Literary criticism has, in recent decades, rather fled from discussions of moral psychology, and for good reasons, too. Who would not want to flee the hectoring moralism with which it is so easily associated-portentous, pious, humorless? But in protecting us from such fates, our flight has had its costs, as we have lost the concepts needed to recognize and assess much of what distinguished nineteenth-century British literature. That literature was inescapably ethical in orientation, and to proceed as if it were not ignores a large part of what these texts have to offer, and to that degree makes less reasonable the desire to study them, rather than other documents from the period, or from other periods.Such are the intuitions that drive The Burdens of Perfection, a study of moral perfectionism in nineteenth-century British culture. Reading the period's essayists (Mill, Arnold, Carlyle), poets (Browning and Tennyson), and especially its novelists (Austen, Dickens, Eliot, and James), Andrew H. Miller provides an extensive response to Stanley Cavell's contribution to ethics and philosophy of mind. In the process, Miller offers a fresh way to perceive the Victorians and the lingering traces their quests for improvement have left on readers.
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Th e B u r d e n s o f P e r f e c t i o n
The Burdens of Perfection On Ethics and Reading in NineteenthCentury British Literature
andrew h. miller
c o r n e l l u n i v e r s i t y p r e s s Ithaca & London
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First published2008by Cornell University Press
Printed in the United States of America
Library of Congress CataloginginPublication Data
Miller, Andrew H.,1964– The burdens of perfection : on ethics and reading in nineteenthcentury British literature / Andrew H. Miller. p. cm. Includes bibliographical references and index. ISBN978–0–8014–4661–0(cloth : alk. paper) 1. English literature—19th century—History and criticism.2. Didactic literature, English—History and criticism.3. Perfection in literature.4. Ethics in literature.5. Literature and morals.6. Books and reading—Moral and ethical aspects—Great Britain—History— 19I. Title.th century. PR468.P36M552008 820.9'384—dc22 2007043283
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For Mary and in memory of Sophia Patrick Miller
That is why the Victorians are so close to us. In some ways we naturally think ourselves to have evolved away from them. . . . Uni versal equality is more radically understood, as twentiethcentury social reforms, anticolonialism, and feminism all attest; democ racy is more integrally applied. All this is true. But what is re markable is that the basic moral and political standards by which we congratulate ourselves were themselves powerful in the last century. Even more strikingly, the very picture of history as moral progress, as a “going beyond” our forebears, which underlies our own sense of superiority, is very much a Victorian idea. Of course, there were resistances . . . Charles Taylor
Preface xi
Contents
Resisting, Conspiring, Completing: An Introduction1 Improvement and Moral Perfectionism Moral Perfectionism in the Winter of 1866–67 Historical Sources Implicative and Conclusive Criticism
Part I. The Narrative of Improvement
1. Skepticism and Perfectionism I: Mechanization and Desire35 Standing Before Camelot Skepticism as Ungoverned Desire: Browning’s Duke Skepticism as Mechanization: Carlyle and Mill Mr. Dombey Rides Death 2. Skepticism and Perfectionism II: Weakness of Will54 VictorianAkrasia Perspective and Commitment Hard TimesandAkrasia Daniel Derondaand SecondPerson Relations Orchestrating Perspectives Mark Tapley’s Nausea Interlude: Critical Free Indirect Discourse84