Carmen Martín Gaite
235 pages
English

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235 pages
English
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Description

This book reconstructs the poetics of Carmen Martín Gaite by viewing the concept of journey as a fundamental principle upon which she bases and elaborates her narrative writing of the 1990s. Five novels published in this period receive critical attention, all of which coincide with the last trips taken by the writer to New York: Caperucita en Manhattan (1990), Nubosidad variable (1992), La reina de las nieves (1994), Lo raro es vivir (1996) and Irse de casa (1998). To the extent that the journey is the essence of the narrative under consideration, the concept is analysed as an aesthetic practice and an attempt to identify a series of actions, which allow us to link the writer’s novels with two areas that have previously received only scant critical scrutiny: geography and the visual dimension. This book presents a comparative and interdisciplinary analysis of space in Martín Gaite’s narrative as well as in her collages, drawings and paintings.



Series Editors’ Foreword
List of figures Introduction
The Historical, Narrative and Poetic Path of Carmen Martín Gaite
The Poetics of Carmen Martín Gaite
The Construction of Space
Visual Elements in the Narrative of Martín Gaite
Conclusions
Notes
Bibliography
Index

Sujets

Informations

Publié par
Date de parution 09 janvier 2019
Nombre de lectures 0
EAN13 9781786833648
Langue English
Poids de l'ouvrage 21 Mo

Informations légales : prix de location à la page 0,1900€. Cette information est donnée uniquement à titre indicatif conformément à la législation en vigueur.

Extrait

IBERIAN AND LATIN AMERICAN STUDIES
Carmen Martín Gaîte
Series Editors Professor Davîd George (Swansea Unîversîty) Professor Pau Garner (Unîversîty of Leeds)
Editorial Board Davîd Frîer (Unîversîty of Leeds) Lîsa Shaw (Unîversîty of Lîverpoo) Gareth Waters (Swansea Unîversîty) Rob Stone (Unîversîty of Bîrmîngham) Davîd Gîes (Unîversîty of Vîrgînîa) Catherîne Davîes (Unîversîty of London) Rîchard Cemînson (Unîversîty of Leeds) Duncan Wheeer (Unîversîty of Leeds) Jo Labanyî (New York Unîversîty) Roger Bartra (Unîversîdad Nacîona Autónoma de Méxîco)
Other titles in the series The Spanîsh Anarchîsts of Northern Austraîa: Revoutîon în the Sugar Cane Fîeds Robert Mason Pauo Emîîo Saes Gomes: On Brazî and Goba Cînema Maîte Conde and Stephanîe Dennîson The Tateoco Massacre, Mexîco 1968, and the Emotîona Trîange of Anger, Grîef and Shame: Dîscourses of Truth(s) Vîctorîa Carpenter The Darkenîng Natîon: Race, Neoîberaîsm and Crîsîs în Argentîna Ignacîo Aguîó Cataan Cuture: Experîmentatîon, Creatîve Imagînatîon and the Reatîonshîp wîth Spaîn Loyd Hughes Davîes, J. B. Ha and D. Gareth Waters Cataan Cartoons: A Cutura and Poîtîca Hîstory Rhîannon McGade Revoutîonarîes, Rebes and Robbers: The Goden Age of Bandîtry în Mexîco, Latîn Amerîca and the Chîcano Amerîcan southwest, 1850–1950 Pascae Baker
IBERIAN AND LATIN AMERICAN STUDIES
Carmen Martín Gaîte
Poetîcs, Vîsua Eements and Space
ESTER BAUTISTA BOTELLO
UNIVERSITY OF WALES PRESS 2019
© Ester Bautîsta Boteo, 2019
A rîghts reserved. No part of thîs book may be reproduced în any materîa form (încudîng photocopyîng or storîng ît în any medîum by eectronîc means and whether or not transîenty or încîdentay to some other use of thîs pubîcatîon) wîthout the wrîtten permîssîon of the copyrîght owner. Appîcatîons for the copyrîght owner’s wrîtten permîssîon to reproduce any part of thîs pubîcatîon shoud be addressed to the Unîversîty of Waes Press, Unîversîty Regîstry, Kîng Edward VII Avenue, Cardîff CF10 3NS.
www.uwp.co.uk
Brîtîsh Lîbrary CIP A cataogue record for thîs book îs avaîabe from the Brîtîsh Lîbrary.
ISBN e-ISBN
978-1-78683-363-1 978-1-78683-364-8
The rîght of Ester Bautîsta Boteo to be îdentîied as author of thîs work has been asserted în accordance wîth sectîons 77 and 79 of the Copyrîght, Desîgns and Patents Act 1988.
Typeset by Mark Hesîngton Ltd, Scarborough, North Yorkshîre Prînted by CPI Antony Rowe, Meksham
Contents
Serîes Edîtors’ Foreword Lîst of Fîgures Acknowedgements
Introductîon 1 The Hîstorîca, Narratîve and Poetîc Path of Carmen Martín Gaîte 2 The Poetîcs of Carmen Martín Gaîte 3 The Constructîon of Space 4 Vîsua Eements în the Narratîve of Martín Gaîte Concusîons Notes Bîbîography Index
vîî îx 1
5 49 86 140 177 186 202 217
Series Editors’ Foreword
Over recent decades the tradîtîona ‘anguages and îteratures’ mode în Spanîsh departments în unîversîtîes în the Unîted Kîngdom has been superseded by a contextua, înterdîscîpînary and ‘area studîes’ approach to the study of the cuture, hîstory, socîety and poîtîcs of the Hîspanîc and Lusophone words – catego-rîes that extend far beyond the conines of the Iberîan Penînsua, not ony în Latîn Amerîca but aso to Spanîsh-speakîng and Lusophone Afrîca. In response to these dynamîc trends în research prîorîtîes and currîcuum deveopment, thîs serîes îs desîgned to present both dîscîpînary and înterdîscîpînary research wîthîn the genera ied of Iberîan and Latîn Amerîcan Studîes, partîcuary studîes that expore a aspects of Cutura Productîon (înter aîa îterature, im, musîc, dance, sport) în Spanîsh, Portuguese, Basque, Cataan, Gaîcîan and îndîgenous anguages of Latîn Amerîca. The serîes aso aîms to pubîsh research în the Hîstory and Poîtîcs of the Hîspanîc and Lusophone words, at the eve of both the regîon and the natîon-state, as we as on Cutura Studîes that expore the shîftîng terraîns of gender, sexua, racîa and postcoonîa îdentîtîes în those same regîons.
List of Figures
Frontîspîece: Carmen Martín Gaîte. Photograph by Joan L. Brown, New York Cîty, 1980 Fîgure 1: Retahía con nîeve en Nueva York. © Herederos de Carmen Martín Gaîte, 2005. Pubîcado orîgînamente por Edîcîones Sîruea, Madrîd, España. Fîgure 2: La vîsîón de o cotîdîano en a narratîva a femenîna. © Herederos de Carmen Martín Gaîte, 2005. Pubîcado orîgîna-mente por Edîcîones Sîruea, Madrîd, España. Fîgure 3: Cover ofAgua pasada.© Herederos de Carmen Martín Gaîte, 2005. Pubîcado orîgînamente por Edîcîones Sîruea, Madrîd, España. Fîgure 4: Actîons as an aesthetîc înstrument
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