Measure for Measure - The Works of William Shakespeare [Cambridge Edition] [9 vols.]

nocher - William Shakespeare , John Glover , William George Clark

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Publié par	nocher
Publié le	08 décembre 2010
Nombre de lectures	29
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The Project Gutenberg EBook of Measure for Measure, by William Shakespeare This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: Measure for Measure The Works of William Shakespeare [Cambridge Edition] [9 vols.] Author: William Shakespeare Editor: William George Clark John Glover Release Date: December 12, 2007 [EBook #23045] Language: English Character set encoding: UTF-8 *** START OF THIS PROJECT GUTENBERG EBOOK MEASURE FOR MEASURE *** Produced by Louise Hope, Jonathan Ingram and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/Canadian Libraries) This text of Measure for Measure is from Volume I of the nine-volume 1863 Cambridge edition of Shakespeare. The Preface (e-text 23041) and the other plays from this volume are each available as separate etexts. General Notes are in their original location at the end of the play, followed by the text-critical notes originally printed at the bottom of each page. All notes are hyperlinked in both directions. In dialogue, a link from a speaker’s name generally means that the note applies to an entire line or group of lines. Line numbers—shown in the right margin and used for all notes—are from the original text. In prose passages the exact line counts will depend on your browser settings, and will probably be different from the displayed numbers. Stage directions were not included in the line numbering. T H E W O OF WILLIAM SHAKESPEARE EDITED BY WILLIAM GEORGE CLARK, M.A. FELLOW AND TUTOR OF TRINITY COLLEGE, AND PUBLIC ORATOR IN THE UNIVERSITY OF CAMBRIDGE; AND JOHN GLOVER, M.A. LIBRARIAN OF TRINITY COLLEGE, CAMBRIDGE. VOLUME I. Cambridge and London: M A C 1863. M I L L A N Dramatis Personæ Act I Scene 1 An apartment in the Duke’s palace. Scene 2 A street. Scene 3 A monastery. Scene 4 A nunnery. Act II Scene 1 A hall in Angelo’s house. Scene 2 Another room in the same. Scene 3 A room in a prison. Scene 4 A room in Angelo’s house. Act III Scene 1 A room in the prison. Scene 2 The street before the prison. Act IV Scene 1 The moated grange at St Luke’s. Scene 2 A room in the prison. Scene 3 Another room in the same. Scene 4 A room in Angelo’s house. Scene 5 Fields without the town. Scene 6 Street near the city-gate. Act V Scene 1 The city-gate. Endnotes Critical Apparatus (“Linenotes”) Texts Used (from general preface) 293 MEASURE FOR MEASURE. 294 DRAMATIS PERSONÆ. 1 VINCENTIO , the Duke. ANGELO , Deputy. ESCALUS, an ancient Lord. C LAUDIO , a young gentleman. LUCIO , a fantastic. Two other gentlemen. PROVOST. THOMAS, two friars. PETER, A Justice 2. VARRIUS 2. ELBOW , a simple constable. FROTH, a foolish gentleman. POMPEY , servant to Mistress Overdone 3. ABHORSON, an executioner. BARNARDINE, a dissolute prisoner. ISABELLA , sister to Claudio. MARIANA , betrothed to Angelo. JULIET, beloved of Claudio. FRANCISCA , a nun. MISTRESS OVERDONE, a bawd. Lords, Officers, Citizens, Boy, and Attendants 2. SCENE—Vienna. 1. DRAMATIS PERSONÆ] THE NAMES OF ALL THE ACTORS Ff (added at the end of the play). 2. Omitted in Ff. 3. Clowne. Ff. 295 MEASURE FOR MEASURE. ACT I. SCENE I. An apartment in the DUKE’S palace. Enter D UKE, ESCALUS, Lords and Attendants. Duke. Escalus. Escal. My lord. Duke. Of government the properties to unfold, Would seem in me to affect speech and discourse; Since I am put to know that your own science Exceeds, in that, the lists of all advice My strength can give you: then no more remains, But that to your sufficiency . . . . . . . . . . . . . . . . . . . . as your worth is able, And let them work. The nature of our people, Our city’s institutions, and the terms For common justice, you’re as pregnant in As art and practice hath enriched any That we remember. There is our commission, From which we would not have you warp. Call hither, I say, bid come before us Angelo. [Exit an Attendant. What figure of us think you he will bear? For you must know, we have with special soul Elected him our absence to supply; Lent him our terror, dress’d him with our love, And given his deputation all the organs Of our own power: what think you of it? Escal. If any in Vienna be of worth To undergo such ample grace and honour, It is Lord Angelo. Duke. Look where he comes. Enter ANGELO . Ang. Always obedient to your Grace’s will, I come to know your pleasure. Duke. Angelo, There is a kind of character in thy life, That to th’ observer doth thy history Fully unfold. Thyself and thy belongings Are not thine own so proper, as to waste Thyself upon thy virtues, they on thee. I. 1. 25 I. 1 5 10 296 15 20 30 297 Thyself upon thy virtues, they on thee. Heaven doth with us as we with torches do, Not light them for themselves; for if our virtues Did not go forth of us, ’twere all alike As if we had them not. Spirits are not finely touch’d But to fine issues; nor Nature never lends The smallest scruple of her excellence, But, like a thrifty goddess, she determines Herself the glory of a creditor, Both thanks and use. But I do bend my speech To one that can my part in him advertise; Hold therefore, Angelo:— In our remove be thou at full ourself; Mortality and mercy in Vienna Live in thy tongue and heart: old Escalus, Though first in question, is thy secondary. Take thy commission. Ang. Now, good my lord, Let there be some more test made of my metal, Before so noble and so great a figure Be stamp’d upon it. Duke. No more evasion: We have with a leaven’d and prepared choice Proceeded to you; therefore take your honours. Our haste from hence is of so quick condition, That it prefers itself, and leaves unquestion’d Matters of needful value. We shall write to you, As time and our concernings shall importune, How it goes with us; and do look to know What doth befall you here. So, fare you well: To the hopeful execution do I leave you Of your commissions. Ang. Yet, give leave, my lord, That we may bring you something on the way. Duke. My haste may not admit it; Nor need you, on mine honour, have to do With any scruple; your scope is as mine own, So to enforce or qualify the laws As to your soul seems good. Give me your hand: I’ll privily away. I love the people, But do not like to stage me to their eyes: Though it do well, I do not relish well Their loud applause and Aves vehement; Nor do I think the man of safe discretion That does affect it. Once more, fare you well. Ang. The heavens give safety to your purposes! Escal. Lead forth and bring you back in happiness! Duke. I thank you. Fare you well. Escal. I shall desire you, sir, to give me leave To have free speech with you; and it concerns me To look into the bottom of my place: [Exit. 35 40 45 I. 1. 50 55 60 65 298 70 I. 1. 75 To look into the bottom of my place: A power I have, but of what strength and nature I am not yet instructed. Ang. ’Tis so with me. Let us withdraw together, And we may soon our satisfaction have Touching that point. Escal. I’ll wait upon your honour. [Exeunt. 80 SCENE II. A street. Enter LUCIO and two Gentlemen. Lucio. If the duke, with the other dukes, come not to composition with the King of Hungary, why then all the dukes fall upon the king. First Gent. Heaven grant us its peace, but not the King of Hungary’s! Sec. Gent. Amen. Lucio. Thou concludest like the sanctimonious pirate, that went to sea with the Ten Commandments, but scraped one out of the table. Sec. Gent. ‘Thou shalt not steal’? 299 I. 2 5 10 Lucio. Ay, that he razed. First Gent. Why, ’twas a commandment to command the captain and all the rest from their functions: they put forth to steal. There’s not a soldier of us all, that, in the thanksgiving before meat, do relish the petition well that prays for peace. Sec. Gent. I never heard any soldier dislike it. Lucio. I believe thee; for I think thou never wast where grace was said. Sec. Gent. No? a dozen times at least. First Gent. What, in metre? Lucio. In any proportion or in any language. First Gent. I think, or in any religion. Lucio. Ay, why not? Grace is grace, despite of all controversy: as, for example, thou thyself art a wicked villain, despite of all grace. First Gent. Well, there went but a pair of shears between us. Lucio. I grant; as there may between the lists and the velvet. Thou art the list. First Gent. And thou the velvet: thou art good velvet; thou’rt a three-piled piece, I warrant thee: I had as lief be a list of an English kersey, as be piled, as thou art piled, for a French velvet. Do I speak feelingly now? 30 I. 2. 25 20 15 Lucio. I think thou dost; and, indeed, with most painful feeling of thy speech: I will, out of thine own confession, learn to begin thy health; but, whilst I live, forget to drink after thee. First Gent. I think I have done myself wrong, have I not? Sec. Gent. Yes, that thou hast, whether thou art tainted or free. 300 35 40 Lucio. Behold, behold, where Madam Mitigation comes! I have purchased as many diseases under her roof as come to— Sec. Gent. To what, I pray? Lucio. Judge. Sec. Gent. To three thousand dolours a year. First Gent. Ay, and more. Lucio. A French crown more. First Gent. Thou art always figuring diseases in me; but thou art full of error; I am sound. Lucio. Nay, not as one would say, healthy; but so sound as things that are hollow: thy bones are hollow; impiety has made a feast of thee. Enter MISTRESS OVERDONE. First Gent. How now! which of your hips has the most profound sciatica? Mrs Ov. Well, well; there’s one yonder arrested and carried to prison was worth five thousand of you all. Sec. Gent. Who’s that, I pray thee? Mrs Ov. Marry, sir, that’s Claudio, Signior Claudio. First Gent. Claudio to prison? ’tis not so. Mrs Ov. Nay, but I know ’tis so: I saw him arrested; saw him carried away; and, whic