346 pages

English

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Je m'inscris

Monstrous Textualities , livre ebook

University of Wales Press - Anya Heise-von der Lippe

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346 pages

English

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A propos
Informations
Extrait

Description

Monstrous textuality emerges when Gothic narratives like Frankenstein reflect the monstrous in their narrative structure to create narratives of resistance. It allows writers to meta-narratively reflect their own poetics and textual production, and reclaim authority over their work under circumstances of systemic cultural oppression and Othering. This book traces the representation of other Others through Black feminist hauntology in Toni Morrison’s Beloved (1987) and Love (2003); it explores fat freak embodiment as a feminist resistance strategy in Angela Carter’s Nights at the Circus (1984) and Margaret Atwood’s Lady Oracle (1976); and it reads Atwood’s MaddAddam trilogy (2003–13) and Shelley Jackson’s Patchwork Girl (1995) within a framework of critical posthumanist and cyborg theory. The result is a comprehensive argument about how these texts can be read within a framework of critical posthumanist questioning of knowledge production, and of epistemological exploration, beyond the exclusionary humanist paradigm.

Introduction: Teratologies
Troubling Genealogies: Monstrous Textuality and Narratives of Resistance in Mary Shelley’s Frankenstein
I: What Moves at the Margin
2 Haunted Narratives
3 Monstrous Narratives
II: A Female Monster Larger Than Life
Introduction
4 Reframing Narratives
5 Corporeal Discourses
6 ‘A Female Monster Larger than Life’: Fatness and Resistance
III: Hideous Progeny
Introduction
7 Posthuman Reading Practices
8 Posthuman Writing Practices
9 Posthuman Bodies in/as Narrative
Conclusion
Conclusion: ‘The Promises of Monsters’
Notes
Bibliography

Sujets

Gothic

Romance

Literary Criticism

Informations

Publié par	University of Wales Press
Date de parution	15 juin 2021
Nombre de lectures	0
EAN13	9781786837592
Langue	English
Poids de l'ouvrage	7 Mo

Informations légales : prix de location à la page 0,2916€. Cette information est donnée uniquement à titre indicatif conformément à la législation en vigueur.

Extrait

MONSTROUS TEXTUAïTïES

SERïES pR EFACE Gôhç éày Suéŝ ŝ éçàé ô ubŝh ôubéà ŝçhôàŝh ô Gôhç  éàué à î.Thé Gôhç, hçh hàŝ béé ŝubjéçé ô à vàéy ô ççà à héôéçà àôàçhéŝ, ŝ à ô hçh àyŝ à ôà ôé  ôu uéŝà ô éày, ééçuà à çuuà hŝôéŝ. Thé ŝééŝ ŝééŝ ô ôôé çhàé à ôvàvé àôàçhéŝ ô Gôhç hçh quéŝô ày àŝéç ô hé Gôhç àô ô éçévé ççà ôhôôxy.Vôuéŝ  hé ŝééŝ éxôé hô ŝŝuéŝ ŝuçh àŝ éé, éô, àô à ŝéxuày hàvé ŝhàé ôu vé ô hé Gôhç àô. Bôh àçàéçày ôôuŝ à ôé by hé àéŝ évéôéŝ  ççà héôy, hé ŝééŝ ôvéŝ à ôà ôçuŝ ô ŝçhôày évéôéŝ  Gôhç ŝuéŝ, éày ŝuéŝ, çuuà ŝuéŝ à ççà héôy.Thé ŝééŝ  bé ô ééŝ ô ŝuéŝ ô à évéŝ à ô ŝçhôàŝ à éàçhéŝ ô hé Gôhç à éày à çuuà hŝôéŝ.

SERïES EDïTORS Aé Sh, Uvéŝy ô Shéié Béjà F. Fŝhé, Uvéŝy ô Mŝŝŝŝ

EDïTORïA BOARD Ké juquŝ,Wôçéŝé pôyéçhç ïŝué Màŝŝàçhuŝéŝ Rçhà Fuŝçô, S Jôŝéh’ŝ Uvéŝy, phàéhà Dàv pué, Uvéŝy ô Bŝô Chŝ Bàç, Uvéŝy ô ôô Aéà Wh, Uvéŝy ô Shéié Jéô E. Hôé, Uvéŝy ô Azôà

Monstrous Textuaîtîes

Wrîtîng the Other în Gothîc Narratîves o Resîstance

Anya Heîse-von der Lîppe

UNïVERSïTY OF WAES pRESS 2021

A hŝ éŝévé. Nô à ô hŝ bôô ày bé éôuçé  ày àéà ô (çu hôôçôy ô ŝô   ày éu by ééçôç éàŝ à héhé ô ô àŝéy ô çéày ô ŝôé ôhé uŝé ô hŝ ubçàô) hôu hé é éŝŝô ô hé çôyh ôé éxçé  àççôàçé h hé ôvŝôŝ ô hé Côyh, Déŝŝ à pàéŝ Aç. Açàôŝ ô hé çôyh ôé’ŝ é éŝŝô ô éôuçé ày à ô hŝ ubçàô ŝhôu bé àéŝŝé ô hé Uvéŝy ô Wàéŝ péŝŝ, Uvéŝy Réŝy, K Eà Vïï Avéué, Càf CF 3NS.

www.uwp.co.uk

Brîtîsh Lîbrary Cataoguîng-în-Pubîcatîon Data A çààôué éçô ô hŝ bôô ŝ àvààbé ô hé Bŝh bày.

ISBN: 978-1-78683-758-5 eISBN: 978-1-78683-759-2

Thé h ô Ayà Héŝé-vô é é ô bé éé àŝ àuhô ô hŝ ô hàŝ béé àŝŝéé  àççôàçé h ŝéçôŝ 77 à 79 ô hé Côyh, Déŝŝ à pàéŝ Aç 988.

The publisher has no responsibility for the persistence or accuracy of URLs for any external or third-party internet websites referred to in this book, and does not guarantee that any content on such websites is, or will remain, accurate or appropriate.

Cover image: Fernando Cortés,The look of Medusa(2019), 3D print; www.shutterstock.com.

Fô hé ôéŝ é ôŝ

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Açôéééŝ

ïôuçô:Téàôôéŝ

Contents

Tôub Gééàôéŝ: Môŝôuŝ Téxuày à Nààvéŝ ô Réŝŝàçé  Mày Shééy’ŝFrankensteîn

pà ï:Whà Môvéŝ à hé Mà ïôuçô . Hàuôôéŝ . Hàué Nààvéŝ 3. Môŝôuŝ Nààvéŝ Côçuŝô

pà ïï: A Féàé Môŝé àé Thà é ïôuçô . Réà Nààvéŝ 5. Côôéà Dŝçôuŝéŝ 6. ‘A Féàé Môŝé àé hà é’: Fàéŝŝ à Réŝŝàçé Côçuŝô

pà ïïï: Héôuŝ pôéy ïôuçô

x 



3  6 9 

9 7 39

5 77

85

7. pôŝhuà Réà pàççéŝ 8 pôŝhuà W pàççéŝ 9 pôŝhuà Bôéŝ /àŝ Nààvé Côçuŝô

Côçuŝô: ‘Thé pôŝéŝ ô Môŝéŝ’

Nôéŝ Bbôàhy ïéx

v

89 8  

5

6 99 37

Acknowedgements

Thŝ ôŝé hàŝ béé à ô é  hé à à ï à véy àéu ô à ubé ô éôé hô hàvé çôbué ŝhŝ, çôéŝ à ŝuô ôvé é. Fŝ à ôéôŝ, ï ôu é ô hà Ruŝŝé Wéŝ-pàvôv à ï Hôz-Dàvéŝ  Tübé ô à ô hŝ ôjéç à éxééy ŝhô ôçé à ô hé véy héu çôéŝ ô hé îà véŝô. ï à éŝéy àéu ô Sàbé Sçhü à hé Féé Uvéŝä Bé ô hé ŝuô à ççà éébàç ô vàôuŝ àŝ ô y çhàéŝ. ï àŝô ŝh ô hà A Géàhŝ à Môà Wàhé à hé Téçhŝçhé Uvéŝä  Bé ô ŝuéŝ hà ï h àé ô à phD ôjéç. My îŝ ô yéàŝ ô éŝéàçh éé ué by à NàFöG à, ô hçh ï à ébé ô hé à çôŝŝô à hé çy ô Bé. Mày ô hé éàŝ hà àé  ô hé îà véŝô béà àŝ hubé çôééçé àéŝ à ï ŝh ô hà y ïCFA (ïéàôà Côééçé ô hé Fààŝç  hé Aŝ) à ïGA (ïéàôà Gôhç Aŝŝôçàô) ‘ééŝ’ ô uéôuŝ éà ŝçuŝŝôŝ à ô bé hé é à ôéu ŝévéŝ. Tô ààz Gàŝ – Réà Hàŝé  Bôŝô à Gà Wŝé  Bhô – bôh ôvé vàuàbé éébàç ô çhàéŝ à ï à véy àéu ô hé, àŝ é àŝ ô ïŝàbéà và Eéé à Fé Bô ô ôv àvçé, ŝuô à hé ôççàŝôà uçh-ééé é à. ï ôu é ô hà hé ŝééŝ éôŝ ô Gôhç éày Suéŝ ô àççé hŝ ôjéç ô ubçàô à hé éà à Uvéŝy ô Wàéŝ péŝŝ ô bé ô ôy ŝué éiçé bu àŝô, ôçé àà, à éàŝué ô ô h. ï àŝô ŝh ô hà Aéxàà éôz ô hé éŝŝ ô ôôéà yé àôhé ôŝôuŝ àuŝç, à Sààh Méàéy ô hé

x

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