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Ecw Press - Eamon Mcgrath

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62 pages

English

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A smart, gritty examination of the lives of touring musicians Here Goes Nothing, Eamon McGrath s brave second offering and follow-up to 2017 s widely acclaimed Berlin-Warszawa Express, once again explores the world of touring musicians but this time McGrath expands his scope and perspective from the inner dialogue of a traveling songwriter into the wider range of a multi-member touring band.Told in two interwoven narratives that blur the lines between past and present, Here Goes Nothing explores the complex relationships that are both created and destroyed by the perpetual-motion engine that is the touring van.From confessional tales of saving friends and oneself from drowning in polluted lakes in Michigan to legendary liver-wrecking nights of excess and debauchery in Lisbon, McGrath comments on the corrupt and selfish music industry and the toll it takes on musicians as they blindly chase success. Here Goes Nothing is a gu

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Publié par	Ecw Press
Date de parution	29 septembre 2020
Nombre de lectures	0
EAN13	9781773056241
Langue	English

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Here Goes Nothing
A Novel
Eamon McGrath

Contents
Dedication
Free Gas
Everybody Knows
Chicago
Nautical Disaster
Kansas City Blues
Dogs
Don’t Make Life Decisions When You’re Drunk and Insane
Arrival
Sarnia
Rescue
Toronto
Libson
Edmonton
Madrid
Riding the Dog
Autobahn
Prague
London
Nautical Disaster Again
The Fate of All Bands
Acknowledgements
About the Author
Copyright

Dedication
To my father, John McGrath, for first playing me the Clash and the Replacements, and to my brother Brendan, who’s ten times the musician that I am.

Free Gas
We woke up on a Monday morning in Montreal. Everybody met at the van at ten thirty, after a hard night of partying in Mile End. We were staying at a friend’s apartment on Rue Saint Viateur and Avenue du Parc. Our plan was to leave the city as soon as possible, get as far west as we could on a bit more than half a tank, and fill up in Ontario where there were no French cops, just in case. We figured the English police might go easier on us.
In those days, we’d gas-and-go everywhere we could, spending what others would on filling-up on bottles of bottom-shelf alcohol instead. Murky had an extra licence plate, so we’d dart into an alleyway close to a station that was near a highway to switch plates, pull in, pump the gas, drive off, and switch them back in the same alley before hitting the road.
Sometimes, we’d be chased and caught, and we’d just play dumb: “Oh shit, sorry, man, I thought he went in to pay,” we’d say, pointing at whoever was in the seat beside. Other times, the clerks would never even know that it had happened, and we’d casually and quietly pull out and be on our way.
After a short drive, we arrived in the capital. It was pouring fucking rain, sheets of it. The gas light was on, so we turned right on a red and pulled into a gas station adjacent the massive, sprawling parking lot of a box store complex on Ottawa’s outskirts. Murky found a free pump behind a black sports car and pulled the keys from the ignition.
The gas-up routine was all too familiar. Murky got out of the van, his collar pulled over his neck to hide from the wet and cold, went to the nozzle, and filled the tank. He climbed back into the van, coolly pressed his foot down on the gas, and with a “here we go” drove slowly through the empty parking lot of Canadian Tire.
After a few seconds, Eoin said, “Holy shit!”
Behind us, the gas station attendant was barrelling through the parking lot, in a full tilt, holding on to his hat as he blazed through the storm.
“ What the fuck !” Murky even hit the brakes for a second, to get a better rear view and give him a minute to catch up, before calmly accelerating. It was like dangling a carrot in front of a mule. We were howling. I was laughing so hard my stomach hurt—this poor, helpless gas attendant rocketing through the lot without a hope in hell of catching up to us. Yet his enthusiasm was visceral. You could see him losing breath, each step coming closer and closer to having to give up his chase, but still so determined. At the time, it was hilarious. Our lungs and ribs ached with laughter.
Murky must’ve been going about ten clicks when he pulled up to the turnoff to hit the freeway. Then he accelerated, and the uniformed Canadian Tire attendant got smaller and smaller in the downpour behind us, swearing and yelling in the middle of the empty lot.
“Holy fuck, man,” Eoin said. “That fucker loves his fuckin’ job! Workplace loyalty at its finest!”
In our youthful arrogance, there could really be no feeling quite as good. We got such joy out of such immense misfortune. I’ll never forget the jubilation we all felt in those moments when we’d fulfill our burning, reckless desire to take the world for all it had. Of course it was cruel; there were four of us and one of him, and we were out of our minds.
We had a superstition at the time that you couldn’t clean the van until the tour was over, so by the time we’d crossed the border westward and slingshotted around the Golden Horseshoe towards home, we were up to our necks in an ocean of garbage. In our minds it was the same as shaving a playoff beard. Stained blankets, liquor bottles, half-eaten bags of potato chips, rotten food, filthy clothes, rumpled sleeping bags, and who knows what else forming a cemented, solidified wall around our bodies in their seats. Whenever we’d pull up to a venue, an avalanche of empty beer cans and two-sixes would come rushing out of the shotgun side door as it opened. Chaos in our wake as always.
For this and every cardinal sin we’d commit before, during, or after a show, we’d have that sacred half hour onstage every night to seek forgiveness. Despite the harrowing feeling of guilt deep inside me, for every poor, desperate gas station attendant running horizontal through the rain, I knew that I’d be back in Ottawa, and all those cities that we’d passed through to get there, in no time, with numerous opportunities to be redeemed.
Still, I’d play this scene, and countless others like it, over and over again in my mind throughout the next few years. With determination, and a fear of letting go, things can be forever preserved in memory. The feelings you get when they happen the first time: the first time your teenage lips touch alcohol, that early and initial lust of arrogance, arms raised underage in the burning night, dizzy with vodka and cheap sugary mixer. The same goes for playing shows and going on tour. My first band, when I was so, so young, hitting the stages of my hometown when the clock struck set time and we were swept away in the blur of lights and that out-of-body rush—pure adrenaline and raw emotion: devoid of music industry careerism.
As time went on, show after show, records and shirts got sold by the box-load, Saturday nights became entire tours, and tours got longer as the years went by. Labels came and went, business instincts developed, slightly, rent got paid, and along with all of it came a steady and unhealthy tolerance to alcohol: two beers before a show became a case split three ways that became whiskey shots at load-in, and that young and dizzy nighttime magic became the darkness of a blackout.
One in five shows still returned me to that distant wash of out-of-body psychedelia, but it seemed like a tolerance for playing live had grown as well—no longer the unexplored labyrinthine world it used to be—the magic gradually replaced by a sense of practicality. With every hour spent loading gear in and out of venues or sitting above van wheels as they spun perpetually on the road, the light of the stage became more and more familiar. It eventually got so my whole life was spent searching for those feelings of early shows, of early drunkenness, of early touring, and that search to relocate something long lost starts to consume your soul.
“When you’re touring for a living,” you tell yourself, “when you’re selling enough records to buy a house, when you’re selling out rooms across the world, when the struggle is over, that’s when that feeling will return.”
You tell yourself that every night. In the depths of sleep, when before you used to dream, you now only hope, plan, and remember.

Everybody Knows

I opened my eyes on a beach in Costa Vicentina Natural Park after a transatlantic red-eye flight and a four-hour bus ride south from Lisbon. It was a place that seemed to exist on the fringes of reality and the frontiers of identity. You are responsible for your own time: no clocks hang on the walls in the small sandy patio courtyard in the middle of the surf camp dormitories.
If “nowhere” could be defined as being over a few hundred clicks from the sweat and churn of the nearest bustling city, then this camp is in the middle of it. A ten minutes’ drive inland, there is no fixed address. No mail comes. The only thing you’ll find upon arrival are those aiming to escape the imprisoning banalities of daily living: hippies, poets, punks, surfers, and me. I went there to begin the longest tour of Europe I’d ever done.
I was far from the cold autumn that was beginning to take shape in Canada. Before I left for Europe, Toronto’s trees were starting to look bare, the green retreating from their leaves. The day I left, caught within the soon-to-be skeletal remains of the tallest of those trees that stood in the middle of Yarmouth Road, a red balloon beat against branches as it tried to break free in the wind. It was the start of that time of year where the sun is in a constant state of setting.
I had just started playing guitar for Davey Moodey, a well-known veteran in the Canadian music scene who’d written some long-forgotten radio rock hits in the mid-nineties. A few months earlier, he’d put out a call for new players; some rumours circled about why his band had left him, but the most believable story was that the wear and tear of the road had finally got to them.
Davey seemed to always be on the verge of great success, and this time around he enlisted younger musicians to tour with him, people who still had that hunger to make a living touring all year. Being away from home, being broke and cold, and being in an unstable mental state twenty-four hours a day can kill the desire to keep going, so Davey picked from the newest, freshest crop: those of us who seemed to him unweathered and unaffected. We didn’t know how much older than us Davey was, exactly, but he was one of those people who had sort of always been around. With “big break” written all over this opportunity, I left the last of some Ontario dates with a punk band I was playing with to fill the role of lead guitar on tour in the band backing Davey