Forms of Historical Fiction
260 pages
English

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260 pages
English
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Description

Harry Shaw's aim is to promote a fuller understanding of nineteenth-century historical fiction by revealing its formal possibilities and limitations. His wide-ranging book establishes a typology of the ways in which history was used in prose fiction during the nineteenth century, examining major works by Sir Walter Scott-the first modern historical novelist-and by Balzac, Hugo, Anatole France, Eliot, Thackeray, Dickens, and Tolstoy.

Informations

Publié par
Date de parution 15 mars 2018
Nombre de lectures 0
EAN13 9781501723278
Langue English
Poids de l'ouvrage 5 Mo

Informations légales : prix de location à la page 0,0100€. Cette information est donnée uniquement à titre indicatif conformément à la législation en vigueur.

Extrait

tÈ fômŚ ô hîŚôîcà fîcïô
The Forms O HiStORical fictiOn
SîR WàLER SCO àd hîŝ SuCCEŝŝORŝ
By Harr e. saw
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ConÉl unIvÉŝI PÉŝŝiâÇâ â L ·
Open access edition funded by the National Endowment for the Humanities/ Andrew W. Mellon Foundation Humanities Open Book Program.
This book has been published with the aid of a grant from the Hull Memorial Publication Fund of Cornell University.
Copyright © 1983 by Cornell University
All rights reserved. Except for brief quotations in a review, this book, or parts thereof, must not be reproduced in any form without permission in writing from the publisher. For information, address Cornell University Press, Sage House, 512 East State Street, Ithaca, New York 14850, or visit our website at cornellpress.cornell.edu.
First published 1983 by Cornell University Press
Library of Congress Cataloging-in-Publication Data Shaw, Harry E., 1946– The forms of historicalction : Sir Walter Scott and his successors.  Includes index. 1. Scott, Walter, Sir, 1771–1832—Criticism and interpretation. 2. Scott, Walter, Sir, 1771–1832—Inuence. 3. Historicalction. I. Title. PR5343.H5S5 1983 823'.17 83-5354 ISBN-13: 978-0-8014-1592-0 (cloth) — ISBN-13: 978-1-5017-2326-1 (pbk.)
The text of this book is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License: https://creativecommons.org/licenses/by-nc-nd/4.0/
Cover illustration: Portrait of Sir Walter Scott by Sir Henry Raeburn, reproduced by permission of the Scottish National Portrait Gallery, Edinburgh.
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eĎ œnTeecTuà deveopments In the àst tĎo hundred yeàrs hàve àf­ fecTed us ore profoundy thàn he enRIched sense of hœstorIcœty which eerged in the àte eIghteenth cenTury. n vàrIos Wàys, thIs isToRœcà sense Informs The Works of erder, ànke, ànd àrxÚànd The noves oF àzàc, osty, ànd Ścott hough we mày àtTempt to repudIàte it, IT is constIutive of our inTeecTuà ànd orà words. Iven such à sItuàTIon, one mIght expecT the hIstoricà nove to hàve àTtàIned à p rIvIeged pàce n The rànks of Iteràture. nsteàd, the for sufFers from negect, ven contempt. hIs ok proceeds fo the convIctIÔn thàt te hIstÔIcà nÔËe de­ serves à coser, more reàsoned àppràIsà thàn It usuày receIes. Is­ oricà fIcTion merIts such àtentIon for à numer of reàsons, whIch Incude T Trànscend sImpe crIticà usTIce ànd the possIIIty of dIs­ coverIng new sources o esthetIc peàsure. he proems hIstorIcà noves hàve wIth hIstory ànd we hàve wITh hIstorIàL noËes àre po— tentIày InsTructIve hey càn hep tÔ reveà IMIts In the esthetIc forms we most prœzeÚknoĎedge thàt màtters For those who empoy ImàgInàTIve forms To màke sense of the Word. A ceàrer understànd­ Ing of ThÈ ĎoRkœngs oF hœsTorIcà FIctIon càn àso càrIfy certàIn àspects of the nàture of hIstory œTse, ànd of our sœtuàtIons às be gs n à these àReàs The noves of Śœr àTer Ścott, the fœRst ànd àr guày te greàtest hIstorIcà noveIst in the modern sense, àre exem­ pàRy, ànd they Therefore hàve specIà promInence In thIs book. Ścotts
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