Heathersleigh Homecoming (The Secrets of Heathersleigh Hall Book #3) , livre ebook

Baker Publishing Group - Michael Phillips

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339 pages

English

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As the Great War escalates, Amanda Rutherford is betrayed by those she trusted most and forced to flee to protect the war secrets in her possession. Meanwhile, her family in Devonshire learns they must commit a son as well as a father to the conflict. And in a remote alpine chalet, a few weary souls find refuge from physical danger--but not the turmoil within.

Informations

Publié par	Baker Publishing Group
Date de parution	15 septembre 2015
Nombre de lectures	0
EAN13	9781441229557
Langue	English
Poids de l'ouvrage	1 Mo

Informations légales : prix de location à la page 0,0202€. Cette information est donnée uniquement à titre indicatif conformément à la législation en vigueur.

Extrait

© 1999 by Michael R. Phillips
Published by Bethany House Publishers
11400 Hampshire Avenue South
Bloomington, Minnesota 55438
www.bethanyhouse.com
Bethany House Publishers is a division of
Baker Publishing Group, Grand Rapids, Michigan
www . bakerpublishinggroup . com
Ebook edition created 2015
All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means—for example, electronic, photocopy, recording—without the prior written permission of the publisher. The only exception is brief quotations in printed reviews.
ISBN 978-1-4412-2955-7
Library of Congress Cataloging-in-Publication Data is on file at the Library of Congress, Washington, DC.
Unless otherwise identified, Scripture quotations are from the King James Version of the Bible.
This is a work of fiction. Names, characters, incidents, and dialogues are products of the author’s imagination and are not to be construed as real. Any resemblance to actual events or persons, living or dead, is coincidental.
Cover illustration © Erin Dertner / Exclusively represented by Applejack Licensing
To the sisters of The Mother of Good Counsel Home St. Louis, Missouri and to the sisters of Christusträger Schwestern Hergershof, Germany
Contents
Cover
Title Page
Copyright Page
Dedication Page
Epigraph
Introduction
Prologue
Part I: On the Run
1. Whisperings
2. Out of Vienna
3. Chalet of Hope
4. Trieste
5. Liaison to the Admiralty
6. Close Encounter
7. Across the Border
8. Dreariness
9. Clandestine Beacon
10. Milan Station
Part II: Refuge
11. Messrs. Crumholtz, Sutclyff, Stonehaugh, & Crumholtz
12. Alpine Waking
13. The Sisters of the Chalet
14. Reflections on Their Guest
15. Jilted Farmer’s Daughter
16. Churning Butter
17. Vienna Storm Clouds
18. A Walk to Grindelwald
19. Raw Trainees
20. The Will of God
21. Reading Night
22. Telegram
23. New Story and Discussion
24. Heart of a Giant
25. Orphaned Kid
26. Unexpected Origins
27. At Sea
28. Milan Again
29. Dream Turned Nightmare
30. Whence Originates Goodness . . . and Why?
31. Kapellbrücke
32. A Walk in the Village
33. Heathersleigh
34. Unpopular Conviction
35. Deep Intelligence
36. Christmas Plans
37. Persuaded by the Heart
38. Back to Milan
39. Living Miracle
40. Chalet Christmas Party
41. Dark Night
42. Frau Grizzel
43. Miraculous Birth
44. Christmas Morning
45. Heathersleigh Christmas
46. Christmas Dinner With Meat for Discussion
47. New Year and Changes
48. A Bad Father
49. Sister Regina’s Story
50. Narrowing Circle
51. Significant New Book
52. Ramsay Sinks
53. Becoming a Daughter
54. Against Entreaties and Persuasions
55. Unpleasant Reflections
56. Bold Confrontation
57. Departure
58. Lauterbrunnen
59. Strangers in Wengen
60. Stormy Night
Part III: England
61. Attack
62. Intelligence in the Alliance
63. War Closes In
64. A Letter and a Nightmare
65. Revised Plans
66. Sharing a Corner of God’s Heart
67. Paris
68. High-Ranking Defection
69. Rising Determination
70. Number 42
71. Mademoiselle Très Chic
72. Questions
73. Overheard Schemes
74. Surprise Intruder
75. North From Paris
76. Ramsay’s Fury
77. Spy vs. Spy
78. A Visitor to Heathersleigh
79. Jocelyn and Stirling Blakeley
80. Missing Clue
81. Beneath Channel Waters
82. Channel Reflections
83. What Next?
84. Surprise Caller
85. The Admiralty
86. Change of Plans Aboard the Admiral Uelzen
87. Deciphering the Clues
88. North Hawsker Head
89. Unexpected Visitors to English Shores
90. Moving In
91. Break-In
92. Frantic New Message
93. Hostage
94. Lights Out
95. Face-Off
96. The Fog Lifts
97. Father and Son
Part IV: Shock and Grief
98. A Bomb at Heathersleigh
99. A Friend’s Devastation
100. The Streets of London
101. Autumn Rains and Memories
102. Sunday Morning
103. The Call of Intimacy
104. Respectable Prodigality
105. A Meeting of Friends
106. An Honest Talk
Part V: Heathersleigh Homecoming
107. Heartache at Heathersleigh
108. Unless a Seed Fall to the Ground . . .
109. Heathersleigh Homecoming
110. Glimmers
111. Grandma Maggie’s Embrace
112. Mother and Daughter
113. Going Home to the Father
114. Plymouth Memorial
115. Healing and Looking Forward
116. Milverscombe Remembers
117. A Mystery Revealed
118. Mysteries Solved and Puzzles Remaining
119. Heathersleigh’s Women
120. What Do You Want Me to Do?
121. Overdue Letter
About the Author
Fiction by Michael Phillips
After he had spent everything, there was a severe famine in that whole country, and he began to be in need. . . . When he came to his senses, he said . . . “I will set out and go back to my father and say to him: Father, I have sinned against heaven and against you. I am no longer worthy to be called your son; make me like one of your hired men.” So he got up and went to his father.
Introduction
The Universal Parable
The remarkable thing about the Bible is that its stories are timeless and universal, and also very, very intimate. From Genesis onward, the insightful reader sees both the great, sweeping, majestic human condition, and his own , mirrored in the men and women of the scriptural account.
In compiling the Holy Book, though using fallible men to do so, the Holy Spirit has woven a miraculously personal tapestry of human life. Only the most unseeing individual can progress far in the Bible without eventually standing back to gaze with wonder at that tapestry, realizing that the emerging portrait being woven into the fabric . . . alongside the face of the Lord . . . is his or her own countenance and spiritual character. Nowhere do we find this personal tapestry more clearly than in the Gospels.
The Gospels paint a picture of you and me beside that of the Man whose life story they tell.
Though on the surface the Gospels appear to be a biographical account of Jesus Christ, at a more profound level they are intended to prompt a far deeper response than a typical biography. The Gospels tell two stories. They illuminate both the character of Jesus and that of his listener.
At every point this dual story is active. Response to Jesus is everything—whether it be the response of James and John, Peter and Andrew, the crowd, the rich young ruler, the Pharisees, children, blind men, prostitutes, tax collectors, kings, prophets, wise men, or shepherds.
Jesus continually looks into the eyes of his listener and says, “This story, this teaching, this principle, this parable, this truth is about you as much as it is about me. What will you do? You must in some way acknowledge what I say, who I am, and my Father’s claim upon you. In short . . . you must follow me or turn your back and walk away. Neutrality is not possible. You must respond.”
I intentionally use the word “listener” in the singular. Jesus always gazes into one set of eyes at a time. Jesus spoke to crowds, to groups of Pharisees, to the twelve, to the seventy. But he always addressed each individual as if he or she were the only one present. That is why I say the scriptural account is a tapestry of the Lord’s face and mine and yours . . . as if we are the only persons in the universe. It is the story of my personal response—as I become that listener —to the Lord’s teachings, to his challenges, and to his claim upon me.
As I read of him walking beside the Sea of Galilee and approaching the sons of Zebedee, it is not primarily to them he speaks at that moment. The words “Follow me,” in that timeless and universally intimate eternal now, are intended for only me . James and John have already made their decision. Now it is my turn. Will I leave my nets and follow him? That is the eternally significant question.
No abstractions clutter the Gospels. The four books penned by Matthew, Mark, Luke, and John are, of course, important literary and historical documents—probably the most significant historical documents ever written. But they are not primarily historical. Their first purpose is not to record history but to elicit response. At the core they are personal documents.
I repeat—response is everything. Jesus lived, Jesus taught, Jesus died . . . to be responded to. If I read the words “Follow me” as spoken only to James and John or Peter and Andrew or the rich young ruler, as detached historical encounters having little immediate bearing upon me, the life of Jesus itself loses its power in my life altogether. It is either my story, my response . . . or it is nothing.
Where do I take my place in the gospel drama?
Am I one of the seventy? Do I stand watching and listening among the crowd? Am I a silent and unresponsive observer of the miracles who walks away thinking to myself, “Hmm . . . interesting,” but who never appropriates that miracle of new life for myself? Am I an angry Pharisee? Am I a Thomas full of questions, a Nicodemus who comes by night, a Martha who fusses, or perhaps the rich young ruler, who, when confronted eye to eye with the challenge of following, sadly turns and walks away?
Where do you find yourself in the gospel drama?
Within the Gospels this principle of personal response is no more vivid than in how we relate to the parables. Do we see our own faces in those seemingly simple stories? If not, we have missed their life-changing import. We have not beheld the gospel tapestry in its full yet very subtle and weakness-exposing glory. Its colors and textures shift and change in the light, and must be turned just so for the images being fashioned by the divine hand to be seen for what they are. It is a tapestry-portrait of intricate colors and blends, whose figures and representations often do not reveal themselves at first glance. As Jesus tells each and every parable, he holds up a mirror in which I am intended to see my own face. That is the subtlety of the tapestry-in-prog