Pastoral was one of the most popular literary forms of early modern England. Inspired by classical and Italian Renaissance antecedents, writers from Ben Jonson to John Beaumont and Abraham Cowley wrote in idealized terms about the English countryside. It is often argued that the Renaissance pastoral was a highly figurative mode of writing that had more to do with culture and politics than with the actual countryside of England. For decades now literary criticism has had it that in pastoral verse, hills and crags and moors were extolled for their metaphoric worth, rather than for their own qualities. In What Else Is Pastoral?, Ken Hiltner takes a fresh look at pastoral, offering an environmentally minded reading that reconnects the poems with literal landscapes, not just figurative ones.Considering the pastoral in literature from Virgil and Petrarch to Jonson and Milton, Hiltner proposes a new ecocritical approach to these texts. We only become truly aware of our environment, he explains, when its survival is threatened. As London expanded rapidly during the sixteenth and seventeenth centuries, the city and surrounding rural landscapes began to look markedly different. Hiltner finds that Renaissance writers were acutely aware that the countryside they had known was being lost to air pollution, deforestation, and changing patterns of land use; their works suggest this new absence of nature through their appreciation for the scraps that remained in memory or in fact. A much-needed corrective to the prevailing interpretation of pastoral poetry, What Else Is Pastoral? shows the value of reading literature with an ecological eye.
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First published 2011 by Cornell University Press Printed in the United States of America
Library of Congress CataloginginPublication Data
Hiltner, Ken. What else is pastoral? : Renaissance literature and the environment / Ken Hiltner. p. cm. Includes bibliographical references and index. ISBN 9780801449406 (cloth : alk. paper) 1. English literature—Early modern, 1500–1700—History and criticism. 2. Pastoral literature, English—History and criticism. 3. Nature in literature. 4. Ecology in literature. I. Title. PR418.P3H55 2011 820.9'358209734—dc22 2010044420
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For Talya
Acknowledgments
Introduction
Part I. Literary Issues
1. The Nature of Art
2. What Else Is Pastoral?
Contents
3. What Else Was Pastoral in the Renaissance?
4. Pastoral and Ideology, and the Environment
Part II. Environmental Problems
5. Representing Air Pollution in Early Modern London
6. Environmental Protest Literature of the Renaissance
7. Empire, the Environment, and the Growth of Georgic
Select Bibliography Index
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19 34 49 67
95 125 156
175 187
Acknowledgments
I owe so many debts of thanks that it is difficult to know where to begin, other than to acknowledge that such generosity can never be adequately repaid. First, special thanks are due Barbara Lewalski. Without her kind, patient, and generous support and guidance, which involved reading seem ingly endless revisions of this material, this book would never have come into being. I owe a similar debt to Gordon Teskey, who helped me work through the theoretical underpinnings of my approach, often during long and pleasant bike rides, and to Stephen Greenblatt, who patiently and re peatedly offered invaluable help and support along the way. I also owe thanks to many members of the faculty at Harvard University. Among them, Elaine Scarry, Jim Engel, and Marge Garber certainly deserve spe cial note. The book also benefited enormously from suggestions made by Rob Watson, Angus Fletcher, John Rumrich, and Peter Potter. I also want to thank my mother Caroline and my brother Harry, as my fascination with the environment began many years ago on our fam ily’s farm. Finally, my wife, Talya Meyers, who read a second round of