Keeper
188 pages
English

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188 pages
English

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Description

A young Black girl finds herself trapped between desperation and her family's dark history in this horror graphic novel Aisha has suffered a devastating loss. Her parents were killed in a car crash, and now she must move to decrepit and derelict Detroit to live with her ailing grandmother. However, shortly after moving in, Aisha's grandmother's health rapidly deteriorates. With her dying breath, she summons the dark spirit that has protected their family for generations to watch over Aisha. At first it seems that this spirit, whom Aisha refers to as the Keeper, is truly doing as her grandmother asked, caring for Aisha and keeping her safe; however, it soon becomes clear that this being can only sustain itself by stealing life from others. As the Keeper begins to prey on the apartment building's other residents, Aisha and her friends must come together to destroy it . . . or die trying. Written by masters of horror Tananarive Due and Steven Barnes and illustrated by Marco Finnegan, The Keeper reflects on the horror Black Americans face every day, while still staying true to the genre.

Sujets

Informations

Publié par
Date de parution 27 septembre 2022
Nombre de lectures 1
EAN13 9781647008543
Langue English
Poids de l'ouvrage 8 Mo

Informations légales : prix de location à la page 0,0932€. Cette information est donnée uniquement à titre indicatif conformément à la législation en vigueur.

Extrait

THE

keeper

Abrams ComicArts Megascope New York

by Tananarive Due and Steven Barnes

illustrated by Marco Finnegan

THE

keeper
MEGASCOPE Curator: John Jennings

Editor: Charlotte Greenbaum

Editorial Assistant: Lauren White-Jackson

Designer: Andrea Miller

Managing Editor: Marie Oishi

Production Manager: Alison Gervais

Colorist: Alexandria Batchelor

Lettering: Dave Sharpe

Library of Congress Control Number

2022932920

ISBN 978-1-4197-5155-4 eISBN 978-1-64700-854-3

Text 2022 Tananarive Due and Steven Barnes

Illustrations 2022 Marco Finnegan

Published in 2022 by Abrams ComicArts ,

an imprint of ABRAMS. All rights reserved.

No portion of this book may be reproduced,

stored in a retrieval system, or transmitted in any

form or by any means, mechanical, electronic,

photocopying, recording, or otherwise, without

written permission from the publisher.

Abrams ComicArts books are available at

special discounts when purchased in quantity

for premiums and promotions as well as

fundraising or educational use. Special editions

can also be created to specification. For details,

contact specialsales@abramsbooks.com or

the address below.

Abrams ComicArts is a registered

trademark of Harry N. Abrams, Inc.

MEGASCOPE is a trademark of

John Jennings and Harry N. Abrams, Inc.

ABRAMS The Art of Books 195 Broadway, New York, NY 10007 abramsbooks.com

MEGASCOPE is dedicated to show-

casing speculative and non-fiction

works by and about people of color,

with a focus on science fiction, fantasy,

horror, history, and stories of magical

realism. The megascope is a fictional

device imagined by W. E. B. Du Bois

that can peer through time and space

into other realities. This magical

invention represents the idea that so

much of our collective past has not

seen the light of day, and that there

is so much history that we have yet

to discover. MEGASCOPE will serve as

a lens through which we can broaden

our view of history, the present, and

the future, and as a method by which

previously unheard voices can find

their way to an ever-growing diverse

audience.

MEGASCOPE ADVISORY BOARD

Frederick Luis

Aldama

Kinitra Brooks

Stanford Carpenter

Julian Chambliss

JC Cloutier

Rachelle Cruz

Damian Duffy

Henry Louis Gates Jr.

Frances Gateward

Jonathan Gray

D. Fox Harrell

Kathleen McClancy

Susana Morris

Adilifu Nama

Ricardo Padilla

Darieck Scott

Matt Silady

Sherryl Vint

Rebecca Wanzo

Deborah Whaley

Qiana Whitted

Daniel Yezbick
To Great-Grandmother Lydia and Grandmother

Lucille for teaching me about past generations-

and to Nicki Barnes and Jason Due-Barnes for

leading us into the future.

-TD

To my grandmothers Lula and Muddy.

I wish I could have shown you my children.

But at least I can show my children a

grandmother s heart.

-SB

For Ashlyn. Thank you for the inspiration.

I love you.

-MF

1
love

you, too.

but that s

old. you can stream

that here. just close

your door and . . .

boom.

not even

close.

not even close to close.

when night of the living dead

is playing on the big

screen . . . you go.

caitlin shouldn t

be allowed to

babysit anyone.

she

eats all the

food.

2
Really?

I m not

a baby,

Dad.

Come on.

Dad and I don t

get to go out

often.

We

need

a date

night.

To see

a movie you ve

seen a hundred

times.

Literally.

But

not . . .

. . . on

the big

screen.

3
Bed by

9:30!

there!

much

better.

Hey -

I gave that

to you!

4
5
Wait . . . this

wasn t here.

What happened

to . . . ?

6
Mom!

Dad! Wait!

You re going

to -
. . . die.

8
it s

all right,

Pumpkin.

I m here.

I dreamed

about that

night, the

car . . .

9
it stays hard,

but it won t get

harder after today.

Let s get this part

over with, OK?

Mommy

did my

braids.

let me

help you

get ready,

pumpkin.
I hate that I couldn t give them

a real wake. Doesn t feel right . . .

like this.

What s

a wake?

we are

gathered here to

honor beloved

parents . . .

and

stalwart friends

to our

community . . .

You sit with them a while after they re gone. At

the house. Guess it helps us say goodbye. Make sense of it,

maybe. Get peace. This still doesn t feel real . . . does it?

. . . a time to be

born, a time to die . . .

a time to plant and a time

to uproot . . .

11
12
Turn

around -

slowly.

Hands up.

What

are you

doing back

here?

I live

here!

you

better watch

that attitude.

hey!

13
See

a bitch,

slap a

bitch.

What the

goddamn hell is this?

Do you know what she s

been through? You ought

to be shamed.

Ma am,

calm down.

A neighbor

called the

police -

You never

wanted them here,

did you? They oughta

called the cops on

YOU - spiteful-ass

heifer.

Sorry, See

Something, say

something . . .

14
15
Oh, cut

the bull. I know

it s the first.

Here we

are! Been a

while, huh?

Mrs.

H . . .

Sorry

for your loss.

You too,

sweetheart.

16

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