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Did James Joyce, that icon of modernity, spearhead the dismantling of the Cartesian subject? Or was he a supreme example of a modern man forever divided and never fully known to himself? This volume reads the dialogue of contradictory cultural voices in Joyce's works-revolutionary and reactionary, critical and subject to critique, marginal and central. It includes ten essays that identify repressed elements in Joyce's writings and examine how psychic and cultural repressions persistently surface in his texts. Contributors include Joseph A. Boone, Marilyn L. Brownstein, Jay Clayton, Laura Doyle, Susan Stanford Friedman, Christine Froula, Ellen Carol Jones, Alberto Moreirias, Richard Pearce, and Robert Spoo.

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Publié par	Cornell University Press
Date de parution	15 mars 2018
Nombre de lectures	0
EAN13	9781501722912
Langue	English
Poids de l'ouvrage	13 Mo

Informations légales : prix de location à la page 0,0100€. Cette information est donnée uniquement à titre indicatif conformément à la législation en vigueur.

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JOYCE The Return of the Repressed

JOYCE�

TÉ RÉÛ O É RÉÉÉd

EÉ bsùá sáô fîÈmá

corell Uverŝty Preŝŝ tHĀcĀ ĀD ÔDÔ

Open access edition funded by the National Endowment for the Humanities/ Andrew W. Mellon Foundation Humanities Open Book Program.

All rights reserved. Except for brief quotations in a review, this book, or parts thereof, must not be reproduced in any form without permission in writing from the publisher. For information, address Cornell University Press, Sage House, 512 East State Street, Ithaca, New York 14850, or visit our website at cornellpress.cornell.edu.

First published 1993 by Cornell University Press

Library of Congress Cataloging-in-Publication Data Joyce: the return of the repressed / edited by Susan Stanford Friedman. p. cm. Includes bibliographical references and index. ISBN-13: 978-0-8014-2799-2 (cloth) — ISBN-13: 978-0-8014-8073-7 (pbk.) 1. Joyce, James, 1882–1941—Criticism and interpretation. I. Friedman, Susan Stanford. PR6019.O9Z6693 1993 823'.912—dc20 92-54966

The text of this book is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License: https://creativecommons.org/licenses/by-nc-nd/4.0/

For my mother, who loved butter.iEs

AnneThompŝonStanfoRd

Contents

Acknowledgents ist of Abbreïàtîôns for Texts By àes oycE

Intoduction SusànSàNOrDFrIEmàN

PARTthe Artîst of modernîty:I Makîng Stehen Hero, PorTraiT, Ulysses r (Self)Censoship an the Making of Joyce's Modenism SusàN SàNOrD FrIEmàN 2Phamaconomy: Stephen and the Daealids aLErO MOrEIràŝ

PARTii Repressîon and the Return of Cultural HïstoryDubînersandportraIt 3 UncannY Retuns in The Déad" Ibsenian 1 IntétÉxts an the Estanged InFant ROEr SpOo

ix xi

 ¤orrâi of e omâÜic ¤oe âs a oÜg  oerÜi s  ö ierâr ñ isor as Ńexâ  coscios Ā CĀ

ris  im oÜ s âmiÜe ogs, âcćfaceose ö  iÜsres, âÜ omâÜ s epressioÜ iÜràIA Por rçHĀ ÈĀçÈ

ARTiii

NââTvÉOGÉdÉ RâCÉ ád SÉx: ÛyE

 ârix iÜö Ńe  exo  âciâ  âces â âiÜs ULYe LĀûĀ È

epressioÜ, epreseâioÜ, â exâi ö  âgÜg Üerio r  âes iULYe JÈHA.BÈ

ART V

içÉT NâC âd HÉ SCÉÉO w ûYé âd fïégà Wàké

Ńe ¤ reservâioÜ of ŃeÜerÜe ss ö   oÜfsio of ŃoÜg e s iÜULYeâÜWàeFInn egàn MĀ L BÈ

9riig e oer iÜ joceâer ö Ńexâ  EÈ CĀ /È

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