The Egyptian Nights
11 pages
English

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11 pages
English

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Description

Charsky used every possible endeavour to rid himself of the intolerable appellation. He avoided the society of his literary brethren, and preferred to them the men of the world, even the most shallow-minded: but that did not help him. His conversation was of the most commonplace character, and never turned upon literature. In his dress he always observed the very latest fashion, with the timidity and superstition of a young Moscovite arriving in St. Petersburg for the first time in his life. In his study, furnished like a lady's bedroom, nothing recalled the writer; no books littered the table; the divan was not stained with ink; there was none of that disorder which denotes the presence of the Muse and the absence of broom and brush.

Informations

Publié par
Date de parution 20 février 2020
Nombre de lectures 0
EAN13 9781787361393
Langue English

Informations légales : prix de location à la page 0,0005€. Cette information est donnée uniquement à titre indicatif conformément à la législation en vigueur.

Extrait

Alexander Pushkin
The Egyptian Nights

New Edition


New Edition
Published by Urban Romantics
This Edition
First published in 2020
Copyright © 2020 Urban Romantics
All Rights Reserved.
ISBN: 9781787361393
Contents
CHAPTER I.
CHAPTER II.
CHAPTER III.
CHAPTER I.
Charsky was one of the native-born inhabitants of St. Petersburg. He was not yet thirty years of age; he was not married; the service did not oppress him too heavily. His late uncle, having been a vice-governor in the good old times, had left him a respectable estate. His life was a very agreeable one, but he had the misfortune to write and print verses. In the journals he was called “poet,” and in the ante-rooms “author.”
In spite of the great privileges which verse-makers enjoy (we must confess that, except the right of using the accusative instead of the genitive, and other so-called poetical licenses of a similar kind, we fail to see what are the particular privileges of Russian poets), in spite of their every possible privilege, these persons are compelled to endure a great deal of unpleasantness. The bitterest misfortune of all, the most intolerable for the poet, is the appellation with which he is branded, and which will always cling to him. The public look upon him as their own property; in their opinion, he was created for their especial benefit and pleasure. Should he return from the country, the first person who meets him accosts him with:
“Haven’t you brought anything new for us?”
Should the derangement of his affairs, or the illness of some being dear to him, cause him to become lost in thoughtful reflection, imme

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