257 pages

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The Brazilian Road Movie , livre ebook

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257 pages

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The innovative collection of essays by a distinguished group of scholars brought together in The Brazilian Road Movie - Journeys of (Self) Discovery represents the first book-length publication on Brazil's encounters with and reworkings of one of cinema's most enduringly popular genres.
Introduction: Sara Brandellero Part I: On the Road Chapter 1: Silvino Santos and the Mobile View: Documentary Geographies of Modern Brazil Luciana Martins Chapter 2: Paths of the Brazilian Road Movies in the 1950s Samuel Paiva A-- Chapter 3: Bye Bye Brasil and the Quest for the Nation Sara Brandellero Chapter 4: Framing Landscapes: the Return Journey in Suely in the Sky Mariana A. C. da Cunha Chapter 5: Road to Riches: Migration and Social Mobility in 2 Filhos de Francisco Tatiana Signorelli Heise Chapter 6: God is Brazilian: a Re-Examination of Cinema Novo and Self Adriana Rouanet Part II: The Voyage Out Chapter 7: Leaving Home in Three Films by Walter Salles Darlene J. Sadlier Chapter 8: Back to the Margins in Search of the Core: Foreign Land's Geography of Exclusion Lucia Nagib Chapter 9: Sertao as Post-National Landscape: Cinema, aspirinas e urubus Stephanie Dennison Chapter 10: Women on the Road: Sexual Tourism & Beyond Joao Luiz Vieira

Sujets

Histoire

South America

Latin America

Brazil

History

Informations

Publié par	University of Wales Press
Date de parution	15 juin 2013
Nombre de lectures	0
EAN13	9780708325995
Langue	English
Poids de l'ouvrage	2 Mo

Informations légales : prix de location à la page 0,1900€. Cette information est donnée uniquement à titre indicatif conformément à la législation en vigueur.

Extrait

IBERIAN AND LATIN AMERICAN STUDIES

The Brazilian Road Movie

Series Editors Professor David George (Swansea University) Professor Paul Garner (University of Leeds)

Editorial Board David Frier (University of Leeds) Lisa Shaw (University of Liverpool) Gareth Walters (Swansea University) Rob Stone (Swansea University) David Gies (University of Virginia) Catherine Davies (University of Nottingham) Richard Cleminson (University of Leeds)

Other titles in the series Stuart Nishan Green:From Silver Screen to Spanish Stage: The Humorists of the Madrid Vanguardia and Hollywood Film Teresa Fuentes Peris:Galdós’sTorquemadaNovels: Waste and Proﬁt in Late NineteenthCentury Spain Shelley Godsland:Killing Carmens: Women’s Crime Fiction from Spain Ben Bollig:Modern Argentine Poetry: Exile, Displacement, Migration Kathryn Crameri:Catalonia: National Identity and Cultural Policy Roger Bartra:Melancholy and Culture: Diseases of the Soul in Golden Age Spain Nicolas FernandezMedina:The Poetics of Otherness in Antonio Machado’sProverbios Y Cantares Helena Buffery:Shakespeare in Catalan: Translating Imperialism David G. Frier:The Novels of José Saramago: Echoes from the Past, Pathways into the Future Richard Cleminson and Francisco Vàzquez Garcia:Hermaphroditism, Medical Science and Social Identity in Spain, 1850–1960 Richard Cleminson and Francisco Vàzquez Garcia: Los Invisibles:A History of Male Homosexuality in Spain, 1850–1940 Lloyd Hughes Davies:Projections of Peronism in Argentine Autobiography, Biography and Fiction Yaw AgawuKakraba:Postmodernity in Spanish Fiction and Culture Alison Sinclair:Sex and Society in Early Twentieth Century Spain: Hildegart Rodriguez and the World League for Sexual Reform Pablo San Martin:Western Sahara: The Refugee Nation Eli Bartra:Women in Mexican Folk Art: Of Promises, Betrayals, Monsters and Celebrities Tom Whittaker:The Films of Elías Querejeta: A Producer of Landscapes Helena Buffery and Carlota Caulﬁeld (eds):Barcelona: Visual Culture, Space and Power Roger Bartra:The Mexican Transition: Politics, Culture, and Democracy in the Twentyﬁrst Century Anindya Raychaudhuri (ed.):The Spanish Civil War: Exhuming a Buried Past

IBERIAN AND LATIN AMERICAN STUDIES

The Brazilian Road Movie

Journeys of (Self) Discovery

EDITED BY SARA BRANDELLERO

UNIVERSITY OF WALES PRESS CARDIFF

All rights reserved. No part of this book may be reproduced in any material form (including photocopying or storing it in any medium by electronic means and whether or not transiently or incidentally to some other use of this publication) without the written permission of the copyright owner except in accordance with the provisions of the Copyright, Designs and Patents Act 1988. Applications for the copyright owner’s written permission to reproduce any part of this publication should be addressed to the University of Wales Press, 10 Columbus Walk, Brigantine Place, Cardiff, CF10 4UP. www.uwp.co.uk

British Library CIP A catalogue record for this book is available from the British Library.

ISBN 978–0–7083–2598–8 eISBN 978–0–7083–2599–5

The right of the Contributors to be identiﬁed as authors of this work has been asserted in accordance with sections 77, 78 and 79 of the Copyright, Designs and Patents Act 1988.

Typeset by Marie Doherty Printed by CPI Antony Rowe, Chippenham, Wiltshire

For Alice

Contents

Series Editors’ Foreword Acknowledgements List of Illustrations Notes on Contributors Introduction

Chapter 1:

Chapter 2:

Chapter 3:

Chapter 4:

Chapter 5:

Chapter 6:

Part I: On the Road Silvino Santos and the Mobile View: Documentary Geographies of Modern Brazil Luciana Martins Paths of Brazilian Road Movies in the 1950s Samuel Paiva Bye bye Brasiland the Quest for the Nation Sara Brandellero Framing Landscapes: the Return Journey in Suely in the SkyMariana A. C. da Cunha Road to Riches: Migration and Social Mobility in2 ﬁlhos de FranciscoTatiana Signorelli Heise God is Brazilian: a ReExamination of Cinema Novoand Self Adriana Rouanet

ix xi xiii xv xix

116

viii

The Brazilian Road Movie

Part II: The Voyage Out Chapter 7: Leaving Home in Three Films by Walter Salles Darlene J. Sadlier Chapter 8: Back to the Margins in Search of the Core: Foreign Land’s Geography of Exclusion Lúcia Nagib Chapter 9: Sertão as PostNational Landscape: Cinema, aspirinas e urubusStephanie Dennison Chapter 10: Women on the Road: Sexual Tourism and Beyond João Luiz Vieira Index

145

162

184

199

215

Series Editors’ Foreword

Over recent decades the traditional ‘languages and literatures’ model in Spanish departments in universities in the United Kingdom has been superseded by a contextual, interdisciplinary and ‘area studies’ approach to the study of the culture, history, society and politics of the Hispanic and Lusophone worlds – categories that extend far beyond the conﬁnes of the Iberian Peninsula, not only in Latin America but also to Spanishspeaking and Lusophone Africa. In response to these dynamic trends in research priorities and curriculum development, this series is designed to present both dis ciplinary and interdisciplinary research within the general ﬁeld of Iberian and Latin American Studies, particularly studies that explore all aspects ofCultural Production (inter alia literature, ﬁlm, music, dance, sport) in Spanish, Portuguese, Basque, Catalan, Galician and indigenous languages of Latin America. The series also aims to publish research in theHistory and Politicsof the Hispanic and Lusophone worlds, at the level of both the region and the nationstate, as well as onCultural Studies that explore the shifting terrains of gender, sexual, racial and postcolonial identities in those same regions.