Vision, Reflection, and Desire in Western Painting , livre ebook

224

pages

English

Ebooks

2015

Écrit par
David Summers

Publié par
The University of North Carolina Press

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224

pages

English

Ebooks

2015

Lire un extrait

Obtenez un accès à la bibliothèque pour le consulter en ligne En savoir plus

Publié par

The University of North Carolina Press

Date de parution

01 décembre 2015

EAN13

9798890879714

Langue

English

Poids de l'ouvrage

11 Mo

Spanning more than 2,500 years in the history of art, Vision, Reflection, and Desire in Western Painting demonstrates how the rise and diffusion of the science of optics in ancient Greece and the Mediterranean world correlated to pictorial illusion in the development of Western painting from Hellenistic Greece to the present. Using examples from the late Middle Ages and the Renaissance, David Summers argues that scene-painting (architectural backdrops) and shadow-painting (in which forms are modeled or shown as if in relation to a source of light) not only evolved in close association with geometric optics toward the end of the fifth century B.C.E., but also contributed substantially to the foundations of the new science.

The spread of understanding of how light is transmitted, reflected, and refracted is evident in the works of artists such as Brunelleschi, van Eyck, Alberti, and Leonardo. The interplay between optics and painting that influenced the course of Western art, Summers says, persisted as a framework for the realism of Caravaggio, Rembrandt, and Goya and continues today in modern photography and film.

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Publié par

The University of North Carolina Press

Date de parution

01 décembre 2015

EAN13

9798890879714

Langue

English

Poids de l'ouvrage

11 Mo

Vision,Reflection,andDesire   

Lecures in Ar Hisory

 

Vision, Reflection, and Desire 

      Capel Hill

he publicaion of boos in is series is made possible roug e generous suppor of William G. Rand in memory of Beie Allison Rand.

his boo was publised wi e assisance of e William R. Kenan Jr. Fund of e Universiy of Nor Carolina Press.

he paper in is boo mees e guidelines for permanence and durabiliy of e Commiee on Producion Guidelines for Boo Longeviy of e Council on Library Resources.

Library of Congress Caaloging-in-Publicaion Daa Summers, David, – Vision, reﬂecion, and desire in wesern paining / David Summers. p. cm. — (Beie Allison Rand lecures in ar isory) Includes bibliograpical references and index.  ---- (clo : al. paper) . Opics and ar—Europe. . Paining, European. . Visual percepion. I. Tile. .  —dc 



















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For Marilynne,

robins so red

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

Prefaceix

Inroducion

 Sadow-Paining and Scene-Paining:

he Beginnings of Opics and Classical Ar

Speculum Animaum

Speculum Mundi 

 Narcissus and e Mirror wiou Sain

Aterword: Perspecive, Opics, and e Maerial Subjec

Noes

Bibliograpy

Index

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

he lecures on wic is boo is based began some years ago wi a elepone call from a longime friend, Arur Mars. We agreed on a series of Rand Lec -ures o be called “Lig in Wesern Paining from Aniquiy o Cubism.” Wen wriing acually began, e las lecure, o ave been iled “he Painer of Mod -ern Lig,” fell by e wayside as earlier ar-isorical issues demanded clariﬁca-ion and explanaion. I am graeful o Arur and is colleagues in Capel Hill for aving given me e occasion o wrie ese lecures and o e Rand family for aving made possible e disinguised series of lecures and publicaions o wic I ope is boo will prove a wory conribuion and us a wory memorial o Beie Allison Rand. I am graeful o e colleagues and sudens in Carloesville wo lisened o e ﬁrs drat of e papers and of course o my second audiences in Capel Hill, wo eard e versions sarpened by a ﬁrs presenaion. I am graeful again o e Rand family and o Mary Seriﬀ and er colleagues in e Hisory of Ar Deparmen a e Universiy of Nor Carolina for eir ospialiy during my visi. A e Universiy of Nor Caro -lina Press, Elaine Maisner and Paula Wald elped me roug e ever-more inricae ass of preparing a scolarly boo for publicaion. I am graeful o my deparmen cair, Lawrence O. Goedde III, and o e Lindner Family Trus a e Universiy of Virginia for eir conribuions o e boo’s illu sraions. Dwig Suro’s een ediorial eye was mos elpful in e ﬁnal preparaion of e manuscrip. As always, I am anful for e paience of my parner in life, my wife, Nancy, and for er remarable abiliy o eep ongoing and clear rac of an argumen disan from er own concerns wiou breaing er own sride.

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Bettie Allison Rand Lectures in Art History

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Vision, Reflection, and Desire in Western Painting

David Summers

224 pages

English

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