Ellipsis
256 pages
English

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256 pages
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Description

What is the nature of poetic language when its experience involves an encounter with finitude; with failure, loss, and absence? For Martin Heidegger this experience is central to any thinking that would seek to articulate the meaning of being, but for Friedrich Hölderlin and Maurice Blanchot it is a mark of the tragic and unanswerable demands of poetic language. In Ellipsis, a rigorous, original study on the language of poetry, the language of philosophy, and the limits of the word, William S. Allen offers the first in-depth examination of the development of Heidegger's thinking of poetic language—which remains his most radical and yet most misunderstood work—that carefully balances it with the impossible demands of this experience of finitude, an experience of which Hölderlin and Blanchot have provided the most searching examinations. In bringing language up against its limits, Allen shows that poetic language not only exposes thinking to its abyssal grounds, but also indicates how the limits of our existence come themselves, traumatically, impossibly, to speak.
Acknowledgments
Abbreviations
Introduction

Part One: The Mark of a Poem

1. Repeat: The Experience of Poetic Language

The Turning of Logos
Saying the Same
The Limit of Writing
Again, Anew

2. Hiding: Figures of Cryptophilia in the Work of Art

Earth and Phusis
Draw-ing and Polemos
Poetry and Logos
Thesis: Stellen: Peras

3. Beyond: The Limits of the Word in Heidegger and Blanchot

The Reading of the Word
The Writing of the Word
The Position of the Word

Part Two: The Repetition of Language

4. Suspending: The Translation of Tragedy in Hölderlin’s Essays

The Chiasmic Ground of Empedocles
The Caesura of Oedipus
The Eccentricity of Antigone
The Rhythm of Dysmoron

5. A Void: Writing and the Essence of Language

Bearing Out
The Pain of Language
Into the Space of Renunciation
In Palimpsest

6. Fragmenting: L’iter-rature of Relation

“Without return”
. . .
“Never repeat”
(Refrain)

Notes
Index

Sujets

Informations

Publié par
Date de parution 01 février 2012
Nombre de lectures 1
EAN13 9780791479704
Langue English
Poids de l'ouvrage 2 Mo

Informations légales : prix de location à la page 0,1648€. Cette information est donnée uniquement à titre indicatif conformément à la législation en vigueur.

Extrait

WilliamS.Allen
Ellipsis Of Poetry and the Experience of Language after Heidegger, Hölderlin, and Blanchot
Ellipsis
SUNY series in Contemporary Continental Philosophy DENNISJ. SCHMIDT,EDITOR
Ellipsis
Of Poetry and the Experience of Language after Heidegger, Hölderlin, and Blanchot
William S. Allen
STATE UNIVERSITY OF NEW YORK PRESS
Published by State University of New York Press, Albany
© 2007 State University of New York
All rights reserved
Printed in the United States of America
No part of this book may be used or reproduced in any manner whatsoever without written permission. No part of this book may be stored in a retrieval system or transmitted in any form or by any means including electronic, electrostatic, magnetic tape, mechanical, photocopying, recording, or otherwise without the prior permission in writing of the publisher.
For information, address State University of New York Press, 194 Washington Avenue, Suite 305, Albany, NY 12210-2384
Production by Michael Haggett & Marilyn Semerad Marketing by Anne M. Valentine
Library of Congress Cataloging in Publication Data
Allen, William S., 1971– Ellipsis : of poetry and the experience of language after Heidegger, Hölderlin, and Blanchot / William S. Allen. p. cm. — (SUNY series in contemporary continental philosopy) Includes bibliographical references and index. ISBN-13: 978-0-7914-7151-7 (hardcover : alk. paper) 1. Philosophy, Modern—20th century. 2. Poetry. 3. Language and languages—Philosophy. 4. Heidegger, Martin, 1889–1976. 5. Hölderlin, Friedrich, 1770–1843. 6. Blanchot, Maurice. I. Title.
B804.A435 2007 121'.68—dc22
2006032535
10 9 8 7 6 5 4 3 2 1
Nur das Einmalige ist wieder-holbar (Only the singular is re-peatable)
Martin Heidegger, 1936–37
Tu appelleras désormais poème une certaine passion de la marque singulière (You will call poem from now on a certain passion of the singular mark) Jacques Derrida, November 1988
This page intentionally left blank.
PARTONE:
1
2
3
Contents
Acknowledgments
Abbreviations
Introduction
THEMARK OF APOEM
Repeat: The Experience of Poetic Language The Turning ofLogos Saying the Same The Limit of Writing Again, Anew
Hiding: Figures of Cryptophilia in the Work of Art Earth andPhusis Draw-ing andPolemos Poetry andLogos Thesis: Stellen:Peras
Beyond: The Limits of the Word in Heidegger and Blanchot The Reading of the Word The Writing of the Word The Position of the Word
vii
ix xi 1
25 30 38 44 52
59 64 71 79 85
91 98 108 115
viii
PARTTWO:
4
5
6
CONTENTS
THEREPETITION OFLANGUAGE
Suspending: The Translation of Tragedy in Hölderlin’s Essays The Chiasmic Ground ofEmpedocles The Caesura ofOedipus The Eccentricity ofAntigone The Rhythm ofDysmoron
A Void: Writing and the Essence of Language Bearing Out The Pain of Language Into the Space of Renunciation In Palimpsest
Fragmenting: L’iter-rature of Relation “Without return” . . . “Never repeat” (Refrain)
Notes Index
123 128 134 142 147
153 158 162 170 182
189 193 205 208 212
217 235
Acknowledgments
I must express my gratitude firstly to Paul Davies, Chris Fynsk, and to an anonymous reader at the State University of New York Press who carefully read earlier drafts of this work and who gave some much needed support and critical commentary. Above all, the development of this work has been made possible by two very significant figures in my life: Miguel de Beis-tegui and Anna Johnson. Miguel has provided the essence of careful and discreet guidance, constantly surprising me with the precision of his com-ments and the generosity of his support. Anna’s presence breathes through every word and phrase of this work as a persistent reminder of why I should be doing it, why the perseverance and the exactitude required by such a project have an importance far beyond the project itself; it is thus to her that this work is dedicated.
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