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Global TV Horror , livre ebook

University of Wales Press - Stacey Abbott and Lorna Jowett

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272 pages

English

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A propos
Informations
Extrait

Description

The Horror genre has become one of the most popular genres of TV drama with the global success and fandom surrounding The Walking Dead, Supernatural and Stranger Things. Horror has always had a truly international reach, and nowhere is this more apparent than on television as explored in this provocative new collection looking at series from across the globe, and considering how Horror manifests in different cultural and broadcast/streaming contexts. Bringing together established scholars and new voices in the field, Global TV Horror examines historical and contemporary TV Horror from Australia, Brazil, Canada, Denmark, France, Iran, Japan, Spain, New Zealand, USA and the UK. It expands the discussion of TV Horror by offering fresh perspectives, examining new shows, and excavating new cultural histories, to render what has become so familiar – Horror on television – unfamiliar yet again.

Acknowledgments
Stacey Abbott and Lorna Jowett - Taking Over the Whole World: Global TV Horror, Then and Now
NATIONAL CONTEXTS
Simon Bacon - ‘Real’ Iranian Vampires: Television versus the Big Screen
Mark Fryers - ‘It’s not ghosts, it’s history’: The Sonic Tradition of British Horror Television
Rebecca Janicker - Terror Australis: The Wilderness Myth in TV’s Wolf Creek
Fernando Pagnoni Berns - Stories to Make You Think: The Horror of Daily Life under Francisco Franco’s Regime in Historias para No Dormir
Laura Cánepa, Leandro Caraça and Lúcio Reis-Filho - Sleep, little baby. Cuca is coming for you. Mom went to the field, and Dad is working too: the witch Cuca in the Brazilian folklore and television
FORMS AND AESTHETICS
Jonas Green - Beyond the Masochistic Pleasure Principle: The Subtle Gore of Les revenants.
Cat Lester - Giving Kids Goosebumps: Uncanny Aesthetics, Cyclic Structures and Anti-didacticism in Children's Horror Anthologies Series
Lorna Piatti-Farnell - As Raw as Flesh: Consuming Humans in TV Horror
INDUSTRY
Stella Gaynor - Driving Industrial Innovation: Fox International Channels and the Global Appeal of The Walking Dead
Andreas Halskov - Staking Claims or Sucking Up: Heartless, Nordic Twilight and the Cross-Pollination of Danish and American TV Drama
Charlotte Stevens - Video Game to Streaming Series: The Case of Castlevania on Netflix
James Rendell - Tracing Terror-Bytes: Ring: Saishusho as Japanese TV Horror, Online Transcultural J-Horror Fan Object, and Digital Only-Click Television
Conclusion - Transnationalism and TV Horror Fandom: A Conversation with Iain Robert Smith and Miranda Ruth Larsen
About the Contributors

Sujets

Horror

Fiction

Informations

Publié par	University of Wales Press
Date de parution	01 mars 2021
Nombre de lectures	0
EAN13	9781786836953
Langue	English
Poids de l'ouvrage	18 Mo

Informations légales : prix de location à la page 0,2850€. Cette information est donnée uniquement à titre indicatif conformément à la législation en vigueur.

Extrait

Global TV HORROR

HORROR STUDIES

Series Editor Xavier Aldana Reyes, Mancester Metropolitan University

Editorial Board Stacey Abbott, Roeampton University Linnie Blake, Mancester Metropolitan University Harry M. Bensoﬀ, University of Nort Texas Fred Botting, Kingston University Steven Brum, Western University Steﬀen Hantke, Sogang University Joan Hawkins, Indiana University Agnieszka Soltysik Monnet, University of Lausanne Bernice M. Murpy, Trinity College Dublin Jonny Walker, Nortumbria University

Preface Horror Studies is te ﬁrst book series exclusively dedicated to te study of te genre in its various manifestations – from ﬁction to cinema andtelevision, magazines to comics, and extending to oter forms of narrative texts suc as video games and music. Horror Studies aims to raise te proﬁle of Horror and to furter its academic institutionalisation by providing apublising ome for cutting-edge researc. As an exciting new venture witin te establised Cultural Studies and Literary Criticism programme, Horror Studies will expand te ﬁeld in innovative and student-friendly ways.

Global TV HORROR

EDITED BY STACEY ABBOTT AND LORNA JOWETT

UNIVERSITY OF WALES PRESS 2021

All rigts reserved. No part of tis book may be reproduced in any material form (including potocopying or storing it in any medium by electronic means and weter or not transiently or incidentally to some oter use of tis publication) witout te written permission of te copyrigt owner except in accordance wit te provisions of te Copyrigt, Designs and Patents Act. Applications for te copyrigt owner’s written permission to reproduce any part of tis publication sould be addressed to te University of Wales Press, University Registry, King Edward VII Avenue, Cardiﬀ, CF10 3NS.

www.uwp.co.uk

Britis Library Cataloguing-in-Publication Data

A catalogue record for tis book is available from te Britis Library.

ISBN 978-1-78683-694-6 eISBN 978-1-78683-695-3

he rigts of he Contributors to be identiﬁed as autors of tis work ave been asserted in accordance wit sections 77 and 79 of te Copyrigt, Designs and Patents Act 1988.

Typeset by Cris Bell, cbdesign

Printed by CPI Antony Rowe, Melksam, UK

Contents

Acknowledgements

Notes on Contributors

1. It’s Taking Over te Wole World Global TV Horror, hen and Now Stacey Abbott and Lorna Jowett

Part One: National Contexts

2. ‘Real’ Iranian Vampires Television versus te Big Screen Simon Bacon 3. ‘It’s Not Gosts, It’s History’he Sonic Tradition of Britis Horror TelevisionMark Fryers 4.Terror Australis he Wilderness Myt in TV’sWolf CreekRebecca Janicker 5.Stories to Make You hink he Horror of Daily Life under Francisco Franco’s Regime inHistorias para No DormirFernando Pagnoni Berns 6. Sleep, Little Baby. Cuca Is Coming for You. Mom Went to te Field, and Dad Is Working Too he Witc Cuca in Brazilian Folklore and Television Laura Cánepa, Leandro Caraça and Lúcio Reis-Filo

vii

Part Two: Forms and Aestetics

Beyond te Masocist Pleasure Principlehe Subtle Gore ofLes revenantsJonas GreenGiving Kids Goosebumps Uncanny Aestetics, Cyclic Structures and Anti-didacticism in Cildren’s Horror Antologies Caterine LesterAs Raw As Fles Consuming Humans in TV HorrorLorna Piatti-Farnell

Part hree: Industry

10. Driving Industrial Innovation FOX International Cannels and te Global Appeal ofhe Walking DeadStella Gaynor 11. Staking Claims or Sucking Up Heartless, Nordic Twiligt and te Cross-pollination of Danis and American TV Drama Andreas Halskov 12. Video Game to Streaming Series he Case ofCastlevaniaon Netﬂix E. Carlotte Stevens

13. Tracing Terror-Bytes Ring: Saisusoas Japanese TV Horror, Online Transcultural J-Horror Fan Object and Digital Only-click Television James Rendell

Conclusion: Transnationalism and TV Horror Fandom A Conversation wit Iain Robert Smit and Miranda Rut Larsen Stacey Abbott and Lorna Jowett

Index

103

105

121

139

159

161

177

197

215

233

247

Acknowledgements

DITED COLLECTIONS suc as tis book are a rewarding collabo-E ration between te editors and teir autors, and so our ﬁrst tank you goes to our contributors, wose professionalism and passion for TV orror underpin te value of tis book. hey ave been a pleasure to work wit and a constant reminder tat fans of orror are te nicest people. We would like to express our gratitude to Xavier Aldana Reyes for is entusiasm for te project and its inclusion in te Horror Studies series (UWP). hank you to Sara Lewis at te University of Wales Press for er ard work and support, and to everyone at UWP for teir elp in making tis book appen. hank you to te anonymous peer reviewer for teir insigtful feedback. Stacey would like to tank er family in Canada for teir encourage-ment and indulgence of er orror and Gotic passions. hank you to er usband and partner-in-crime Simon Brown for is never-ending support and sared loved of orror. Most importantly se would like to tank er co-editor Lorna Jowett for being an outstanding collaborator and for mak-ing te ard work of writing and editing so muc fun. his conversation started about teir sared entusiasm forNear Dark and vampires at a conference many, many years ago, and it continues troug every project tey undertake. Long may te conversation continue – ‘Let’s go to work.’ Lorna would like to tink all te friends, family and colleagues wo ave supported er, especially in te last few, rater trying, years. A mas-sive sout out is also due to Stacey Abbott, fantastic co-conspirator and all-round Campion. Long may te conversation continue – ‘I wis to do more violence.’

Notes on Contributors

Stacey Abbottis a Reader in Film and Television Studies at te Univer-sity of Roeampton. Her main areas of researc are Gotic and orror ﬁlm and television, wit a particular focus on te evolving mytologies of screen monsters. Se as written extensively onBuﬀy te Vampire Slayer, AngelandSupernatural, as well as editinghe Cult TV Book(2010). Se is te autor ofCelluloid Vampires (2007),Angel: TV Milestone (2009), Undead Apocalypse: Vampires and Zombies in te 21st Century(2016) and te BFI Classic onNear DarkSe is te co-autor, wit Lorna (2020). Jowett, ofTV Horror: Investigating te Dark Side of te Small Screen(2013) and co-edited, wit Jowett and Micael Starr, a special issue ofHorror Studieste vampire on television. Se is now immersed in a examining new project on orror and animation.

Simon Baconis an independent scolar based in Poznań, Poland. He as edited books on various subjects includingGotic: A Reader(2018),Hor-ror: A Companion(2019), andMonsters: A Companion(fortcoming). He as publised monograps on,Becoming Vampire: Diﬀerence and te Vam-pire in Popular Culture (2016),Dracula as Absolute Oter: he Troubling and Distracting Specter of Stoker’s Vampire on Screen(2019),Eco-Vampires: he Vampire as Environmentalist and Undead Eco-activist(2020), and is currently working onInvasion of Vampires from Anoter World: he Cine-matic Alien Progeny of War of te Worlds and Dracula.