209 pages

English

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Look Round for Poetry , livre ebook

Fordham University Press - Brian Mcgrath

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209 pages

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Poetry is dead. Poetry is all around us. Both are trite truisms that this book exploits and challenges.In his 1798 Advertisement to Lyrical Ballads, William Wordsworth anticipates that readers accustomed to the poetic norms of the day might not recognize his experiments as poems and might signal their awkward confusion upon opening the book by looking round for poetry, as if seeking it elsewhere. Look Round for Poetry transforms Wordsworth's idiomatic expression into a methodological charge. By placing tropes and figures common to Romantic and Post-Romantic poems in conjunction with contemporary economic, technological, and political discourse, Look Round for Poetry identifies poetry's untimely echoes in discourses not always read as poetry or not always read poetically.Once one begins looking round for poetry, McGrath insists, one might discover it in some surprising contexts. In chapters that spring from poems by Wordsworth, Lucille Clifton, John Keats, and Percy Bysshe Shelley, McGrath reads poetic examples of understatement alongside market demands for more; the downturned brow as a figure for economic catastrophe; Romantic cloud metaphors alongside the rhetoric of cloud computing; the election of the dead as a poetical, and not just a political, act; and poetic investigations into the power of prepositions as theories of political assembly.For poetry to retain a vital power, McGrath argues, we need to become ignorant of what we think we mean by it. In the process we may discover critical vocabularies that engage the complexity of social life all around us.

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Reino Unido

Ireland

United Kingdom

Semantics

Media studies

Stephen Ireland

Great Britain

Royaume-Uni

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Publié par	Fordham University Press
Date de parution	17 mai 2022
Nombre de lectures	0
EAN13	9780823299829
Langue	English
Poids de l'ouvrage	4 Mo

Informations légales : prix de location à la page 0,1200€. Cette information est donnée uniquement à titre indicatif conformément à la législation en vigueur.

Extrait

L O O K R O U N D F O R P O E T R Y

Sara Guyer and Brian McGrath, series editors ît Z embraces modes o crîtîcîsm uncontaîned by conventîona notîons o hîstory, perîodîcîty, and cuture, and commîtted to the work o readîng. Books în the serîes may seem untîmey, anachronîstîc, or out o touch wîth contemporary trends because they have arrîved too eary or too ate. ît Z creates a space or books that exceed and chaenge the tendencîes o our ied and în doîng so relect on the concerns o îterary studîes here and abroad. At east sînce Frîedrîch Schege, thînkîng that aIrms îterature’s own untîmeîness has been named romantîcîsm. Recaîng thîs hîstory, ît Z exempîies the survîva o romantîcîsm as a mode o contemporary crîtîcîsm, as we as orms o contemporary crîtîcîsm that demonstrate the unuied possîbîîtîes o romantîcîsm.Whether or not they ocus on the romantîc perîod, books în thîs serîes epîtomîze romantîcîsm as a way o thînkîng that compes another reatîon to the present. ît Z îs the irst book serîes to take serîousy thîs capacîous sense o romantîcîsm. ïn 1977, Pau de Man and Geofrey Hartman, two schoars o romantîcîsm, team-taught a course caed îterature Z that aîmed to make an înterventîon înto the undamentas o îterary study. Hartman and de Man învîted students to read a serîes o încreasîngy dîIcut texts and through attentîon to anguage and rhetorîc compeed them to encounter “the bewîderîng varîety o ways such texts coud be read.”The serîes’ conceptua resonances wîth that cass regîster the împortance o recoectîon, reînventîon, and readîng to contemporary crîtîcîsm. ïts books expore the creatîve potentîa o readîng’s untîmeîness and hîstory’s enîgmatîc orce.

LOOK ROUND FOR POETRY

Untîmey Romantîcîsms

Brian McGrath

Fordham Unîversîty Press NewYork 2022

Fordham Unîversîty Press grateuy acknowedges inancîa assîstance and support provîded or the pubîcatîon o thîs book by Cemson Unîversîty.

Cover art: Eîzabeth Kîng,Anîmatîon Study: Pose 7, 2005, Chromogenîc Prînt, 20 × 20 înches Scupture: Eîzabeth Kîng,Pupî, 1987–90; porceaîn, gass eyes, carved wood, brass; ha îe-sîze, a joînts movabe; Coectîon o the Hîrshhorn Museum and Scupture Garden,Washîngton, D.C. Pose and composîtîon: Eîzabeth Kîng îghtîng and camera: Erîc Beggs Master prînter: auren Kyîe Wrîght

A rîghts reserved. No part o thîs pubîcatîon may be reproduced, stored în a retrîeva system, or transmîtted în any orm or by any means—eectronîc, mechanîca, photocopy, recordîng, or any other—except or brîe quotatîons în prînted revîews, wîthout the prîor permîssîon o the pubîsher.

Fordham Unîversîty Press has no responsîbîîty or the persîstence or accuracy o URs or externa or thîrd-party ïnternet websîtes reerred to în thîs pubîcatîon and does not guarantee that any content on such websîtes îs, or wî remaîn, accurate or approprîate.

Fordham Unîversîty Press aso pubîshes îts books în a varîety o eectronîc ormats. Some content that appears în prînt may not be avaîabe în eectronîc books.

Vîsît us onîne at www.ordhampress.com.

îbrary o Congress Cataogîng-în-Pubîcatîon Data avaîabe onîne at https://cataog .oc.gov.

Prînted în the Unîted States o Amerîca

24 23 22

Fîrst edîtîon

5 4 3 2 1

Contents

ïntroductîon 1. Understatîng Poetry 2. The Poetîcs o Downturns 3. ï Wandered oney as an îCoud 4. On the Poetry o Posthumous Eectîon 5. Keats or Begînners 6. The Grammar o Romantîcîsm: Sheey’s Preposîtîons Concusîon Acknowedgments Notes Bîbîography ïndex

1 23 41 61 82 101

120 139 143 145 173 187

L O O K R O U N D F O R P O E T R Y

Introduction

They wî ook round or poetry, and wî be înduced to enquîre . . . —Wîîam Wordsworth, advertîsement toLyrîca Baads(1798)

The onger ï înger wîth the grammatîca and rhetorîca structures that gîve a poem shape the more ï ee ï see these same structures around me. înguîsts and psychoogîsts have varîous terms or thîs experîence (or condîtîon), as seectîve attentîon eads to conirmatîon bîas: when one earns somethîng new or studîes somethîng or a whîe, one tends to see ît more oten and even a around one. The îdea that one who studîes poetry mîght see poetry a around may surprîse ew, but înLook Round or Poetryï take thîs experîence as a charge. ï pace în apposîtîon seect poems and varîous tropes and igures common în economîc, technoogîca, and poîtîca dîscourse and ceebrate poetry’s capacîty to make the rhetorîc o contemporary îe dîferenty egîbe. Thîs book started to emerge as varîous socîa medîa patorms, such as Facebook and Twîtter, became încreasîngy ubîquîtous. At the tîme ï was eadîng a Theory cooquîum or students în a PhD program caed Rheto-rîcs, Communîcatîon, and ïnormatîon Desîgn, durîng whîch we read a range o texts, rom Arîstote to Wendy Huî Kyong Chun.The students were we prepared to thînk about rhetorîc and înterested în contemporary medîa and contemporary medîa theory. They were, generay speakîng, ess înterested în poetry, but not because they dîsîked ît.To many o them poetry just dîd not seem to it the program’s descrîptîon. But the more we dîscussed the rhetorîc o contemporary medîa, the more ît et, to me at east, îke we were takîng about poetry. As ï ony ha-joked durîng one meetîng, to me both Twîtter and Facebook operatîonaîze poetry or proit and so owe much to poetry. By happy chance, theOxord Engîsh Dîctîonary(OED) ofers Geofrey Chaucer, author oTaesThe Canterbury , as the orîgînator o the wordtwîtteraround 1380, used as a verb meanîng to gîve a ca consîstîng o repeated îght

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Look Round for Poetry , livre ebook

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Semantics

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Stephen Ireland

Great Britain

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