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Untreed Reads - E Golay Rayne

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167 pages

English

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Winner of the Royal Palm Award!As a child, Leini stands ready to do anything to win her mother Mira's love. This effort costs her the sight in one eye and as a result, causes her to endure bullying from kids her own age. As a teenager, with her Grandpa's help, she undergoes one more surgery to straighten her eye, but the psychological scar of the events of her childhood remain.Leini struggles to break free of Mira's tyranny by leaving her native Helsinki to study psychology at Geneva University. A few years later, married, herself about to become a mother, she is determined with her own children not to repeat Mira's behavior. With the help of a psychiatrist, she labors through the pains of past hurts to become a nurturing and loving mother and wife, as well as a successful professional, as she grows from victim to victor over adversity. Can her efforts lead her to the one thing she needs to discover the most - the ability to forgive her mother?PRAISE FOR THE WOODEN CHAIR:The Wooden Chair is a beautifully written period piece. When I began reading, I didn't stop until I turned the last page. Ms. Golay's descriptions are so powerful, the characters so true to life, they're unforgettable. Leini's journey from an emotionally abused child to a self-confident woman should be read by all who've suffered any form of abuse and persevered. Quite the most powerful novel I've read in years." --Suzanne Barr, Author of Fatal KissThe Wooden Chair took hold of me in the first paragraphs and never let go. I kept expecting-and wanting-someone to rescue Leini from her wildly unpredictable mother who told Leini she wasn't wanted. Leini's disappointments and longings as she faced serious issues for such a young girl kept me engrossed. I wept at Rayne Golay's vivid descriptions of Leini coping in an unfair world, and I rejoiced at her remarkable quest to change, at her acceptance as she grew into adulthood. Rayne's high quality writing in The Wooden Chair makes it an emotionally charged read, a compelling story of one woman's valiant struggle to grow away from past hurts. A triumphant story! --Elizabeth (Bettie) Wailes, Author and Editor

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Publié par	Untreed Reads
Date de parution	15 mai 2013
Nombre de lectures	0
EAN13	9781611875614
Langue	English

Informations légales : prix de location à la page 0,0186€. Cette information est donnée uniquement à titre indicatif conformément à la législation en vigueur.

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Table of Contents
Copyright
The Wooden Chair
Dedication
* * *
Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Chapter 9
Chapter 10
Chapter 11
Chapter 12
Chapter 13
Chapter 14
Chapter 15
Chapter 16
Chapter 17
Chapter 18
Chapter 19
Chapter 20
Chapter 21
Chapter 22
Chapter 23
Chapter 24
Chapter 25
Chapter 26
Chapter 27
Chapter 28
Chapter 29
Chapter 30
Chapter 31
Chapter 32
Chapter 33
Chapter 34
Chapter 35
Chapter 36
Chapter 37
Chapter 38
Chapter 39
Chapter 40
Chapter 41
Chapter 42
About the Author
The Wooden Chair
By Rayne E. Golay

Copyright 2013 by Rayne E. Golay
Cover Copyright 2013 by Ginny Glass and Untreed Reads Publishing
The author is hereby established as the sole holder of the copyright. Either the publisher (Untreed Reads) or author may enforce copyrights to the fullest extent.

This ebook is licensed for your personal enjoyment only. This ebook may not be resold, reproduced or transmitted by any means in any form or given away to other people without specific permission from the author and/or publisher. If you would like to share this book with another person, please purchase an additional copy for each person you share it with. If you’re reading this book and did not purchase it, or it was not purchased for your use only, then please return to your ebook retailer and purchase your own copy. Thank you for respecting the hard work of this author.

This is a work of fiction. Any resemblance to the living or dead is entirely coincidental.

http://www.untreedreads.com
The Wooden Chair
A Literary Novel
By Rayne E. Golay
To my daughter Yaël Liebkind,
my son Aron Liebkind.
To my best friend and husband David B. Wallace
In memory of my parents Ite and “Hemo” Chaim Bensky
From early infancy onward we all incorporate into
our lives the messages we receive concerning our
self-worth or lack of self-worth. This sense of value
is to be found beneath our actions and feelings as a
tangled network of self-perception.
-Christina Baldwin
There are many ways of breaking a heart. Stories
are full of hearts broken by love, but what really
breaks a heart is taking away its dream-whatever
that dream might be.
-Pearl S. Buck
Chapter 1
Helsinki, May 1943
The policewoman stood on the corner of the crowded marketplace, staring at a little girl with long legs and curly toffee-blond hair. The child sang a popular German refrain with high-pitched fervor. “Wie einst, Lili Marlene, wie einst, Lili Marlene.” (My Lili of the lamplight, my own Lili Marlene.)
Suppressing a smile, the policewoman observed the little girl standing with feet slightly apart, hand outstretched to receive what coins the shoppers could afford. An orange cardigan accentuated her long neck and the high cheekbones of her pale face. She kept adjusting black-rimmed glasses that slipped down her nose.
This was a mere child, at the most five years old. Is there no adult accompanying her? The policewoman studied the crowd.
The officer approached the little singer. “Are you here alone?”
A shy smile came and went on the child’s face. Her eyes, dark like bitter chocolate, were wary behind thick glasses that detracted from her prettiness. She nodded, causing her glasses to slide again.
“Where’s your mother?”
She waved in the general direction of the street. “My mamma’s there.”
The policewoman creased her brow. “Why aren’t you with your mother?”
“Mamma doesn’t want me with her.”
That’s odd. “How old are you?”
She held up four fingers. “I’m…this old”
“You’re four years old?”
“Uh-huh. Almost five.”
“Why are you singing in the street? Does your mamma know you’re begging?”
The girl shook her head vigorously, her shoulder-length curls dancing. “I don’t beg.” She stamped her foot. “My mamma says it’s bad to beg. I’m not bad. I sing so I get money to take the yellow tram home.”
She speaks Finnish with a slight accent, the vowels not so open. Her mother tongue is probably Swedish . She gazed into the girl’s palm. It contained two one-penny copper coins. Poor kid, she’s not going far on so little money.
“Where do you live, little girl?”
“There.” Again she waved a tiny hand toward the city center. “At the end of the yellow tram line.”
“Can you show me where you live if I take you?”
The child raised her shoulders and made a movement with her head, which might have been “yes” or “no.”
“What’s your name?”
“Mamma says not to tell strangers.”
“Your mamma is right.” She tugged at the lapel of her uniform jacket. “I’m a policewoman, so you can tell me.”
“I’m Leini.”
“Leini? That’s a pretty name.” The policewoman studied the small group of people drawn close by the interaction. What’s your family name? Your second name?” she added, in case Leini didn’t understand “family name.”
The girl looked at her from under her brow, mistrust in those dark eyes. She shook her head while she played with a strand of hair, twirling it between forefinger and middle finger.
The policewoman smiled. “My name is Tuula Heinonen.” Perhaps this will help . “Now you know mine.” She cocked her head to the side. “Please tell me yours.”
A fleeting smile crossed the child’s lips, and she held out her hand to shake. “I’m Leini Ruth Bauman.”
Tuula took the slim hand and held it in her own. She searched the crowd, hoping to spot the mother.
“I have an idea,” Tuula said and pointed at a phone booth across the market square. “Let’s have a look in the phone book to see if I can find your address, so I can take you home.”
Leini gazed at her with eyes too serious for a small child. Making up her mind, she stuck her hand in Tuula’s. “Let’s.”
Adjusting her pace to Leini’s, Tuula pushed through the throng of people. Her ears caught snippets of conversations from the cacophony of Swedish, Finnish and the occasional word in Russian, mingled in with an organ grinder’s tune. She glanced at the crowd, mainly women and children, here and there an elderly man or a very young boy among them. Every able-bodied man was now defending Finland against the Russian army.
Holding the door for Leini, Tuula followed her inside the booth. “Here’s the phonebook.” She glanced at the girl’s upturned face. “Now, let’s see . Bal, Bar, Bas . Ah, here.” She kept talking to reassure Leini. “Hmm. There are several Baumans.” Tuula caressed Leini’s head, the hair silky under her hand. “What’s your father’s name?”
“Papi.”
Tuula laughed low in her throat. Have to try something else. “Well, there’s no ‘Papi’ listed. Does he have another name?”
“No, just Papi.”
“What’s your mother’s name?”
“Mamma Mira.”
“Good girl.” She ran her finger down the column of Baumans…. Herman, Markus, Oskar, Pertti. “There! I found it-Robert and Mira.” She gazed at Leini. “Does it sound right?”
“Uh-huh, Papi Robert and Mamma Mira.”
Tuula wrote the address on a scrap of paper and pushed open the door. “It’s not far.”
Taking Leini by the hand, she crossed the short distance to the nearby tram stop. While they waited for their transportation, Tuula gazed at the market. In between frequent bombardments by Russian planes, people gathered at the marketplace to meet friends, gossip, to break the isolation the war imposed. The abundance of fruits and berries, all the produce the short Finnish summer afforded, was a mere memory. Shortage was part of the reality of war Tuula had grown accustomed to.
It used to be so different before the war. Vendors’ stalls then crowded the marketplace, leaving narrow paths for shoppers. Now with the war raging, only a few stalls stood close together, which left most of the cobble-stoned space unoccupied. Instead of more than a hundred flower and vegetable booths there were now a scant fifteen. Beggars held out their tin cups in which a penny or two rattled along with a few peas and radishes. Tuula sighed. It was all so sad.
She found the display of carrots, potatoes, turnips and red beets formed into pyramids a pleasure for the eye, but she also knew they were so arranged to create the illusion of plenitude, when in fact the merchandise was limited. The fish stands held a few Baltic herring, that was all.
Again Tuula sighed. After four years of penury, she was used to doing without, like the other inhabitants of Helsinki. Eggs, sugar and dairy products, even bread, were luxuries she preferred not to think about. Most of what the land grew, along with meat, went to the frontlines to those brave men who fought to keep their twenty-six-year-old nation free and safe.
Everybody in the marketplace was there for a reason. The same one for everyone-to learn the latest about the Finno-Russian front and to exchange news about the war in Europe. Faces were somber, the Waffen SS’s attack on the Warsaw ghetto in April still fresh on their minds. Frequently, eyes searched the blue sky, their ears strained for the sound of the dreaded alarm that signaled yet another Russian air strike was imminent.
Tuula sat on the hard bench next to Leini as the tram wound its way along the shore, sunrays dancing on the waters of the Baltic Sea. They passed a deep crater and a heap of rubble, all that remained after Russian bombs took down a five-story building during one of their night raids. Her thoughts wandered to the Winter War, which broke out when the Soviet Union attacked Finland in late November 1939, three months after the start of World War II. To Tuula, as to most Finns, it was a source of comfort that this attack was judged completely illegal, and the USSR was expelled from the League of Nations. Finland fought with valor. She held out until March 1940, when she signed a peace treaty with the Soviet Union. But peace wasn’t lasting; in June 1941 the Russians attacked again, starting the Continuation War they were now fighting.
The tram slowed. They disembarked, and Tuula found the street.
“There’s my home,” Leini said, pointing at a door boarded in wood paneling,