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21 pages
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Two thousand years ago, Japan and Korea began a long-standing history of cultural contact. For the Koreans, this meant an invasion in the 1590s spawning four centuries of bitter contempt for Japanese society. The Japanese, however, were culturally enriched, gathering as spoils of war the traditions of Buddhism, elements of Chinese writing, and most valued of all, the removal of master potters from their Korean captives.

In Japanese Satsuma Pottery, delight in "a tale of two cultures." Follow the Korean potters as they embark on a journey away from their homeland to Naeshirogowa, the Japanese village on the Satsuma peninsula that was to become the heart of Satsuma ceramic production. This monograph includes an informative review of key periods of Satsuma production as well as one man's fourteen-generation lineage of making Satsuma pottery since brought to Japan in 1604.

The first of fourteen titles in the monographic series, Museographs, that focuses on history, art, myth, legend and story. Each issue contains beautiful color reproductions.

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Publié par
Date de parution 02 février 2017
Nombre de lectures 0
EAN13 9781456606411
Langue English
Poids de l'ouvrage 4 Mo

Informations légales : prix de location à la page 0,0150€. Cette information est donnée uniquement à titre indicatif conformément à la législation en vigueur.

Extrait

MUSEOGRAPHS
Japanese Satsuma Pottery
 
by
Carôn Caswell Lazar
 


Copyright 2011 Carôn Caswell Lazar,
All rights reserved.
 
Published in eBook format by eBookIt.com
http://www.eBookIt.com
 
ISBN-13: 978-1-4566-0641-1
 
No part of this book may be reproduced in any form or by any electronic or mechanical means including
information storage and retrieval systems, without permission in writing from the author. The only exception is by a reviewer, who may quote short excerpts in a review.
 
The Museographs monographs are publications of The Lazar Group, Incorporated
 
Japanese Satsuma Pottery , Copyright 1992 Carôn Caswell Lazar
All rights reserved
No reproductions of this newsletter, or its attending materials, in whole or in part or in any form may be made without written authorization of the copyright owner.
 
 
Museographs Titles:
 
Contemporary African-American Folk Art
Shaker Design
Mexican Painting of the 19 th & 20 th Centuries
American Indians I: The Sioux
Appalachian Handicrafts
American Indians II: The Cherokee
Cultural Crossroads: The Old City of Jerusalem
The Art of Islam: A Survey
Illuminated Manuscripts
Mexican Folk Art
American Indians III: Kanien’kehaka
Art, Myth, Legend and Story
The Art of the Celts
 
Japanese Satsuma:
A Tale of Two Cultures
Historic Overview
 
Satsuma is a type of pottery so prized by the Japanese that even today collectors of that ware are only considered true connoisseurs if their collections have pieces representing every year of production, dating from about 1600. And, although prized as the most desirable and rarest of all Japanese ceramics, Satsuma is actually Korean in its origin. Historically, much of the best Japanese pottery was made by Koreans who were uprooted from their homes by invading armies and brought back to Japan against their will. There the Koreans assimilated into Japanese society, taking on Japanese names but retaining skills passed down within individual families.
 
The relationship of cultural exchange between Japan and Korea can be traced back two thousand years. There are indications that at one point travel between the two countries was so constant that, for all practical purposes, borders may have been indistinguishable. Somewhere between the fourth and sixth centuries the Japanese established a military foothold on the Korean peninsula. But even after they were expelled, constant contact seems to have been the practice. It was through the Koreans that the Japanese acquired some of their cultural foundations including Chinese writing and Buddhism.
 
As a country set apart geographically, the Japanese always knew how to learn through others and had no xenophobia to keep out or discourage inventions from foreign sources.

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