Birds, Illustrated by Color Photography, Vol. 2, No. 3 - September 1897
Informations
| Publié par | ussu |
| Publié le | 08 décembre 2010 |
| Nombre de lectures | 18 |
| Langue | English |
Extrait
The Project Gutenberg EBook of Birds, Illustrated by Color Photography, Vol. II, No 3, September 1897, by Various This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org
Title: Birds, Illustrated by Color Photography, Vol. II, No 3, September 1897 Author: Various Release Date: November 21, 2009 [EBook #30511] Language: English Character set encoding: ISO-8859-1 *** START OF THIS PROJECT GUTENBERG EBOOK BIRDS, ILLUSTRATED BY COLOR ***
Produced by Chris Curnow, Joseph Cooper, Anne Storer, some images courtesy of The Internet Archive and the Online Distributed Proofreading Team at http://www.pgdp.net
Transcriber’s Note: Title page added.
BIRDS
A MONTHLY SERIAL
ILLUSTRATED BY COLOR PHOTOGRAPHY
DESIGNED TO PROMOTE
VOL. II.
KNOWLEDGE OF BIRD-LIFE
VOLUME II.
CHICAGO NATURESTUDYPUBLISHINGCOMPANY
COPYRIGHT, 1897 BY NATURESTUDYPUBLISHINGCO. CHICAGO.
BIRDS.
ITEDLULTSAR BYCOLOR PHOTOGRAPHY.
SEPTEMBER.
NO. 3.
BIRD SONG. How songs are made Is a mystery, Which studied for years Still baffles me. —R. H. STODDARD. OME birds are poets and sing all summer,” says Thoreau. “They are the true singers. Any man can write verses in the love season. We are most interested in those birds that sing for the love of music, and not of their mates; who meditate their strains and amuse themselves with singing; the birds whose strains are of deeper sentiment. ” Thoreau does not mention by name any of the poet-birds to which he alludes, but we think our selections for the present month include some of them. The most beautiful specimen of all, which is as rich in color and “sun-sparkle” as the most polished gem to which he owes his name, the Ruby-throated Humming Bird, cannot sing at all, uttering only a shrill mouse-like squeak. The humming sound made by his wings is far more agreeable than his voice, for “when the mild gold stars flower out” it announces his presence. Then “A dim shape quivers about Some sweet rich heart of a rose.”
He hovers over all the flowers that possess the peculiar sweetness that he loves—the blossoms of the honeysuckle, the red, the white, and the yellow roses, and the morning glory. The red clover is as sweet to him as to the honey bee, and a pair of them may often be seen hovering over the blossoms for a moment, and then disappearing with the quickness of a flash of light, soon to return to the same spot and repeat the performance.Squeak, squeak!is probably their call note. Something of the poet is the Yellow Warbler, though his song is not quite as long as an epic. He repeats it a little too often, perhaps, but there is such a pervading cheerfulness about it that we will not quarrel with the author.ewtetes-Sewre!teews-reteews-tewe-setwe-setwe-sis his frequent contribution to the volume of nature, and all the while he is darting about the trees, “carrying sun-glints on his back wherever he goes.” His song is appropriate to every season, but it is in the spring, when we hear it first, that it is doubly welcome to the ear. The grateful heart asks with Bourdillon: “What tidings hath the Warbler heard That bids him leave the lands of summer For woods and fields where April yields Bleak welcome to the blithe newcomer?” The Mourning Dove may be called the poet of melancholy, for its song is, to us, without one element of cheerfulness. Hopeless despair is in every note, and, as the bird undoubtedly does have cheerful moods, as indicated by its actions, its song must be appreciated only by its mate.Coo-o, coo-o! suddenly thrown upon the air and resounding near and far is something hardly to be extolled, we should think, and yet the beautiful and graceful Dove possesses so many pretty ways that every one is attracted to it, and the tender affection of the mated pair is so manifest, and their constancy so conspicuous, that the name has become a symbol of domestic concord. The Cuckoo must utter his note in order to be recognized, for few that are learned in bird lore can discriminate him save from his notes. He proclaims himself by calling forth his own name, so that it is impossible to make a mistake about him. Well, his note is an agreeable one and has made him famous. As he loses his song in the summer months, he is inclined to make good use of it when he finds it again. English boys are so skillful in imitating the Cuckoo’s song, which they do to an exasperating extent, that the bird himself may often wish for that of the Nightingale, which is inimitable. But the Cuckoo’s song, monotonous as it is, is decidedly to be preferred to that of the female House Wren, with itsChit-chit-chit-chitmale, however, is a real poet, let us, when suspicious or in anger. The say—and sings a merry roulade, sudden, abruptly ended, and frequently repeated. He sings, apparently, for the love of music, and is as merry and gay when his mate is absent as when she is at his side, proving that his singing is not solely for her benefit. So good an authority as Dr. Coues vouches for the exquisite vocalization of the Ruby-crowned Kinglet. Have you ever heard a wire vibrating? Such is the call note of the Ruby, thin and metallic. But his song has a fullness, a variety, and a melody, which, being often heard in the spring migration, make this feathered beauty additionally attractive. Many of the fine songsters are not brilliantly attired, but this fellow has a combination of attractions to commend him as worthy of the bird student’s careful attention. Of the Hermit Thrush, whose song is celebrated, we will say only, “Read everything you can find about him.” He will not be discovered easily, for even Olive Thorne Miller, who is presumed to know all about birds, tells of her pursuit of the Hermit in northern New York, where it was said to be abundant, and finding, when she looked for him, that he had always “been there” and was gone. But one day in August she saw the bird and heard the song and exclaimed: “This only was lacking—this crowns my summer ” . The Song Sparrow can sing too, and the Phoebe, beloved of man, and the White-breasted Nuthatch, a little. They do not require the long-seeking of the Hermit Thrush, whose very name implies that he prefers to flock by himself, but can be seen in our parks throughout the season. But the Sparrow loves the companionship of man, and has often been a solace to him. It is stated by the biographer of Kant, the great metaphysician, that at the age of eighty he had become indifferent to much that was passing around him in which he had formerly taken great interest. The flowers showed their beautious hues to him in vain; his weary vision gave little heed to their loveliness; their perfume came unheeded to the sense which before had inhaled it with eagerness. The coming on of spring, which he had been accustomed to hail with delight, now gave him no joy save that it brought back a little Sparrow, which came annually and made its home in a tree that stood by his window. Year after year, as one generation went the way of all the earth, another would return to its birth-place to reward the tender care of their benefactor by singing to him their pleasant songs. And he longed for their return in the spring with “an eagerness and intensity of expectation.” How many provisions nature has for keeping us simple-hearted and child-like! The Song Sparrow is one of them. —C. C. MARBLE.
SUMMER YELLOW-BIRD. From col. F. M. Woodruff. Copyrighted by Nature Study Pub. Co., 1897, Chicago.
THE YELLOW WARBLER. N a recent article Angus Gaines describes so delightfully some of the characteristics of the Yellow Warbler, or Summer Yellow-bird, sometimes called the Wild Canary, that we are tempted to make use of part of it. “Back and forth across the garden the little yellow birds were flitting, dodging through currant and gooseberry bushes, hiding in the lilacs, swaying for an instant on swinging sprays of grape vines, and then flashing out across the garden beds like yellow sunbeams. They were lithe, slender, dainty little creatures, and were so quick in their movements that I could not recognize them at first, but when one of them hopped down before me, lifted a fallen leaf and dragged a cutworm from beneath it, and, turning his head, gave me a sidewise glance with his victim still struggling in his beak, I knew him. His gay coat was yellow without the black cap, wings, and tail which show in such marked contrast to the bright canary hue of that other yellow bird, the Gold-finch. “Small and delicate as these birds are, they had been on a long journey to the southward to spend the winter, and now on the first of May, they had returned to their old home to find the land at its fairest—all blossoms, buds, balmy air, sunshine, and melody. As they flitted about in their restless way, they sang the soft, low, warbling trills, which gave them their name of Yellow Warbler.” Mrs. Wright says these beautiful birds come like whirling leaves, half autumn yellow, half green of spring, the colors blending as in the outer petals of grass-grown daffodils. “Lovable, cheerful little spirits, darting about the trees, exclaiming at each morsel that they glean. Carrying sun glints on their backs wherever they go, they should make the gloomiest misanthrope feel the season’s charm. They are so sociable and confiding, feeling as much at home in the trees by the house as in seclusion.” The Yellow-bird builds in bushes, and the nest is a wonderful example of bird architecture. Milkweed, lint and its strips of fine bark are glued to twigs, and form the exterior of the nest. Its inner lining is made of the silky down on dandelion-balls woven together with horse-hair. In this dainty nest are laid four or five creamy white eggs, speckled with lilac tints and red-browns. The unwelcome egg of the Cow-bird is often found in the Yellow-bird’s nest, but this Warbler builds a floor over the egg, repeating the expedient, if the Cow-bird continues her mischief, until sometimes a third story is erected. A pair of Summer Yellow-birds, we are told, had built their nest in a wild rose bush, and were rearing their family in a wilderness of fragrant blossoms whose tinted petals dropped upon the dainty nest, or
settled upon the back of the brooding mother. The birds, however, did not stay “to have their pictures taken,” but their nest may be seen among the roses. The Yellow Warbler’s song isews-s-teSteeww-es-esteertewteweet-wseewree-ts: seven times repeated.
THE HERMIT THRUSH. N John Burroughs’ “Birds and Poets” this master singer is described as the most melodious of our songsters, with the exception of the Wood Thrush, a bird whose strains, more than any other’s, express harmony and serenity, and he complains that no merited poetic monument has yet been reared to it. But there can be no good reason for complaining of the absence of appreciative prose concerning the Hermit. One writer says: “How pleasantly his notes greet the ear amid the shrieking of the wind and the driving snow, or when in a calm and lucid interval of genial weather we hear him sing, if possible, more richly than before. His song reminds us of a coming season when the now dreary landscape will be clothed in a blooming garb befitting the vernal year—of the song of the Blackbird and Lark, and hosts of other tuneful throats which usher in that lovely season. Should you disturb him when singing he usually drops down and awaits your departure, though sometimes he merely retires to a neighboring tree and warbles as sweetly as before.” In “Birdcraft” Mrs. Wright tells us, better than any one else, the story of the Hermit. She says: “This spring, the first week in May, when standing at the window about six o’clock in the morning, I heard an unusual note, and listened, thinking it at first a Wood Thrush and then a Thrasher, but soon finding that it was neither of these I opened the window softly and looked among the near by shrubs, with my glass. The wonderful melody ascended gradually in the scale as it progressed, now trilling, now legato, the most perfect, exalted, unrestrained, yet withal, finished bird song that I ever heard. At the first note I caught sight of the singer perching among the lower sprays of a dogwood tree. I could see him perfectly: it was the Hermit Thrush. In a moment he began again. I have never heard the Nightingale, but those who have say that it is the surroundings and its continuous night singing that make it even the equal of our Hermit; for, while the Nightingales sing in numbers in the moonlit groves, the Hermit tunes his lute sometimes in inaccessible solitudes, and there is something immaterial and immortal about the song.” The Hermit Thrush is comparatively common in the northeast, and in Pennsylvania it is, with the exception of the Robin, the commonest of the Thrushes. In the eastern, as in many of the middle states, it is only a migrant. It is usually regarded as a shy bird. It is a species of more general distribution than any of the small Thrushes, being found entirely across the continent and north to the Arctic regions. It is not quite the same bird, however, in all parts of its range, the Rocky Mountain region being occupied by a larger, grayer race, while on the Pacific coast a dwarf race takes its place. It is known in parts of New England as the “Ground Swamp Robin,” and in other localities as “Swamp Angel.” True lovers of nature find a certain spiritual satisfaction in the song of this bird. “In the evening twilight of a June day,” says one of these, “when all nature seemed resting in quiet, the liquid, melting, lingering notes of the solitary bird would steal out upon the air and move us strangely. What was the feeling it awoke in our hearts? Was it sorrow or joy, fear or hope, memory or expectation? And while we listened, we thought the meaning of it all was coming; it was trembling on the air, and in an instant it would reach us. Then it faded, it was gone, and we could not even remember what it had been.”
HERMIT THRUSH. From col. F. M. Woodruff. Copyrighted by Nature Study Pub. Co., 1897, Chicago.
THE HERMIT THRUSH. I am sorry, children, that I cannot give you a specimen of my song as an introduction to the short story of my life. One writer about my family says it is like this: “O spheral, spheral! O holy, holy! O clear away, clear away! O clear up, clear up!” as if I were talking to the weather. May be my notes do sound something like that, but I prefer you should hear me sing when I am alone in the woods, and other birds are silent. It is ever being said of me that I am as fine a singer as the English Nightingale. I wish I could hear this rival of mine, and while I have no doubt his voice is a sweet one, and I am not too vain of my own, I should like to “compare notes” with him. Why do not some of you children ask your parents to invite a few pairs of Nightingales to come and settle here? They would like our climate, and would, I am sure, be welcomed by all the birds with a warmth not accorded the English Sparrow, who has taken possession and, in spite of my love for secret hiding places, will not let even me alone. When you are older, children, you can read all about me in another part of BIRDS. I will merely tell you here that I live with you only from May to October, coming and going away in company with the other Thrushes, though I keep pretty well to myself while here, and while building my nest and bringing up my little ones I hide myself from the face of man, although I do not fear his presence. That is why I am called the Hermit. If you wish to know in what way I am unlike my cousin Thrushes in appearance, turn to pages84and 182, Vol. 1, of BIRDS. There you will see their pictures. I am one of the smallest of the family, too. Some call me “the brown bird with the rusty tail,” and other names have been fitted to me, as Ground Gleaner, Tree Trapper, and Seed Sower. But I do not like nicknames, and am just plain, HERMITTHRUSH.
THE SONG SPARROW. Glimmers gay the leafless thicket Close beside my garden gate,
Where, so light, from post to wicket, Hops the Sparrow, blithe, sedate; Who, with meekly folded wing, Comes to sun himself and sing. It was there, perhaps, last year, That his little house he built; For he seemed to perk and peer And to twitter, too, and tilt The bare branches in between, With a fond, familiar mien. —GEORGEPARSONSLATHROP. E do not think it at all amiss to say that this darling among song birds can be heard singing nearly everywhere the whole year round, although he is supposed to come in March and leave us in November. We have heard him in February, when his little feet made tracks in the newly fallen snow, singing as cheerily as in April, May, and June, when he is supposed to be in ecstacy. Even in August, when the heat of the dog-days and his moulting time drive him to leafy seclusion, his liquid notes may be listened for with certainty, while “all through October they sound clearly above the rustling leaves, and some morning he comes to the dogwood by the arbor and announces the first frost in a song that is more direct than that in which he told of spring. While the chestnuts fall from their velvet nests, he is singing in the hedge; but when the brush heaps burn away to fragrant smoke in November, they veil his song a little, but it still continues.” While the Song Sparrow nests in the extreme northern part of Illinois, it is known in the more southern portions only as a winter resident. This is somewhat remarkable, it is thought, since along the Atlantic coast it is one of the most abundant summer residents throughout Maryland and Virginia, in the same latitudes as southern Illinois, where it is a winter sojourner, abundant, but very retiring, inhabiting almost solely the bushy swamps in the bottom lands, and unknown as a song bird. This is regarded as a remarkable instance of variation in habits with locality, since in the Atlantic states it breeds abundantly, and is besides one of the most familiar of the native birds. The location of the Song Sparrow’s nest is variable; sometimes on the ground, or in a low bush, but usually in as secluded a place as its instinct of preservation enables it to find. A favorite spot is a deep shaded ravine through which a rivulet ripples, where the solitude is disturbed only by the notes of his song, made more sweet and clear by the prevailing silence.
From col. F. M. Woodruff.
SONG SPARROW. Copyrighted by Nature Study Pub. Co., 1897, Chicago.
THE SONG SPARROW.
DEARYOUNGREADERS: I fancy many of the little folks who are readers of BIRDSare among my acquaintances. Though I have never spoken to you, I have seen your eyes brighten when my limpid little song has been borne to you by a passing breeze which made known my presence. Once I saw a pale, worn face turn to look at me from a window, a smile of pleasure lighting it up. And I too was pleased to think that I had given some one a moment’s happiness. I have seen bird lovers (for we have lovers, and many of them) pause on the highway and listen to my pretty notes, which I know as well as any one have a cheerful and patient sound, and which all the world likes, for to be cheered and encouraged along the pathway of life is like a pleasant medicine to my weary and discouraged fellow citizens. For you must know I am a citizen, as my friend Dr. Coues calls me, and all my relatives. He and Mrs. Mabel Osgood Wright have written a book about us called “Citizen Bird,” and in it they have supported us in all our rights, which even you children are beginning to admit we have. You are kinder to us than you used to be. Some of you come quickly to our rescue from untaught and thoughtless boys who, we think, if they were made to know how sensitive we are to suffering and wrong, would turn to be our friends and protectors instead. One dear boy I remember well (and he is considered a hero by the Song Sparrows) saved a nest of our birdies from a cruel school boy robber. Why should not all strong boys become our champions? Many of them have great, honest, sympathetic hearts in their bosoms, and, if we can only enlist them in our favor, they can give us a peace and protection which for years we have been sighing. Yes, sighing, because our hearts, though little, are none the less susceptible to all the asperities—the terrible asperities of human nature. Papa will tell you what I mean: you would not understand bird language. Did you ever see my nest? I build it near the ground, and sometimes, when kind friends prepare a little box for me, I occupy it. My song is quite varied, but you will always recognize me by my call note, Chek! Chek! Chek! Some people say they hear me repeat “Maids, maids, maids, hang on your teakettle,” but I think this is only fancy, for I can sing a real song, admired, I am sure, by all who love SONGSPARROW.
THE CUCKOO. UR first introduction to the Cuckoo was by means of the apparition which issued hourly from a little German clock, such as are frequently found in country inns. This particular clock had but one dial hand, and the exact time of day could not be determined by it until the appearance of the Cuckoo, who, in a squeaking voice, seemed to announce that it was just one hour later or earlier, as the case might be, than at his last appearance. We were puzzled, and remember fancying that a sun dial, in clear weather, would be far more satisfactory as a time piece. “Coo-coo,” the image repeated, and then retired until the hour hand should summon him once more. To very few people, not students of birds, is the Cuckoo really known. Its evanescent voice is often recognized, but being a solitary wanderer even ornithologists have yet to learn much of its life history. In their habits the American and European Cuckoos are so similar that whatever of poetry and sentiment has been written of them is applicable alike to either. A delightful account of the species may be found in Dixon’s Bird Life, a book of refreshing and original observation. “The Cuckoo is found in the verdant woods, in the coppice, and even on the lonely moors. He flits from one stunted tree to another and utters his notes in company with the wild song of the Ring Ousel and the harsh calls of the Grouse and Plover. Though his notes are monotonous, still no one gives them this appellation. No! this little wanderer is held too dear by us all as the harbinger of spring for aught but praise to be bestowed on his mellow notes, which, though full and soft, are powerful, and may on a calm morning, before the everyday hum of human toil begins, be heard a mile away, over wood, field, and lake. Toward the summer solstice his notes are on the wane, and when he gives them forth we often hear him utter them as if laboring under great difficulty, and resembling the syllables, “Coo-coo-coo-coo”.” On one occasion Dixon says he heard a Cuckoo calling in treble notes,Cuck oo-oo, cuck-oo-oo, inexpressibly soft and beautiful, notably the latter one. He at first supposed an echo was the cause of these strange notes, the bird being then half a mile away, but he satisfied himself that this was not the case, as the bird came and alighted on a noble oak a few yards from him and repeated the notes. The Cuckoo utters his notes as he flies, but only, as a rule, when a few yards from the place on which he intends alighting. The opinion is held by some observers that Nature has not intended the Cuckoo to build a nest, but influences it to lay its eggs in the nests of other birds, and intrust its young to the care of those species best adapted to bring them to maturity. But the American species does build a nest, and rears its young, though Audubon gives it a bad character, saying: “It robs smaller birds of their eggs.” It does not deserve the censure it has received, however, and it is useful in many ways. Its hatred of the worm is intense, destroying many more than it can eat. So thoroughly does it do its work, that orchards, which three years ago, were almost leafless, the trunks even being covered by slippery webbing, are again yielding a good crop.
In September and October the Cuckoo is silent and suddenly disappears. “He seldom sees the lovely tints of autumn, and never hears the wintry storm-winds’ voice, for, impelled by a resistless impulse, he wings his way afar over mountain, stream, and sea, to a land where northern blasts are not felt, and where a summer sun is shining in a cloudless sky.”
From col. O. E. Pagin.
YELLOW-BILLED CUCKOO. Copyrighted by Nature Study Pub. Co., 1897, Chicago.
THE RUBY-THROATED HUMMING BIRD. Is it a gem, half bird, Or is it a bird, half gem? —EDGARFAWCETT. F all animated beings this is the most elegant in form and the most brilliant in colors, says the great naturalist Buffon. The stones and metals polished by our arts are not comparable to this jewel of Nature. She has it least in size of the order of birds,maxime miranda in minimis. Her masterpiece is the Humming bird, and upon it she has heaped all the gifts which the other birds may only share. Lightness, rapidity, nimbleness, grace, and rich apparel all belong to this little favorite. The emerald, the ruby, and the topaz gleam upon its dress. It never soils them with the dust of earth, and its aerial life scarcely touches the turf an instant. Always in the air, flying from flower to flower, it has their freshness as well as their brightness. It lives upon their nectar, and dwells only in the climates where they perennially bloom. All kinds of Humming birds are found in the hottest countries of the New World. They are quite numerous and seem to be confined between the two tropics, for those which penetrate the temperate zones in summer stay there only a short time. They seem to follow the sun in its advance and retreat; and to fly on the zephyr wing after an eternal spring. The smaller species of the Humming birds are less in size than the great fly wasp, and more slender than the drone. Their beak is a fine needle and their tongue a slender thread. Their little black eyes are like two shining points, and the feathers of their wings so delicate that they seem transparent. Their short feet, which they use very little, are so tiny one can scarcely see them. They rarely alight during the day. They have a swift continual humming flight. The movement of their wings is so rapid that when pausing in the air, the bird seems quite motionless. One sees him stop before a blossom, then dart like a flash to another, visiting all, plunging his tongue into their hearts, flattening them with his wings, never settling anywhere, but neglecting none. He hastens his inconstancies only to pursue his loves more eagerly and to multiply his innocent joys. For this light lover of flowers lives at their expense without ever blighting them. He only pumps their honey, and for this alone his tongue seems designed. The vivacity of these small birds is only equaled by their courage, or rather their audacity. Sometimes they may be seen furiously chasing birds twenty times their size, fastening upon their bodies, letting themselves be carried along in their flight, while they peck fiercely until their tiny rage is satisfied. Sometimes the fi ht each other vi orousl . Im atience seems their ver essence. If the a roach a
blossom and find it faded, they mark their spite by a hasty rending of the petals. Their only voice is a weak cry ofScrep, screpthey utter in the woods from dawn until at the, frequent and repeated, which first rays of the sun they all take flight and scatter over the country. The Ruby-throat is the only native Humming bird of eastern North America, where it is a common summer resident from May to October, breeding from Florida to Labrador. The nest is a circle an inch and a half in diameter, made of fern wood, plant down, and so forth, shingled with lichens to match the color of the branch on which it rests. Its only note is a shrill, mouse-like squeak.
THE HOUSE WREN. All the children, it seems to me, are familiar with the habits of Johnny and Jenny Wren; and many of them, especially such as have had some experience with country life, could themselves tell a story of these mites of birds. Mr. F. Saunders tells one: “Perhaps you may think the Wren is so small a bird he cannot sing much of a song, but he can. The way we first began to notice him was by seeing our pet cat jumping about the yard, dodging first one way and then another, then darting up a tree; looking surprised, and disappointingly jumping down again. “Pussy had found a new play-mate, for the little Wren evidently thought it great fun to fly down just in front of her and dart away before she could reach him, leading her from one spot to another, hovering above her head, chattering to her all the time, and at last flying up far out of her reach. This he repeated day after day, for some time, seeming to enjoy the fun of disappointing her so nicely and easily. But after a while the little fellow thought he would like a play-mate nearer his own size, and went off to find one. But he came back all alone, and perched himself on the very tip-top of a lightning-rod on a high barn at the back of the yard; and there he would sing his sweet little trilling song, hour after hour, hardly stopping long enough to find food for his meals. We wondered that he did not grow tired of it. For about a week we watched him closely, and one day I came running into the house to tell the rest of the family with surprise and delight that our little Wren knew what he was about, for with his winning song he had called a mate to him. He led her to the tree where he had played with pussy, and they began building a nest; but pussy watched then as well as we, and meant to have her revenge upon him yet, so she sprang into the tree, tore the nest to pieces, and tried to catch Jenny. The birds rebuilt their nest three times, and finally we came to their rescue and placed a box in a safe place under the eaves of the house, and Mr. Wren with his keen, shrewd eyes, soon saw and appropriated it. There they stayed and raised a pretty family of birdies; and I hope he taught them, as he did me, a lesson in perseverance I’ll never forget.”
Y-DHRTTEOA HUMMING BIRDS. From col. F. M. Woodruff. Copyrighted by Nature Study Pub. Co., 1897, Chicago.
© 2010-2024 YouScribe