242 pages

English

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The Queer Uncanny , livre ebook

University of Wales Press - Paulina Palmer

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242 pages

English

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Description

This volume investigates the roles played by the concept of the uncanny, as defined by Sigmund Freud and other theorists, in the representation of lesbian and male gay sexualities and transgender in a selection of contemporary British, American and Caribbean fiction published 1980-2007.
CHAPTER 1 - INTRODUCTION: QUEERING THE UNCANNY CHAPTER 2 - SECRETS AND THEIR DISCLOSURE 1 Secrets and sexuality 2 New approaches to the coming out novel 3 Double secrets: AIDS narratives 4 History/ mystery CHAPTER 3 - QUEER SPECTRALITY 1 Spectral fictions 2 Ghost stories and queer hauntings 3 The phantom-text 4 Transgender doubles CHAPTER 4 - PLACE AND SPACE 1 Theoretical approaches 2 The haunted house 3 Uncanny cities 4 Ritual and ceremony CHAPTER 5 - MONSTROUS OTHERS 1 Hybridity and border-crossing 2 Demons and robots 3 Carnivalesque fantasies

Sujets

Literary Criticism

Idioma inglés

English

Romance

Gothic

Anglais

Informations

Publié par	University of Wales Press
Date de parution	15 janvier 2012
Nombre de lectures	0
EAN13	9780708324608
Langue	English
Poids de l'ouvrage	1 Mo

Informations légales : prix de location à la page 0,0824€. Cette information est donnée uniquement à titre indicatif conformément à la législation en vigueur.

Extrait

Gothic Literary Studies

The Queer Uncanny New Perspectives on the Gothic

Paulina Palmer

University of Wales Press

THE QUEER UNCANNY

SERIES PREFACE

Gothic Literary Studies is dedicated to publishing groundbreaking scholarship on Gothic in literature and ﬁlm.The Gothic,which has been subjected to a variety of critical and theoretical approaches, is a form which plays an important role in our understanding of literary, intellectual and cultural histories. The series seeks to promote challenging and innovative approaches to Gothic which question any aspect of the Gothic tradition or perceived critical orthodoxy. Volumes in the series explore how issues such as gender, religion, nation and sexuality have shaped our view of the Gothic tradition . Both academically rigorous and informed by the latest developments in critical theory, the series provides an important focus for scholastic developments in Gothic studies, literary studies, cultural studies and critical theory.The series will be of interest to students of all levels and to scholars and teachers of the Gothic and literary and cultural histories.

SERIES EDITORS

Andrew Smith, University of Glamorgan Benjamin F. Fisher, University of Mississippi

EDITORIAL BOARD

Kent Ljungquist,Worcester Polytechnic Institute Massachusetts Richard Fusco, St Joseph’s University, Philadelphia David Punter, University of Bristol Chris Baldick, University of London Angela Wright, University of Shefﬁeld Jerrold E. Hogle, University of Arizona

The Queer Uncanny New Perspectives on the Gothic

Paulina Palmer

UNIVERSITY OF WALES PRESS CARDIFF 2012

All rights reserved. No part of this book may be reproduced in any material form (including photocopying or storing it in any medium by electronic means and whether or not transiently or incidentally to some other use of this publication) without the written permission of the copyright owner. Applications for the copyright owner’s written permission to reproduce any part of this publication should be addressed to the University of Wales Press, 10 Columbus Walk, Brigantine Place, Cardiff CF10 4UP.

www.uwp.co.uk

British Library CIP Data A catalogue record for this book is available from the British Library.

ISBN 9780708324585 (hardback) 9780708324592 (paperback) eISBN 9780708324608

The right of Paulina Palmer to be identiﬁed as author of this work has been asserted in accordance with sections 77 and 79 of the Copyright, Designs and Patents Act 1988.

Typeset in Wales by Eira Fenn Gaunt, Cardiff Printed by CPI Antony Rowe, Chippenham,Wiltshire

Preface

CONTENTS

1 Introduction: Queering the Uncanny

2 Secrets and their Disclosure

3 Queer Spectrality

4 Place and Space

5 Monstrous Others

Notes

Bibliography

Index

105

152

189

209

221

P REFACE

I ﬁrst became interested in writingThe Queer Uncannyfrom noticing the number of works of contemporary ﬁction that use motifs and imagery relating to the uncanny and Gothic to explore and represent different aspects of lesbian, male gay and transgender sexuality and experience. Since I publishedLesbian Gothic:Trangressive Fictionsin 1999 the interest in the interrelation between ‘Gothic’ and ‘queer’ in both popular culture and academia has increased considerably, and numer ous new critical and theoretical texts relating to the topic have appeared in print. In locating the ﬁctional and theoretical texts that I have needed to write the book, I have been fortunate to have access to Gay’s The Word bookshop in London, one of the few remaining queer bookshops in the UK and an invaluable source of material, both new and old. I have also utilized the resources of the Cambridge University Library, and very much appreciate the help provided by the staff. My work as a sessional lecturer for the MA in Gender and Sexuality at Birkbeck College, University of London, and conversations that I have held with students and members of staff have been intel lectually stimulating and inﬂuenced my writing, as have the work shops on Gothic and queer writing that I have taught at City Lit College. In addition, I am indebted to Professor Andrew Smith for encouraging my work on the Gothic, to Dr Emma Parker for recommending ﬁction relevant to the book and to Dr Ana Cecília Acioli Lima for sharing with me her readings of Jeanette Winterson’s novels. I am grateful to Terry Ryman for reading sections of my work in progress, sharing his ideas with me and and talking over my readings of texts. I am also greatly indebted to Dr Les Brookes, the author ofGay Male Fiction Since Stonewall, for sparing time from his own writing to read and comment on my typescript and discuss my ideas.

For the queer community in Cambridge