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State University of New York Press - Walter Baker

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264 pages

English

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Extrait

Description

Despite the enormous amount of writing devoted to the Beatles during the last few decades, the band's abiding intellectual and cultural significance has received scant attention. Using various modes of literary, musicological, and cultural criticism, the essays in Reading the Beatles firmly establish the Beatles as a locus of serious academic and cultural study. Exploring the group's resounding impact on how we think about gender, popular culture, and the formal and poetic qualities of music, the contributors trace not only the literary and musicological qualities of selected Beatles songs but also the development of the Beatles' artistry in their films and the ways in which the band has functioned as a cultural, historical, and economic product. In a poignant afterword, Jane Tompkins offers an autobiographical account of the ways in which the Beatles afforded her with the self-actualizing means to become less alienated from popular culture, gender expectations, and even herself during the early 1960s.

Acknowledgments

Introduction: “Dear Sir or Madam, Will You Read My Book?”
Kenneth Womack and Todd F. Davis

Part I
“Speaking words of wisdom”: The Beatles’ Poetics

1. “I am he as you are he as you are me and we are all together”: Bakhtin and the Beatles
Ian Marshall

2. From “Craft” to “Art”: Formal Structure in the Music of the Beatles
John Covach

3. “Love, love, love”: Representations of Gender and Sexuality in Selected Songs by the Beatles
Sheila Whiteley

4. Painting Their Room in a Colorful Way: The Beatles Exploration of Timbre
Walter Everett

Part II
“A splendid time is guaranteed for all”: Theorizing the Beatles

5. Mythology, Remythology, and Demythology: The Beatles on Film
Kenneth Womack and Todd F. Davis

6. Vacio Luminoso: “Tomorrow Never Knows” and the Coherence of the Impossible
Russell Reising

7. The Spectacle of Alienation: Death, Loss, and the Crowd in Sgt. Pepper’s Lonely Hearts Club Band
William M. Northcutt

8. We All Want to Change the World: Postmodern Politics and the Beatles’ White Album
Jeffrey Roessner

Part III
“We can work it out”: The Beatles and Culture

9. “The rest of you, if you’ll just rattle your jewelry”: The Beatles and Questions of Mass and High Culture
Paul Gleed

10. A Universal Childhood: Tourism, Pilgrimage, and the Beatles
Kevin McCarron

11. “Baby, You’re a Rich Man”: The Beatles, Ideology, and the Cultural Moment
James M. Decker

12. Spinning the Historical Record: Lennon, McCartney, and Museum Politics
John Kimsey

Afterword: I Want to Hold Your Hand
Jane Tompkins

Bibliography
List of Contributors
Index

Sujets

Musique

Histoire de la musique

Popular culture

History of classical music traditions

Literary theory

Informations

Publié par	State University of New York Press
Date de parution	01 février 2012
Nombre de lectures	3
EAN13	9780791481967
Langue	English
Poids de l'ouvrage	1 Mo

Informations légales : prix de location à la page 0,1648€. Cette information est donnée uniquement à titre indicatif conformément à la législation en vigueur.

Extrait

READING CULTURBAL SETUADIETS, LLITEERASRY THE CRITICISM, AND THE FAB FOUR

edited by KENNETH WOMACK AND TODD F. DAVIS

READING THE BEATLES

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READING BEATLES THE CULTURAL STUDIES, LITERARY CRITICISM, AND THE FAB FOUR

Edited by Kenneth Womack and Todd F. Davis

STATE UNIVERSITY OF NEW YORK PRESS

Published by State University of New York Press, Albany

Printed in the United States of America

No part of this book may be used or reproduced in any manner whatsoever without written permission. No part of this book may be stored in a retrieval system or transmitted in any form or by any means including electronic, electrostatic, magnetic tape, mechanical, photocopying, recording, or otherwise without the prior permission in writing of the publisher.

For information, address State University of New York Press, 194 Washington Avenue, Suite 305, Albany, NY 12210-2384

Production by Marilyn P. Semerad Marketing by Fran Keneston

Library of Congress CataloginginPublication Data

Reading the Beatles : cultural studies, literary criticism, and the Fab Four / edited by Kenneth Womack, Todd F. Davis p. cm. Includes bibliographical references (p. ) and index. ISBN 0-7914-6715-5 (hardcover : alk. paper) — ISBN 0-7914-6716-3 (pbk. : alk. paper) 1. Beatles. 2. Rock music—England—History and criticism. 3. Music—Social aspects. I. Womack, Kenneth. II. Davis, Todd F., 1965–

ML421.B4R43 2006 782.42166'092'2—dc22

ISBN-13: 978-0-7914-6715-5 (hardcopy : alk. paper) ISBN-13: 978-0-7914-6716-3 (pbk. : alk. paper)

10 9 8 7 6 5 4 3 2 1

2005011240

For Fred Womack

Tomorrow Never Knows

This page intentionally left blank.

CONTENTS

Acknowledgments

Introduction: “Dear Sir or Madam, Will You Read My Book?” Kenneth Womack and Todd F. Davis

Part I “Speaking words of wisdom”: The Beatles’ Poetics

1. “I am he as you are he as you are me and we are all together”: Bakhtin and the Beatles Ian Marshall

2. From “Craft” to “Art”: Formal Structure in the Music of the Beatles John Covach

3. “Love, love, love”: Representations of Gender and Sexuality in Selected Songs by the Beatles Sheila Whiteley

4. Painting Their Room in a Colorful Way: The Beatles’ Exploration of Timbre Walter Everett

vii

viii

R E A D I N G T H E B E AT L E S

Part II “A splendid time is guaranteed for all”: Theorizing the Beatles

5. Mythology, Remythology, and Demythology: The Beatles on Film Kenneth Womack and Todd F. Davis

6.Vacio Luminoso: “Tomorrow Never Knows” and the Coherence of the Impossible Russell Reising

7. The Spectacle of Alienation: Death, Loss, and the Crowd in Sgt. Pepper’s Lonely Hearts Club Band William M. Northcutt

8. We All Want to Change the World: Postmodern Politics and the Beatles’White Album Jeffrey Roessner

Part III “We can work it out”: The Beatles and Culture

9. “The rest of you, if you’ll just rattle your jewelry”: The Beatles and Questions of Mass and High Culture Paul Gleed

10. A Universal Childhood: Tourism, Pilgrimage, and the Beatles Kevin McCarron

11. “Baby You’re a Rich Man”: The Beatles, Ideology, and the Cultural Moment James M. Decker

12. Spinning the Historical Record: Lennon, McCartney, and Museum Politics John Kimsey

111

129

147

161

169

183

197

C O N T E N T S

Afterword: I Want to Hold Your Hand Jane Tompkins

Bibliography

List of Contributors

Index

215

221

233

237

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