ Before long, however, he is indeed cursing God and wishing for death, and no doubt Mrs Job (whose name was said to be ‘Sitis’) derives some quiet satisfaction from this. Chrysostom proposed that Mrs Job might have been Job’s ‘greatest scourge of all’, but this would seem to reflect the former’s peculiar preoccupations rather than anything one can find in the story. Job is very like the character of Philoctetes in the play of Sophocles, abandoned on an island whilst his foot rots, and his sentiments are very much those of Jesus on the cross, who cries out, ‘My God, My God, w