Killing Zoe

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1994

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94

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1994

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Killing Zoe By Roger Avery FADE IN: INT. TAXI CAB - MOVING - DAY Rain falls on the rear window of a taxi parked in the taxi zone of the Charles de Gualle Airport. Aside from the incessant tapping of rain on the roof of the cab we hear the sounds of the airport: the almost monotonic loudspeaker declaring in French that loitering is not permissible and that should any bags be left unattended that they will be destroyed; the honking of the horns from other automobiles; the unintelligible chatter of people as they get their bearings. Inside the cab, playing on the radio, is Angelique Kidjo’s funky song "Batonga". Then, the rear door to the cab opens and in an EXTREME CLOSE UP we see ZED, a young man with wild, almost mesmerizing eyes shielded by small round glasses, and with a head of nappy red hair. His face has drops on it from the flurry outside. He settles himself, then looks to the CAB DRIVER, an easy going Senegalese/Frenchman, in the front seat. ZED Hotel Mondial. CAB DRIVER Le Mondial. Tres bien. He starts driving. CAB DRIVER Avec cette pluie ca risque de prendre un moment. L’autoroute est ferme. A cause du 14 Juillet. He drives for a while.
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01 janvier 1994

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Paternité, pas d'utilisation commerciale, partage des conditions initiales à l'identique

Langue

English

Killing Zoe
By
Roger Avery
 FADE IN:
 INT. TAXI CAB - MOVING - DAY
 Rain falls on the rear window of a taxi parked in the taxi  zone of the Charles de Gualle Airport.
 Aside from the incessant tapping of rain on the roof of the  cab we hear the sounds of the airport: the almost monotonic  loudspeaker declaring in French that loitering is not  permissible and that should any bags be left unattended that  they will be destroyed; the honking of the horns from other  automobiles; the unintelligible chatter of people as they get  their bearings. Inside the cab, playing on the radio, is  Angelique Kidjo's funky song "Batonga".
 Then, the rear door to the cab opens and in an EXTREME CLOSE  UP we see ZED, a young man with wild, almost mesmerizing eyes  shielded by small round glasses, and with a head of nappy red  hair. His face has drops on it from the flurry outside.
 He settles himself, then looks to the CAB DRIVER, an easy  going Senegalese/Frenchman, in the front seat.
 ZED  Hotel Mondial
.
 CAB DRIVER  Le Mondial. Tres bien.
 He starts driving.
 CAB DRIVER  Avec cette pluie ca risque de prendre un  moment. L'autoroute est ferme. A cause  du 14 Juillet.
 He drives for a while.
 CAB DRIVER  [Do you mind the radio?]
 Zed looks at the meter, francs are clicking away. He also  looks at the cab driver's license, his name is Moises Du  Bois.
 CAB DRIVER  [Do you want me to turn the radio off?
 ZED  (realizing he's being asked a  question)  I don't speak French.
]
 The driver turns around
.
 CAB DRIVER  (in broken English)  Ah. American?
 ZED  That's right.
 CAB DRIVER  That's good because I s  English.
 Zed nods.
pe
a
k
a lit
 CAB DRIVER  I asked if you mind the radio.  You know.
 Zed shakes his head "no".
 CAB DRIVER  (with a smile)  Super cool.
 Zed adjusts his watch.
 ZED  What time is it?
 CAB DRIVER  Time, time, time. I don't know.  Daytime.
 Zed forgets the adjustment for now.
 CAB DRIVER  Are you in town for business?
 ZED  Yes.
M
tle
usic.
 CAB DRIVER  It's a nice hotel. Your hotel. Very big  rooms.
 He looks at Zed in the rear view mirror.
 CAB DRIVER  Do you know Paris?
 ZED  I've been here once before. When I was  younger.
 The cab driver smiles.
 CAB DRIVER  Those were the days.  They drive for a while.  CAB DRIVER  Married?
 ZED  I beg your pardon?  CAB DRIVER  Do you have a wife?  ZED  No.  (then after thinking about it  for a while)  Why?  CAB DRIVER  Well, if you need a wife for the night...  (searching for the right words  in French)  Une escorte. Pour vous faire visiter.  (then back to his broken  English)  For business. I give you my number.  Very nice girl. French. Like when you  were young.  He lifts his hand and shows his index and middle finger  tightly extended together, then he crosses them.  CAB DRIVER  Know what I mean?
 Zed smiles at this and nods.
 CAB DRIVER  Speaks the language of love. Take you to  heaven and back. You just tell me and I  set it up.
 Zed shakes his head and laughs.  CAB DRIVER  What you laughing at? You let Moises set  it up. She treat you right. She treat  you fine.
 Zed can do nothing but smile at the thought of it.
 DISSOLVE TO:
 INT. HOTEL - HALL - DAY
 A long, empty hallway of a moderately priced hotel. From  around a corner comes a BELLBOY carrying Zed's one bag.
 Zed is right behind him.
 They come up to room 6A and the bellboy unlocks the door.
 INT. HOTEL ROOM - DAY
 The door to the room opens and the bellboy, followed by Zed  walks into the room.
 He puts Zed's bag onto one of those luggage holders and  proceeds to show him the room.
 Sitting on the bed is a large air freight package
 BELLBOY  (in broken English)  Your package...It arrived in the last  night of before last night.
 He points to the telephone.
 BELLBOY  Ah...telephone, for the room service.
 He motions toward the bathroom.
 BELLBOY  The toilet.
 He opens the closet door.
 BELLBOY  To hang the clothes.
 He points to a control console next to the bed.
.
 BELLBOY  From here you can operate the television.
 Then he pauses at the door before he goes out.
 Zed reaches into his pocket and takes out some French mo  he starts fingering through it.
 Then, the bellboy takes the liberty of showing Zed whic  bills to give him.
 BELLBOY  (after getting what he wanted)  Merci.
 He starts to leave.
 ZED
h
ney
,
,
 Oh, wait.
 The bellboy turns around.
 ZED  What time is it?
 BELLBO  (confused)  What time is it?
Y
 ZED  (pointing at his watch)  Time.
 BELLBOY  Ah. Yes. Il est presque huit heures  moins dix.
 The bellboy clicks his heels and walks out the door.
 Zed looks around the room, still wondering what time it is,  and takes a seat on the bed.
 Obviously tired from the flight Zed unbuttons his shirt a bit  and lays back on the bed next to the package. Before he  dozes off to sleep he takes his watch off and places it on  the bedside table.
 He is asleep.
 FADE TO BLACK:
 INT. HOTEL ROOM - LATER - DAY
 Zed's bed, while still made, looks like it's been slept in.  Sitting on it is the ripped open air freight package. Inside  of it is a black steel briefcase.
 The shower is on and from the look of things Zed is in it.
 On the bedside table we see Zed's watch. It reads 12:10 P.M.  Next to it is the phone. Next to the phone is a piece of  folded paper with Moises' name and a phone number that reads:  45.63.53.37.
 INT. HOTEL ROOM - BATHROOM - SHOWER - DAY
 Zed is in the shower letting the water run directly into his  face and cascade down his body.
 He opens his mouth and freely drinks the water, then he spits  some out with a spurt.
 Then he stops, attentive, listening for something.
 He turns the shower off
.
 Then he hears it again, the knocking on the door.
 INT. HOTEL ROOM - BATHROOM - DAY
 Zed grabs a towel and climbs out of the shower. He  way toward the knocking.
 INT. HOTEL ROOM - DAY
makes
 Zed walks to the door to his room with the towel wrappe  around his waist. He opens it.
d
 In the hall is ZOEY, a cute French girl of not more than  twenty. She's chewing on gum the way a schoolgirl might,  she looks like no girl Zed ever went to school with.
 ZOE  Bonjour.
Y
 ZED  (a little awkwardly)  Bonjour.
his
bu
 Zed opens up the door and lets her in. She checks out the  room and places her bag on the bed. Then she makes her way  to the window for a view of the city.
 ZOEY  Wow. Vous avez une belle chambre. Je ne  suis jamais venue dans cet hotel.
 She turns to him, but in the process takes the time  examine every detail of the room.
 ZOEY  Ca sera 150 francs de l'heure. Toute l  nuit pour 700. D'avance. Et faudra  porter un--
 ZED  I...don't speak Fren
 She blows a bubble.
 ZOE  It's okay.
Y
 She takes a seat on the bed.
ch.
 ZOEY  It will be one thousand francs for all  night. In advance.
 Zed takes the money out of his wallet and gives i
 ZOE
Y
a
 
t t
t
o
o
her.
t
 We can do it now if you want.
 ZED  Well, let me just dry up.  ZOEY  Okay, but it's not necessary.  He goes into the bathroom and starts drying himself.  She puts the money in her bag and then turns on the  television from the remote console. A French talk show comes  on. She changes the channel until she comes to a station  playing F.W. Murnau's silent classic, "Nosferatu". She  smiles and sits back to watch.  ZED(O.S.)  (from the bathroom)  What's your name?  ZOEY  Zoe or Zoey. Which ever you like.  ZED(O.S.)  My name's Zed.  ZOEY  (smiling at this)  That's funny. We both have Z names.  Zed comes walking out of the bathroom drying his hair. His  pants are on.  ZED  What was that?
 She notices his pants.  ZOEY  You can take those off. The pants.
 ZED  I'd rather watch you get undressed first.  ZOEY  (matter-of-factly)  Alright.  She stands up and starts to lift her top off. He stops her  ZED  Slower.  He lays down on the bed.
 She stands there looking at him and then smiles.
.
 ZOEY  Alright Mister America. Zed
.
 Then, with Zed laying on the bed and watching her, she  slowly, seductively strips in front of him, never taking her  eyes from his eyes, until she is totally naked.
 ZOEY  Slow enough for you?
 Then, like a cat prowling for it's prey, she crawls over the  bed to him and begins to unbuckle his pants.
 She removes the pants and climbs on top of him. They begin  to make love.
 On the television, "Nosferatu" silently plays.
 Zoey and Zed quicken their pace with an urgency one can't  resist during a moment of passion.
 She cries out and lowers herself to his grasp. An IMAGE  overcomes her mind.
 They quicken to an almost violent speed and then expire, both  satisfied.
 She begins to kiss him multiple times over the face.
 ZOEY  C'etait formidable.
 She rolls over, still hugging him, purring like a kitten.
 They rest there for a while...holding each other
 ZOEY  I'm cold.
 She takes the covers and crawls under them, so
 ZOE  Zed?
 ZED  Yes?
Y
 ZOEY  Moises told me you were in town for  business.
 ZED  Yes.
 ZOEY  What kind of business?
 
d
.
o
e
s
 
Z
ed.
 ZED  Why?
 ZOEY  I don't know. I'm just curious.
 ZED  Do you ask all your clients questions?
 ZOEY  No. Just the ones I like.
 ZED  So you like me?
 ZOEY  Yes.
 ZED  Why?
 ZOEY  Because you're...a good person. I run  into some real creeps. You know.
 ZED  How do you know I'm a good person?
 ZOEY  Body language. We fit together.
 ZED  All men and women fit together. Hell,  even some men fit together.
 ZOEY  No, but you know, we clicked. You made  me orgasm. Do you know how often I  orgasm with a man Moises sets me up with?
 ZED  No I don't.
 ZOEY  Usually never. They're almost always fat  like pigs.
 Zed laughs at this.
 ZOEY  And you make me feel safe. That's  something more important than the orgasm.  An integral part maybe of the orgasm.
 ZED  I never really thought of it like that.
 ZOEY  Well, it's true.
 Zed nods at this.
 ZOEY  Turn off the television.
 Zed reaches over and turns it off from the conso
le.
 ZOEY  So I mean it when I tell you Zed, I like  you very much.
 ZED  Well, I like you too Zoe.
 ZOE  Honest?
 He nods.
Y
 ZOEY  Why? For the same reason? Any man can  orgasm. Even with his own hand.
 Zed stares ahead as he thinks of an answer.
 ZED  Well, I like your honesty. You're open.  Unlike most prostitutes I've been with.  She doesn't like the sound of this. She slaps him.
 ZOEY  I am not a prostitute!
 Zed is a little surprised at this.
 ZED  Really? Can I have my francs back then?
 ZOEY  I'm a student. And to pay for the  classes I became an escort. It's my  choice to sleep with you.
 ZED  I see.
 ZOEY  What? You don't understand.
 ZED  No, I do.
 ZOE
Y
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