Rebellious Hearts
409 pages
English

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409 pages
English
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Description

This pathbreaking collection engages in the important new work of rediscovering the hundreds of British women writing during the Romantic period, women who we now realize were central, not marginal, to the poetics and ideologies of Romanticism. Yet no previous volume has focused on British women's responses to the French Revolution and the Napoleonic wars, or on their participation in the social, economic, religious, and poetic debates surrounding these political conflicts. As the first book to represent the full spectrum of women's participation in the Revolutionary debates, Rebellious Hearts uncovers a rich new field of literary and historical scholarship.
List of Illustrations

Preface and Acknowledgments

Introduction

British Women Writers and the French Revolution, 1789–1815
Adriana Craciun and Kari E. Lokke

Revolution and Nationalism

Blurring the Borders of Nation and Gender: Mary Wollstonecraft's Character (R)evolution
Jan Wellington

Challenging Englishness: Frances Burney's The Wanderer
Maria Jerinic

“The Mild Dominion of the Moon”: Charlotte Smith and the Politics of Transcendence
Kari E. Lokke

Revolution and Religion

The Anxiety of (Feminine) Influence: Hannah More and Counter-Revolution
Angela Keane

The French, the “Long-wished-for Revolution,” and the Just War in Joanna Southcott
Kevin Binfield

Napoleon, Nationalism, and the Politics of Religion in Mariana Starke's Letters from Italy
Jeanne Moskal

Revolutionary Subjects

The New Cordays: Helen Craik and British Representations of Charlotte Corday, 1793–1800
Adriana Craciun

Mary Hays's “Female Philosopher”: Constructing Revolutionary Subjects
Miriam L. Wallace

Indirect Dissent: “Landscaping” Moral Agency in Amelia Alderson Opie's Poems of the 1790s
Ann Frank Wake

Revolutionary Representation

Elizabeth Inchbald, Joanna Baillie, and Revolutionary Representation in the “Romantic” Period
Terence Allan Hoagwood

Benevolent Historian: Helen Maria Williams and Her British Readers
Deborah Kennedy

The Politics of Truth and Deception: Charlotte Smith and the French Revolution
Judith Davis Miller

Afterword
Madelyn Gutwirth

Contributors

Index

Sujets

Informations

Publié par
Date de parution 24 mai 2001
Nombre de lectures 0
EAN13 9780791490648
Langue English
Poids de l'ouvrage 1 Mo

Informations légales : prix de location à la page 0,1748€. Cette information est donnée uniquement à titre indicatif conformément à la législation en vigueur.

Extrait

Rebellious Hearts
SUNY series in Feminist Criticism and Theory Michelle A. Masse, editor
Rebellious Hearts
British Women Writers and the French Revolution
EDITED BY Adriana Craciun and Kari E. Lokke
STATEUNIVERSITY OFNEWYORKPRESS
Published by State University of New York Press, Albany
© 2001 State University of New York
All rights reserved
Printed in the United States of America
No part of this book may be used or reproduced in any manner whatsoever without written permission. No part of this book may be stored in a retrieval system or transmitted in any form or by any means including electronic, electrostatic, magnetic tape, mechanical, photocopying, recording, or other-wise without the prior permission in writing of the publisher.
For information, address State University of New York Press, 90 State Street, Suite 700, Albany, NY 12207
Production by Diane Ganeles Marketing by Patrick Durocher
Library of Congress Cataloging-in-Publication Data
Rebellious hearts : British women writers and the French Revolution / edited by Adriana Craciun and Kari E. Lokke. p. cm. — (SUNY series in feminist criticism and theory) Includes index. ISBN 0-7914-4969-6 (alk. paper) — ISBN 0-7014-4970-X (pbk. : alk. paper) 1. English literature—French influences. 2. France—History— Revolution, 1789–1799—Literature and the revolution. 3. Women and literature—Great Britain—History—18th century. 4. Women and liter-ature—Great Britain—History—19th century. 5. English literature— Women authors—History and criticism. 6. English literature—18th century—History and criticism. 7. English literature—19th century— History and criticism. 8. Revolutionary literature, English—History and criticism. 9. France—History—Revolution, 1789–1799—Influence. 10. Feminism and literature—Great Britain. 11. Romanticism—Great Britain. 12. France—In literature. I. Craciun, Adriana, 1967– II. Lokke, Kari. III. Series.
PR129.F8 R39 2001 821.7099287—dc21
10 9 8 7 6 5 4 3 2 1
00-044069
For John Logan and Paul Wurst
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List of Illustrations
Contents
Preface and Acknowledgments
Introduction
British Women Writers and the French Revolution, 1789–1815 Adriana Craciun and Kari E. Lokke
Revolution and Nationalism
Blurring the Borders of Nation and Gender: Mary Wollstonecraft’s Character (R)evolution Jan Wellington
Challenging Englishness: Frances Burney’sThe Wanderer Maria Jerinic
“The Mild Dominion of the Moon”: Charlotte Smith and the Politics of Transcendence Kari E. Lokke
Revolution and Religion
The Anxiety of (Feminine) Influence: Hannah More and Counter-Revolution Angela Keane
The French, the “Long-wished-for Revolution,” and the Just War in Joanna Southcott Kevin Binfield
vii
ix
xi
3
33
63
85
109
135
viii
Contents
Napoleon, Nationalism, and the Politics of Religion in Mariana Starke’sLetters from Italy Jeanne Moskal
Revolutionary Subjects
The New Cordays: Helen Craik and British Representations of Charlotte Corday, 1793–1800 Adriana Craciun
Mary Hays’s “Female Philosopher”: Constructing Revolutionary Subjects Miriam L. Wallace
Indirect Dissent: “Landscaping” Moral Agency in Amelia Alderson Opie’s Poems of the 1790s Ann Frank Wake
Revolutionary Representation
Elizabeth Inchbald, Joanna Baillie, and Revolutionary Representation in the “Romantic” Period Terence Allan Hoagwood
Benevolent Historian: Helen Maria Williams and Her British Readers Deborah Kennedy
The Politics of Truth and Deception: Charlotte Smith and the French Revolution Judith Davis Miller
Afterword Madelyn Gutwirth
Contributors
Index
161
193
233
261
293
317
337
365
375
379
List of Illustrations
Cover: Georgiana, Duchess of Devonshire by Maria Cosway, 1782. Devonshire Collection, Chatsworth. Reproduced by permission of the Duke of Devonshire and the Chatsworth Settlement Trustees. Photo-graph: Photographic Survey, Courtauld Institute of Art.
Figure 1.1 “The Contrast” by Thomas Rowlandson, 1793. © Copyright The British Museum
Figure 1.2 “A French Gentleman of the Court of Louis XVIth; A French Gentleman of the Court of Egalité, 1799” Caricature by James Gillray, 1799. © Copyright The British Museum
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