Three Bodies
143 pages
English

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143 pages
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Description

'Brodie elegantly confronts our biases, prejudices and racism and masterfully depicts the complexities of contemporary South Africa. Thoughtful, entertaining, necessary!' - PHEMELO MOTENE, Broadcaster

Reshma Patel and Ian Jack are back

The first body was found in the Hartbeespoort Dam. An unidentified woman, presumably drowned, washed up on the banks of an exclusive golf estate. Next came the discovery of a grisly crime scene deep underground in Johannesburg, somehow connected to a second woman found dead in the Jukskei River where it ran through Alexandra.

When the body of a third woman is pulled out of the Vaal River, south of Joburg, Captain Reshma Patel starts to wonder if a serial killer is at work – or if the mutilated corpses have anything to do with the spate of cash-in-transit heists she’s busy investigating.

When a fourth woman goes missing Reshma and her partner, former police officer Ian Jack, have to figure out who is behind the killings – and to stop them, before they can strike again.


Sujets

Informations

Publié par
Date de parution 01 mars 2020
Nombre de lectures 0
EAN13 9781770107038
Langue English
Poids de l'ouvrage 1 Mo

Informations légales : prix de location à la page 0,0478€. Cette information est donnée uniquement à titre indicatif conformément à la législation en vigueur.

Extrait

Three Bodies
A Reshma Patel and Ian Jack thriller
NR Brodie
MACMILLAN

First published in 2020
by Pan Macmillan South Africa
Private Bag X19
Northlands
Johannesburg
2116
www.panmacmillan.co.za
isbn 978-1-77010-702-1
e- isbn 978-1-77010-703-8
© 2020 NR Brodie
All rights reserved. No part of this publication may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise), without the prior written permission of the publisher. Any person who does any unauthorised act in relation to this publication may be liable to criminal prosecution and civil claims for damages.
This is a work of fiction. Any resemblance to actual persons, living or dead, is purely coincidental.
Editing by Helen Moffett
Proofreading by Kelly Norwood-Young
Design and typesetting by Triple M Design, Johannesburg
Cover design by publicide


Also by NR Brodie
Knucklebone (2018)
A Reshma Patel and Ian Jack thriller
‘A cracking novel. Brilliant original writing. The pace is insane – in a good way.’ – SARAH LOTZ, bestselling author of Missing Person , The White Road , Day Four and The Three
‘There are many fantasy thrillers out there but none as uniquely South African as Knucklebone . Every story I was told as a child about abathakathi and tokoloshes came to life and it was nothing short of electrifying.’ – PAM MAGWAZA, Drum magazine
‘Brodie’s crisp writing, her short chapters, which often end in nail-biting cliffhangers and a great plotline drive the narrative along. She brings all its strands together in a stunning magical finale which I found highly satisfying … Knucklebone’ s pace and imaginative prowess is invigorating. A sequel is something to be wished for.’ – KARINA M SZCZUREK, Cape Times


Archipelago
J onas Jiyane stood at the edge of the Hartbeespoort Dam, gumboot soles gripping onto the part of the lawn where the grass turned muddy, and he would slip if he wasn’t careful.
The land flowed almost seamlessly into the water, an illusion facilitated by an algal bloom that had been killing off the fish for weeks. The surface of the dam near the lock was covered with floating scum one shade off the rich green of the lawns. The water looked like thick soup and smelled like bad things. Jonas could taste it even when he breathed through his mouth; a slight rot that permeated the air.
A few metres out from the shore, an island of hyacinth floated above the algae, unbothered by the transient invaders, two predators leaving each other alone. Some of the hyacinth plants were in flower, pale lilac preening in the green. It was these that Jonas was after.
Jonas dangled his long pool scoop out over the water and dipped the net, slowly, working his way under and through the growth until he could separate a clump of hyacinth from its neighbours before lifting it and pulling it back to shore.
Behind him was a pile of plants already harvested, perhaps two or three wheelbarrows’ worth. By the end of the morning there would be enough to fill the back of a trailer. And when Jonas came again next week, it would be as if he’d never touched the alien mat at all.
Jonas didn’t complain about the futility of the task. The occasional cropping was enough to keep the hyacinth from clogging the estate’s canals, and, if he was honest, he liked being at the water’s edge where it was mostly pleasant, algae notwithstanding, and almost always quiet.
On one of his previous hauls Jonas had accidentally netted a fish, dead from the algae. Other gardeners had found plenty more, the yellow-olive ones – Kurpers – and even a few waterfowl. The green water was poisoning the animals, but the golfers remained undisturbed.
Jonas harvested golf balls, too, when they washed up in the silt, or got trapped among the hyacinth clusters. There were at least four golf estates along the dam’s perimeter, not including the one at La Gondola.
Jonas didn’t get the apparent pleasure of repeatedly hitting a tiny ball into a giant human-made water feature, but he passed no judgement on those who did. One or other of the club members would always give him a few notes for a bucket of balls in good-enough condition. He already had a small haul of dimpled chestnuts stacked in their own pile next to the draining plants. He would need to wash them off before he sold them again – they were all looking decidedly more green than white.
Nobody was sure what had caused the algae to go crazy. Jonas had read a report in the local Kormorant that it was because of the sewage coming in from the Jukskei and entering the Crocodile River. Some people at the estate whispered that it was because of chemicals from the nuclear chemical facility at Pelindaba. Jonas and the other gardeners took extra care to wash their hands after working lakeside, but they didn’t stop working.
The only thing the algae didn’t seem to affect was the hyacinth.
Reach, scoop, lift, repeat. Jonas carried on with his work. He started humming a tune he’d heard on the radio. He wasn’t sure what it was called.
By 10 am, Jonas thought he only needed to add a few more nets to his harvest before calling it a morning. The waterline was unobstructed for a few metres along the entire stretch of the lock, where the water from the dam entered the canals that gave the estate its fancy-sounding name.
Jonas stepped closer to the edge, and then almost into the water – he could feel the cold and wet enter his right boot through a tiny hole. He didn’t really mind. He wouldn’t have to feel it for long, and he could change his shoes back at the staff quarters.
He took another step forward and held out the long metal handle of the net, dipping it under the surface again, aiming for a clump of plants just outside his reach. The hyacinth floated on its own buoyant bulbs hidden beneath the leaves. The roots gradually connected to each other, forming ever-larger networks that would cover the entire surface of the dam, given half the chance. After a moment’s calculation, Jonas thought that if he could pull this particular patch of plants a little closer, he’d be able to scoop all of them out easily.
He reversed his approach. He placed the net over one of the plants near the centre and let the plastic lip flop over the sides so it made a laager around the leaves and stems. He pulled, hard enough to yank the plant away from subterranean neighbours, but not so hard as to dislodge the net attached to the pole with a jury-rigged piece of wire.
After a couple of drags, the hyacinth gave way and started bobbing in his direction. Jonas stepped closer, ignoring the water that now filled up his other boot. He pulled the pole towards him, guiding the plant with the net as he did, until he was ready to turn, scoop, and drop.
The net and its cargo carved a wake through the green sludge. Jonas turned the net around and lifted his haul.
As he did so, something in the water caught Jonas’s eye. A long black strand, thick as a man’s thumb, twisting along the surface as if it was caught in an invisible current. For a moment, Jonas thought that it was a snake and he nearly dropped the pool net in shock. Caution helped him catch his breath and realise that, whatever it was, it was not alive. Just a piece of rubbish, he thought. An old power cable or something someone had chucked off a boat, something that had gotten stuck in the webs of hyacinth, and which had now come ashore.
Jonas reached into the water and pulled on the black strand with his bare hand. The rope felt spongey beneath his fingers. As he pulled, he felt movement on the other end, as if it was attached to something. Something big.
A second later, the water around him filled with more black shapes, more snakes, writhing in the water, reaching for his rubber feet where he stood. He had to stop himself from screaming out loud.
It took Jonas another second to realise that what he was holding in his hand was a length of human hair. And at the other end of the hair was a body.


Bridges
T he golf cart crawled along the brick causeway in almost complete silence. Only a very faint whirr gave Ian Jack any indication that it was switched on at all. Myburgh had told him it was electric. There were plug stations for the carts all over the estate.
‘Do we have to drive in this thing?’ Ian asked, feeling stupid, a grown man bundled up inside a toy mobile. ‘We could have taken my car.’
Myburgh didn’t turn his head. ‘None of the roads go straight in this place, and it’s further than it looks on the map. You got to cross water, go over canal bridges,’ he said, pointing as he steered with the other hand. ‘And the bridges are only big enough for the carts.’
Ian thought Myburgh was secretly enjoying the drive.
The older man was wearing mirrored shades that, together with his blue slacks and pale blue shirt, made him look more like an ex-cop than he might have realised. Or, Ian thought, maybe Myburgh knew exactly what he was trying to look like.
It was a perfect autumn day out at the dam. The last of the rains had come over Easter, six weeks ago, clearing some of the sludge from the water. While the rest of the province was slowly turning brown at the edges, the greens at La Gondola were a uniform shade of emerald.
Ian took in a deep breath of almost-country air as Myburgh navigated. There were few street signs in the estate – those that Ian could make out all had Italian names, which Myburgh said were named after bridges – and even fewer house markings. To add to the confusion, all the houses looked more or less the same to Ian’s eye: two-storey replicants, rendered in either off-white or off-pink. Ian guessed that in the brochures the colours had proper names, like Tuscan Cloud and Tusc

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