Teaching Hemingway s A Farewell to Arms
272 pages
English

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272 pages
English
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"It is, I think, the collective hope of us involved with this volume that-through its authors' collective experience, intellectual rigor, practical advice, conversational tone, sample syllabi, and enthusiastic encouragement-it inspires future generations of teachers to return to this iconically modernist novel so that students once again have the opportunity to understand its artistry for themselves."-from the IntroductionThis first volume in the new Teaching Hemingway Series is a collection of richly nuanced, insightful, and innovative essays on teaching A Farewell to Arms from authors with varied backgrounds, including all levels of secondary and higher education. Read separately, the essays contribute to an enhanced understanding and appreciation of this master work. These seasoned instructors offer practical and creative classroom strategies, sample syllabi, and other teaching tools.

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Publié par
Date de parution 20 janvier 2013
Nombre de lectures 0
EAN13 9781631010736
Langue English
Poids de l'ouvrage 4 Mo

Informations légales : prix de location à la page 0,0950€. Cette information est donnée uniquement à titre indicatif conformément à la législation en vigueur.

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Te a c h i n g H e m i n g w ay ’ sA Farewell to Arms
Teaching Hemingway Series Susan Beegel, Editor
Teaching Hemingway’se Sun Also Rises Edited by Peter L. Hays
Teaching Hemingway’sA Farewell to Arms Edited by Lisa Tyler
te aching hemingway’s A Farewell to Arms
edited by lisa t yler
Kent State University Press Kent, Ohio
©2008byTheKentStateUniversityPress,Kent,Ohio44242 All฀rights฀reserved Library of Congress Catalog Card Number 2007021853 isbn978-0-87338-917-4
Manufactured in the United States of America
Library of Congress Cataloging-in-Publication Data Teaching Hemingway’s A farewell to arms / edited by Lisa Tyler.  p. cm. — (Teaching Hemingway series) Includes bibliographical references and index. isbn978-0-87338-917-4 (pbk. : alk. paper) 1. Hemingway, Ernest, 1899–1961. Farewell to arms. 2. Hemingway, Ernest, 1899–1961—Study and teaching. I. Tyler, Lisa, 1964– ps3515.e37f363 2007 813'.52—dc22 2007021853
British Library Cataloging-in-Publication data are available.
12 11 10 09 08
5 4 3 2 1
Contents
Acknowledgments Introduction  Lisa Tyler
B a c k g r o u n d s a n d C o n t e xt s
History and Imagined History  Charles M. Oliver
On Teaching Hemingway’sA Farewell to Armsin Contexts  Frederic J. Svoboda
H e m i n g way ’ s L a n g u a g e a n d St y l e
Bert-and-Ernie Stylistics: Introducing Hemingway through a Discussion of Hemingway’s Style  J. T. Barbarese
Hemingway’s Road Map: A Cartography for Teaching A Farewell to Arms Gail D. Sinclair
A Farewell to Arms,World War I, and “the stockyards at Chicago”  Kim Moreland
M o d e r n i s m a n d Wo r l d Wa r I
TeachingA Farewell to Armsfrom a Modernist Perspective Ellen Andrews Knodt
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TeachingA Farewell to Armsat the U.S. Air Force Academy  Jackson A. Niday II and James H. Meredith
A Conversation among Wars: TeachingA Farewell to Armsas an American War Novel  Jennifer Haytock
g e n d e r i s s u e s
A Journey Shared:A Farewell to Armsas Catherine Barkley’s Story  Amy Lerman
My Problems in TeachingA Farewell to Arms Peter L. Hays
“e ings She Said . . . Wouldn’t Amount to Very Much”: Teaching Gender Relationships inA Farewell to Arms omas Strychacz
pe d a g o g i c a l a p p r oa c h e s
TeachingA Farewell to Armsthrough Discussion: Harkness Strategies for a Student-Centered Classroom  Mark P. Ott
A Multimedia Approach to TeachingA Farewell to Arms David Scoma
Ernest Hemingway Presents:A Farewell to Arms Brenda G. Cornell
Works Cited Selected Bibliography of Works onA Farewell to ArmsContributors Index
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Acknowledgments
I ûŝ first acknowledge a very great debt to Susan Beegel, editor of the Hemingway Reviewand long a progressive force in Hemingway scholarship. Susan first recruited me to edit this book for a series on teaching Hemingway’s novels, originally to be published by the University of Idaho Press. When the University of Idaho chose to dismantle its press aer most of the essays in this collection had already been draed, Susan stood by the project and helped steer it to its new home at Kent State University Press. She also signed on with KSUP as series editor, thoughtfully reviewed the manuscript, and gave me honest advice about editing.  Peter L. Hays, who edited Teaching Hemingway’se Sun Also Rises,the first book in the series, for the University of Idaho Press, also generously advised me.  Larry Grimes, who is editing a proposed third volume in the Teaching Hemingway series one Old Man and the Sea,kindly invited me to participate in a panel on teachingA Farewell to Armsthat he organized for the National Council of Teachers of English annual convention in Pittsburgh in fall 2005. It was exciting to have the opportunity to share with high school and college teach-ers some of what I had learned from the experience of editing this volume.  I am grateful to Will Underwood and Joanna H. Craig of Kent State University Press for their willingness to take us on. I am proud to have the book published by the press whose list includes such distinguished Hemingway scholarship as Under Kilimanjaro,edited by Robert W. Lewis and Robert E. Fleming.  As our manuscript’s reviewer, Linda Patterson Miller deserves thanks here for her time, her careful reading, and her constructive suggestions.
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viii acknowledgments
 I would also like to express my gratitude to Jim Tyler, who encouraged me to say yes to this project, assured me repeatedly that I could do it, and bore with great fortitude my many anxious moments. Rose Tyler remains, with her father, the single greatest joy in my life, and I am thankful that she tolerated the many times when I was working and she would have preferred for me to play.  Most of all, I am grateful to the contributors of this collection, who patiently waited while this book found its new home and while I figured out how to edit an anthology. As a community college professor who regularly teaches twelve or more classes a year, I am particularly appreciative of their kind patience with me.
Introduction
Lisa Tyler
A FàÉÉ to Armsis, in my estimation, Ernest Hemingway’s finest novel. Such a claim flies in the face of received wisdom, which would now award that honor to his much more popular debut novel,e Sun Also Rises.CertainlySunhas garnered the lion’s share of critical attention. Hemingway bibliographer Kelli A. Larson conceded in 992 thate Sun Also Risesis “clearly the most analyzed novel of the last fieen years,” withA Farewell to Arms“a distant second” (2).  at has not always been the case. In his early (952) influential study Hemingway: e Writer as Artist,Carlos Baker, one of the first scholars to study Hemingway’s work and later the official biographer of Hemingway, devoted many pages toA Farewell to Arms.He drew on the book’s opening sentence to examine its contrasts between the plains and the mountains, creating a geographical reading of the novel that influenced many midcentury critics of Hemingway’s work. (For further discussion of Baker’s work, see Gail D. Sinclair’s essay in this volume.)  Of the period immediately following Hemingway’s death, Susan F. Beegel observes, “e vast majority of critics at work in the academy during this pe-riod were white Anglo-Saxon Protestant males, who shared World War II as their most important historic memory. Indeed, many were combat veterans. eir favorite novel wasA Farewell to Arms,Hemingway’s romantic tragedy of love and duty in a theater of war” (“Conclusion” 275). Beegel notes that it was only in the 970s thatA Farewell to Armsfaded in popularity, ceding first
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