In Brownsville's twenty-one housing projects, the young cops and the teenagers who stand solemnly on the street corners are bitter and familiar enemies. The Ville, as the Brownsville-East New York section of Brooklyn is called by the locals, is one of the most dangerous places on earth-a place where homicide is a daily occurrence. Now, Greg Donaldson, a veteran urban reporter and a longtime teacher in Brooklyn's toughest schools, evokes this landscape with stunning and frightening accuracy.The Ville follows a year in the life of two urban black males from opposite sides of the street. Gary Lemite, an enthusiastic young Housing police officer, charges recklessly into gunfire in pursuit of respect and promotion. Sharron Corley, a member of a gang called the LoLifes and the star of the Thomas Jefferson High School play, is also looking for respect as he tries to survive these streets.Brilliantly capturing the firestorm of violence that is destroying a generation, waged by teenagers who know at thirty yards the difference between a MAC-10 machine pistol and a .357 Magnum, The Ville is the story of our inner cities and the lives of the young men who remain trapped there. In the tradition of There Are No Children Here, Clockers, and Random Family, The Ville is a vivid and unforgettable contribution to our understanding of race and violence in America today.
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Lîbrary o Congress Conro Number: 2014952821
Prîned în e Unîed Saes o Amerîca
17 16 15 5 4 3 2 1
Updaed edîîon
C O N T E N T S
Foreword by Mark Naîson Preace Acknowedgmens
Proogue: Lîkey
S U M M E R Don’ Gîve Up on Your Dreams Gun Coar One Mae Back “Ge Ou o Brownsvîe” J. R. Junîor Props he Scream Payday “No, Robo, No” he Feds Are Cockîng Boody Vaenîne he Troops Eddîe on e Back Od-Tîmers “ï Never Me e Man” He Nîg Kîds’ Suf
FA L L Jef “Come Beînd Me” “Straîgt to hat Hoy House” Sateîte In Fu Efect Goîng to Represent Apartment 5AB “He Looks Lîke a Perp” “Trap Of ” “It Hurts, Prîce” Rîker’s Isand
W I N T E R “He’s Gone” “Crîstmas Is or Wîte Peope” Country Boys “Let te Dogs Loose” Dîscontent “Two Tears în a Bucket” “I Lîke te Way I Am” Homecomîng
S P R I N G A N D S U M M E R “I Can’t Wak” “I Am te Vîe” Twenty-our Seven Judgment “Bîg Days” Brownsvîe
Epîogue: Later Epîogue: 1994 Epîogue: 2015
Potograps oow page 222
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263 274 283 298 308 318 331 337
347 353 364 372 382 393
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F O R E W O R D
he re-pubîcaîon o Greg Donadson’she Villeby Fordam Unîver-sîy Press îs a grea even or anyone îneresed în New York Cîy îsory or e poîîcs o drug enorcemen.he Villeîs, wîou quesîon, e bes book ever wrîen abou înner-cîy New York durîng e years o e crack epîdemîc.he Villepresens îs ragedy rom so many vanage poîns—ose o e deaers, e poîce and prosecuors, e eacers and scoo prîncîpas, e amîîes ryîng o raîse cîdren amîds e carnage, and e young peope wo, despîe îvîng în a danger zone, ry o say cear o a drug busîness a promîsed unprecedened rewards and even graver rîsks. ï can înk o no oer book a peneraes an înner-cîy neîgbor-ood în New York în îs era wî suc însîg, suc eoquence, and suc respec and compassîon or dîferen groups o peope ryîng o make a îe în a word o îmîed opporunîy ren by deady vîoence. To puhe Villeîn perspecîve, ï ave o urn o medîa oer an books. he ony paces ï can Ind you narraîves o equa eoquence rom e crack years în New York are în e îp-op soryeîng o JZ, Nas, Bîggîe Smas, and Wu Tang Can.he Villeîs e perec companîon voume o ree o e greaes îp-op abums o a îme, se în e ousîng projecs o Brookyn, Queens, and Saen ïsand: Nas’s “ïmaîc,” JZ’s “Reasonabe Doub,” and Wu Tang Can’s “36 Cambers.” Donadson capures e wordvîew o young peope în a word saped by crack a-mos as we as ese amazîng arîss—wîe aso provîdîng an equay compeîng porraî o eîr major adversary, e poîce. And ere, o puhe Villeîn perspecîve, you ave o urn o wa many înk îs e greaes TV serîes ever made, “he Wîre.”he Villeîs “he Wîre” în prîn orm, en years earîer, se în Brownsvîe, Brook-