Needle Felting Dolls
91 pages
English

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91 pages
English
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Informations

Publié par
Date de parution 31 janvier 2023
Nombre de lectures 0
EAN13 9781800930032
Langue English
Poids de l'ouvrage 229 Mo

Informations légales : prix de location à la page 0,1000€. Cette information est donnée uniquement à titre indicatif conformément à la législation en vigueur.

Extrait

EFELT DLIN E EG N Dols A complete course In sculptIng igures
Roz Dace & Judy Balchîn
SEARCH PRESS
FROM THE AUTHORS OF BEST CRAFT BOOK NEEDVLOETEFEDLTING FOR BEGINNERS
ROZ DACE & JUDY BALCHIN Sîsters Roz and Judy have had long, successul careers în the crat îndustry. Roz worked în televîsîon and în the medîa beore joînîng Search Press, where she enjoyed many years as Edîtorîal Dîrector, commîssîonîng practîcal art and crat books. Judy îs a desîgner, who has wrîtten numerous books and magazîne artîcles on practîcal crats, and she has worked as a letterîng artîst, îllustrator and crat demonstrator. She has appeared în DVDs and on televîsîon and enjoys teachîng workshops înternatîonally.
Roz and Judy have combîned theîr talents and ormed a partnershîp – the Woolly Felters. Wîth theîr love o eltîng, especîally needle eltîng, they run workshops and gîve talks sharîng theîr passîon and knowledge wîth others. Thîs îs theîr thîrd book on needle eltîng. They have also authoredNeedle Felting Teddy Bears for BeginnersandNeedle Felting for Beginners. Roz lîves în Somerset, UK and Judy lîves în Kent, UK.
Websîte:www.woollyelters.com@woollyelters@Woolly Felters
Also by Roz & Judy
978-1-80092-019-4
978-1-78221-734-3
NEEDLE FELTING DOLLS
Dedication For our mum who oved the sunshîne, bîrds and lowers. We fee that thîs book was meant to be because în the sîxteenth century the word ‘do’ was derîved from her name, Dorothy. She adored mînîatures and had an amazîng coectîon of a sorts whîch we happîy înherîted. We now use them as accessorîes and photography props for our dos and anîmas în the many wooy storîes that we ove to te.
Acknowledgements
Bîg thanks and wooy hugs go to the wonderfu Search Press team, în partîcuar Martîn and Caroîne de a Bédoyère for theîr support and beîef în what we do, and Edîtorîa Dîrector Katîe French who commîssîoned thîs book. Specîa thanks aso go to our edîtor Lyndsey Dodd, photographers Mark Davîson and Stacy Grant, and desîgner Juan Hayward. A bîg thank you to a our foowers, readers and fans who contînue to înspîre and encourage us wîth theîr sense of fun and înterest în our Wooy Feters’ word.
NEEDLE FELTING DOLLS A COMPLETE COURSE IN SCULPTING FIGURES
SEARCH PRESS
Roz Dace & Judy Bachîn
Fîrst pubîshed în 2023
Search Press Lîmîted Wewood, North Farm Road, Tunbrîdge Wes, Kent TN2 3DR
Text and tempates copyrîght © Roz Dace and Judy Bachîn 2023
Author photograph by Rebecca Warwîck www.rebeccamayphotography.co.uk
Photographs on pages 1– 6, 61, 62, 63, 67, 68, 69, 75, 76, 77, 83 (bottom), 84, 85, 97, 98, 99, 105, 106, 107, 117, 118, 119, 127 (bottom), 128, 129, 137, 138, 139, 153, 154, 155 and 161 by Stacy Grant
A other photographs by Mark Davîson at Search Press studîos
Photographs and desîgn copyrîght © Search Press Ltd. 2023
A rîghts reserved. No part of thîs book, text, photographs or îustratîons may be reproduced or transmîtted în any form or by any means by prînt, photoprînt, mîcroim, mîcroiche, photocopîer, înternet or în any way known or as yet unknown, or stored în a retrîeva system, wîthout wrîtten permîssîon obtaîned beforehand from Search Press.
ISBN: 978-1-80092-013-2 ebook ISBN: 978-1-80093-003-2
The Pubîshers and author can accept no responsîbîîty for any consequences arîsîng from the înformatîon, advîce or înstructîons gîven în thîs pubîcatîon.
Readers are permîtted to reproduce any of the îtems în thîs book for theîr persona use, or for the purposes of seîng for charîty, free of charge and wîthout the prîor permîssîon of the Pubîshers. Any use of the îtems for commercîa purposes îs not permîtted wîthout the prîor permîssîon of the Pubîshers.
SuppliersIf you have dîficuty în obtaînîng any of the materîas and equîpment mentîoned în thîs book, then pease vîsît the Search Press websîte for detaîs of suppîers: www.searchpress.com
You are învîted to vîsît the authors’ websîte: www.wooyfeters.com
Note on metric and imperial measurements
The projects în thîs book have been made usîng metrîc measurements, and the împerîa equîvaents provîded have been cacuated foowîng standard conversîon practîces. The împerîa measurements 1 are rounded to the nearest16for ease of use. For quantîtîes ess than 2g, we have saîd ‘a sma amount’. However, îf you need more exact measurements, there are a number of exceent onîne converters that you can use. Aways use eîther metrîc or împerîa measurements, not a combînatîon of both.
Introductîon About neede fetîng What you need Inspîratîon and desîgn Gettîng started Basîc do Top ‘hep me’ tîps Creatîng an înner core Armatures Creatîng character and expressîon
6 8 10 24 28 32 48 50 52
54
THE PROJECTS 60 Queen of Hearts 62 Danny Doodo 68 Lîtte Dancer 76 Knîttîng Nîge 84 Chrîstmas Faîry 98 Kawaîî Kate 106 Sîver Surfer 118 CONTENTS Perfect Portraîts 128 Mother Earth 138 Weîrd and Wonderfu 154
Tempates Index
162 176
Introduction
Thîs book îs a dream come true for us, combînîng our passîon for woo and neede fetîng wîth our endurîng ove of dos. It îs an întoxîcatîng mîx that has înspîred us to create a dîverse famîy of characters rangîng from a sîmpe cone-shaped queen to a fuy armatured Mother Earth. In our ina project we învîte you to step înto a wonderfuy weîrd word of ‘Oddbods’, where we show what can happen when you et your îmagînatîon ly.The projects are specîay desîgned în sequence to buîd up skîs wîth easy-to-foow înstructîons and top tîps, and there îs
aso a basîc technîques sectîon, a aîmîng to ease you înto a wonderfu word of do makîng.Throughout the book we have încuded dîfferent characters, a offerîng temptîng choîces. Whether you are a fan of carîcatures, storyteîng, cuteness, reaîsm or pure fantasy, thîs îs the book for you!
One of the thîngs we have dîscovered about neede fetîng îs that athough woo ibres can be manîpuated and scupted, they appear to have a îfe of theîr own. We have had many gîgges aong the way whîe workîng together în our Fety Towers studîo, and even after our years of ‘needîng’ we are constanty surprîsed at what can be achîeved.The sîght shîft of a pose or a teeny tweak of the features can ater a ook, whîe a change to haîr coour and stye can have a dramatîc effect.
As you make your dos we hope you experîence the same joy and aughter as we do when they start to deveop theîr quîrky personaîtîes. Do not be surprîsed îf you ind the technîque to be strangey addîctîve and therapeutîc. Our advîce îs to reax înto thîs wonderfu craft and enjoy your wooy journey.
Our ove of dos goes way back to our chîdhood when we shared a toy cupboard.Thîs comfortabe, jumby corner was home to Sadîe, who was îteray oved to pîeces, tatty Od Mary, and Peter – who îs cassed as antîque now, wîth hîs paînted chîna head and hîs cury woo body. Mînîatures have aways enthraed us too, wîth a passîon that we înherîted from our mum and Aunty Joan. We have gathered together a mînî prop store that îs stuffed wîth sma thîngs from weeny cups and saucers to do-sîzed sofas and even cars. We use these accessorîes to te storîes wîth our wooy famîîes and have încuded some here and there în the projects.They do add a îtte somethîng extra to the characters, enhancîng and enrîchîng the storîes that we and they te.
Another deîght for us îs that we are foowîng în the footsteps of an împressîve and amazîng do hîstory.The earîest archeoogîca evîdence îndîcates that dos are possîby the most ancîent toy known to us, wîth wooden dos datîng back to the twenty-irst centuryBChavîng been dîscovered în Egyptîan tombs. Throughout tîme dos have been companîons to chîdren, coected and oved, used în magîc rîtuas, or îmbued wîth spîrîtua vaues. Voodoo dos are among these mystîca beîngs and they are strangey akîn to the stabbîng method of makîng that îs empoyed by neede feters! Durîng the eary days of neede fetîng, fok artîst Ayaa Tapaî brought thîs craft to the ibre art word’s attentîon wîth her textîe and do makîng skîs. Her aîm was to keep thîngs ‘sîmpe and affordabe’ usîng just one fetîng neede and few wooen ibres, and we thank her for her taent and vîsîon.
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Over the centurîes a sorts of materîas have been used to make these treasured companîons and artefacts, încudîng cay, bone, rags, chîna, soapstone, eather and much more. We are usîng ony woo wîth îts temptîngy tactîe and versatîe quaîtîes. So, as we eave you wîth our fetîng needes poîsed over an învîtîng, coourfu array of ibres, we send our ove to you and hope that you enjoy your do-makîng adventure as much as we have enjoyed wrîtîng thîs book.
Happy needle
felting!
About needle felting
Sînce we irst took up the fetîng neede în 2013 we have oved everythîng about ît, and we are not aone – there has been an înternatîona buzz as our wonderfu communîty just keeps growîng. What îs so addîctîve about thîs stabbîng technîque? For us, the fact that you can turn a bunde of ibres înto somethîng amazîng îs just one of the astonîshîng thîngs on our îst of oves. Unîke wet fetîng the technîque does not requîre water, whîch îs why neede fetîng îs aso known as dry fetîng.There îs very îtte sewîng or guîng, materîas are îght, portabe and they do not take up much space, and ît does not cost much to get goîng. Aso, many of us ind the technîque surprîsîngy therapeutîc, perhaps due to the repetîtîve motîon of the neede, or to the achemîc aure of wîspy ibres shape-shîftîng înto wooy wonders. As neede fetîng îs not a quîck craft ît coud be that the sowness aows us tîme for ourseves în a word that îs fu of pressures. Whatever the reasons, the satîsfyîng ‘crunch’ of the neede as ît moves în and out of the ibres has proven to be a soothîng companîon to many. If you are a newbîe and wonderîng what a the fuss îs about, have a stab at ît and you may ind that you wî be joînîng us addîcts în our wooy, joyfu word.
In the begînnîng Wet fetîng îs thought to be one of the odest crafts known to us, datîng back thousands of years. Fet made wîth moîsture and frîctîon was used for însuatîon, protectîon, cothîng and accessorîes for mîennîa. It was aso oved for îts abîîty to be transformed înto coourfu decoratîve art. Our craft îs a young companîon; but how cosy ît makes us fee to know that neede fetîng îs part of thîs ancîent story. It stems from the mîd-nîneteenth century when enormous needepunch machînes were învented to produce fet products for îndustry. Each machîne supported thousands of needes, a merrîy jabbîng away turnîng woo ibres înto waddîng (battîng), însuatîon and other hardwearîng products. In the 1980s, ibre artîst Eeanor Stanwood acquîred a sma needepunch machîne from an abandoned woo mî în New Engand, USA. Whîe she was experîmentîng, her înventor husband Davîd wondered what woud happen îf he payed wîth just one neede and soon he was pokîng and shapîng oose woo ibres înto soîd shapes.Then Eeanor passed a handfu of needes on to theîr frîend, fok artîst Ayaa Tapaî who deîghted în ettîng her îmagînatîon ly wîth these ‘tîny versatîe thîngs’. She eventuay wrote her irst workbookThe Felting Needle From Factory to Fantasyîn the hopes that ît woud înspîre and attract others to experîence the magîc, whîch happîy ît dîd. Her second book,The Felting Needle: Further Fantasies, foowed on, iîng în the gaps and offerîng new projects and îdeas. How ucky we are that these înnovatîve pîoneers were so generous wîth theîr dîscovery and skî sharîng. From these sma begînnîngs there îs now a fast-growîng wordwîde communîty of neede feters. We ove beîng part of thîs goba wooy can as together we pay, expore and enjoy a technîque that offers so much to so many.
How ît works
Fîrst there îs the joy of woo. Versatîe, tactîe, durabe and ecoogîcay sustaînabe, ît îs at the heart of everythîng we do. Each ibre îs covered wîth overappîng scaes and these teeny ‘hooks’ are key to how the magîc happens.Then there îs the most usefu too în our kît, the fetîng neede, whîch has notches a aong and around îts shaft.Thîs îs when the pokîng fun begîns. Wîth each stab the notches catch on the scaes, tangîng the ibres înto an înterocked mass. More pokîng resuts în a irm shape and thîs can be
joîned to other shapes to create arger forms. You wî be peased to hear that most mîstakes can be repaîred or adjusted wîth just thîs one neede, whîch îs brîîant! Sîmpe shapes make up a the projects în thîs book and these are then scupted, smoothed and embeîshed înto the dîfferent characters, from sma to bîg, and from reaîstîc to oddbods. Once you are comfortabe wîth the methods you wî soon be on the way to creatîng your own wooy famîy.
Sîmpîied shapes are scupted înto reaîstîc îmbs whîch are then joîned onto the body to buîd up a do. There îs no sewîng, just the satîsfyîng crunch of the fetîng neede as ît bînds the ibres.
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Whatyouneed
One of the reasons why so many of us ove neede fetîng îs that wîth very few materîas you can achîeve so much. We started off wîth some woo, a coupe of fetîng needes and a foam pad each and had great fun. If, îke us, you go on to fee the magnetîc pu of the magîc, you can start addîng to your basket of treasures. Here we tak about the toos and materîas that we îke to work wîth. You may want to expore others once you are happy wîth the technîque, so our advîce îs to foow the journey through our book, get comfortabe, then spread your wîngs and ly.
Wonderfu woo Woo has to be one of the best natura materîas to work wîth. It îs înexpensîve, so beautîfuy versatîe, and avaîabe în a wîde range of weîghts and yummy coours. It can be purchased maîny from onîne specîaîst neede fetîng suppîers, but îf you are new to thîs craft, choosîng whîch woo to use can be more than a îtte confusîng. Then there îs the added frustratîon of dîfferent terms beîng appîed dependîng on where you îve. Do not panîc! We gîve cear guîdeînes here to hep îdentîfy what îs what. Aso, we have narrowed the choîce down to what works we for us. Once you are comfortabe wîth the craft, or you are aready a seasoned stabber, you can have fun exporîng other ibres.
Most onîne stores provîde înexpensîve coour swatches that hep you to choose just the rîght shade.
Whîch woo shoud you use? There are over one thousand sheep breeds wordwîde and the type of leece depends on where the sheep îve, so dîscoverîng the best woo for neede fetîng has been a fascînatîng and fun journey. In our eary neede fetîng days we trîed usîng raw woos straîght from the sheep, but we spent hours pîckîng out twîgs and bîts, and that was even before washîng and attemptîng to dye them. If you are îtchîng to start, you can buy your woo ready prepared and cooured as shown here.
Coarse wools have thîcker ibres and we ind that they are the best ones for neede fetîng. The thîckness of each ibre îs measured în mîcrons and the hîgher the mîcron count, the coarser and thîcker the woo. Our favourîte count îs normay between 30 and 36 mîcrons. Other coarse woos have a sîghty ower mîcron count, but there are no rues – our advîce îs to experîment wîth the dîfferent ibres. Generay we use a bend of Norwegîan woos that we buy onîne, whîch are avaîabe în a wonderfu range of coours.
Fine wools work we for addîng sma detaîs, features and reaîstîc-ookîng haîr to our dos. We normay choose superine Merîno wîth a count of around 18 mîcrons. Because the ibres are so ine, they do not neede fet at a we. The stabbîng process îs frustratîngy sow and the neede tends to eave vîsîbe hoes, so the inîsh îs not as smooth as ît îs wîth coarse woos. However these iner ibres are great for wet fetîng and we have used them to create cothîng în three of the projects (see pages 114, 125–126 and 146–147). You can aso use coarse woos în the wet fetîng process, but we ony do thîs when we want to match coours to inîsh off a neede-feted garment.
Other fibres Cury Wenseydae ocks, wîry Herdwîck ibres and coourfu sîk sarî threads are great for haîr (see pages 83, 104 and 159). Gîtter ibres wî add a îtte sparke, but they wî not neede fet we on theîr own so we mîx them în wîth the woo ibres before we start (see page 14). Sîk ibres and woo nepps (tîny feted woo bas) gîve a ovey texture when used în wet fetîng (see page 147). Yarn îs used to wrap the core woo tîghty when creatîng an înner core for a neede-feted shape (see page 50).
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Coarse woo.
Fîne woo.
Other ibres: Wenseydae and Herdwîck woos, sîk sarî threads, gîtter and sîk ibres, woo nepps and yarn.
Woo terms Batts and tops are avaîabe în a mouth-waterîng range of dyed and natura coours. A woos are avaîabe în dîfferent weîghts.
Batts are pump, sprîngy sheets that are taken off a cardîng (combîng) machîne wîth theîr short ibres goîng în a dîfferent dîrectîons. The coarse woo batts are what most of us ove and they are great for neede fetîng. Smaer or arger pîeces can be easîy pued from the batt as you work.
Tops are aso caed rovîngs dependîng on where you îve. These are ong smooth ibres that are washed and carded înto sîky woo engths, wîth the ibres a carded în the same dîrectîon. We use beautîfuy ine Merîno tops for features, haîr and wet fetîng. Thîs îs saîd to be one of the softest woos.
Storîng woo Woo shoud be stored away from dark and damp paces. Beware of pesky woo pests who tend to urk în cupboards and carpets. You do not want any of your precîous woo stocks or scuptures ravaged by the arvae of însatîabe cothes moths or carpet beetes. Fortunatey we have not encountered the dreaded beete, but what a nîghtmare we have had wîth moths. It was a few years înto our partnershîp when we had a major ‘moth attack’ whîch wreaked devastatîon în our studîo. We had to throw away bady înfested woo, freeze retrîevabe woo to kî off the eggs and arvae, do a frantîc deep cean and then totay re-thînk our storage optîons. We now know that these voracîous însects can be managed îf you foow sîmpe guîdeînes. Store woo în seaed pastîc bags or contaîners, în dry, îght condîtîons. The woo eaters hate cedar and avender, so îberay sprînke your storage areas wîth these aromatîc repeents.
Bendîng coours If you cannot ind the coour you are ookîng for, ît îs easy enough to mîx more subte shades. When we are bendîng sma amounts of woo we mîx the ibres wîth our ingers, ayerîng and crîss-crossîng them untî we are happy. When bendîng arger amounts we use hand carders. These are an essentîa part of our studîo equîpment not ony for creatîng new shades, but aso for addîng other ibres to the mîx. We use them when bendîng Merîno woos to create natura haîr tones (see opposîte). Gîtter ibres can be carded wîth the woo to add sparke to cothes and accessorîes. Drum carders are îdea for mîxîng and bendîng arge quantîtîes of woo.
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Core wool îs cheaper than the other woos, ît îs avaîabe în natura coours and we use ît to create a centra core în our bîgger dos. We aso wrap ît around our wîre armatures to buîd up the body shape before addîng cooured woos. Thîs speeds up the makîng process and ît îs an easy way to add buk.
Tip We use aromatîc cedar wood bas and avender to repe moths and have sprînked them a around the wooy paces în drawers, contaîners and cupboards. It îs worth gettîng some!
A drum carder (beow) and hand carders (beow eft).
Usîng hand carders Carders cevery comb and mîx the woo. They have îtte hooked wîres that catch on to the ibres and the more you comb, the more bended the coours wî be. You can buy them în dîfferent sîzes from fet makîng suppîers or specîaîst outets onîne. Usîng the carders the rîght way îs împortant. Foow the steps beow wîth sma amounts of woo. You do not want to ay too much on at a tîme. Reverse the înstructîons îf you are eft-handed.
1Lay the irst coour on the eft carder haf way up the padde, sma pus at a tîme. Layer the next two coours above the irst row în the same way. Keep goîng untî the padde îs fu.
4Now turn the carders over and contînue combîng and bendîng în the same way. Thîs wî transfer the ibres back from rîght to eft.
The inîshed bend.
2Pace the rîght carder over the ends of the woo on the eft carder wîth the handes opposîte each other. Usîng a rockîng motîon, pu the handes apart. Repeat further down.
5When you are happy wîth the bend, remove ibres by pacîng the handes în same dîrectîon. Pu the carders apart.
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Tip There îs nothîng more frustratîng than to run out of a coour hafway through a project, so aways mîx more woo than you need.
3Repeat the rockîng motîon, movîng the rîght carder up and down a few tîmes. Thîs wî transfer the ibres from the rîght to the eft carder.
6Genty pee away the ibres.
Beautîfu bends Dîve înto your woo stash and get cardîng. Experîment and pay wîth dîfferent coours as you joîn us on our do-makîng journey.
A Merîno bend We reay enjoyed the chaenge of makîng ourseves în the Perfect Portraîts project (see page 128). Thîs shows how to create fun seies, and how to turn your famîy and frîends înto ookaîke wooîes! Here Judy’s haîr has been made wîth Merîno woo usîng a subte mîx of browns and yeows whîch have been carded together înto ine, smooth owîghts and hîghîghts (see prevîous page). Her jeans have been neede feted wîth carded îght and dark bue coarse woos to create a denîm ook (see the photograph of carders on page 12).
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A gîtter mîx Our Chrîstmas Faîry îs made more festîve wîth a magîc touch of sparke (see the project on page 98). Gîtter ibres and whîte coarse woo have been carded together to create a twînke mîx. These deîcate sparky ibres are then genty needed înto pace to create the skîrt. Gîtter ibres coud aso be added to her wîngs, and sîppers în the same way.
Fetîng needes
About fetîng needes The fetîng neede îs our maîn too. We can scupt, bend, joîn shapes, add detaîs, create character and expressîon, smooth surfaces, and correct mîstakes wîth ît. One neede can achîeve amazîng resuts, so ît îs no wonder that neede fetîng îs such an attractîve craft. We use just a sma seectîon of dîfferent sîzes for makîng the dos în thîs book. Once you fee comfortabe wîth the technîque you may want to experîment wîth dîfferent needes.
Neede types The meta fetîng neede has an ‘L’-shaped hande wîth a notched bade (some ca ît ‘barbed’ athough technîcay ‘notched’ îs correct). The name gîven to each neede îs determîned by the shape and thîckness of the bade. A trîange neede has a trîanguar bade wîth notches on three sîdes, a star has four notched sîdes and a twîsted neede has a spîra notched bade. The thîckness, or gauge, of the bade ranges from a thîck 32 gauge to a very ine 42 gauge. Surprîsîngy the ower the number the thîcker the bade, whîch înîtîay gave us some wooy moments! Needes can be bought eîther îndîvîduay or în buk from onîne specîaîst suppîers and from some craft stores. A few outets wî ony categorîze them as coarse, medîum or ine but we fee that ît îs better to know exacty what you are gettîng. A genera category may dîffer from store to store, dependîng on whîch suppîer you go to. We have had a ot of fun payîng wîth a the dîfferent fetîng needes over tîme and are now comfortabe wîth just a few ‘must haves’. Our work îs maîny sma scae so we ind our seectîon îs îdea for what we do. The argest do we have made îs Mother Earth who îs 34cm (13½în) ta (see page 139). If we worked on a bîgger scae, then our neede choîces woud be dîfferent.
The needes we use
40 trîange A great a-rounder. Thîs neede îs în the ‘ine’ category and we use ît for everythîng from buîdîng up shapes to attachîng body parts, contourîng, addîng features and detaîîng.
38 trîange Athough cassed as ‘ine’ we ind thîs neede îs a good choîce when workîng near partîa wîre armatures. It îs thîcker and therefore stronger than the 40 trîange neede.
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36 trîange Thîs thîcker, stronger neede îs the best choîce when you are workîng near a fu armature. We use ît to secure woo ibres around the wîre frame.
Tip The dîfferent needes ook very sîmîar so ît îs a good îdea to coour code them. Dîppîng the handes în contrastîng ename paînts works, and naî varnîsh does too. 40 trîange – red 38 trîange – bue 36 trîange – yeow 40 twîsted – green
40 twîsted A brîîant neede for smoothîng and inîshîng.
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