Empty Clip , livre ebook

University of Akron Press - Emilia Phillips

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51 pages

English

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The poems of Empty Clip bore into the cultures of violence in the United States while candidly cross-firing upon the poets' complicity and testifying on these cultures' effects upon female body image and mental health. From a meditation about a bullet hole-animated PowerPoint presentation on campus shooters to the startled invective against an unprovoked dick pic, lyrics brooding upon illness-driven suicidal thoughts to narratives about a slippery memory of childhood abuse, Emilia Phillips's third poetry collection sears with the "angry love" of self, in order to find some truth that's nevertheless "a broken bone that can't be set."

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Poetry

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Publié par	University of Akron Press
Date de parution	23 avril 2018
Nombre de lectures	0
EAN13	9781629221014
Langue	English

Informations légales : prix de location à la page 0,0450€. Cette information est donnée uniquement à titre indicatif conformément à la législation en vigueur.

Extrait

EMPTY CLIP
AKRON SERIES IN POETRY
AKRON SERIES IN POETRY
Mary Biddinger, Editor
Emilia Phillips, Empty Clip
Anne Barngrover, Brazen Creature
Matthew Guenette, Vasectomania
Sandra Simonds, Further Problems with Pleasure
Leslie Harrison, The Book of Endings
Emilia Phillips, Groundspeed
Philip Metres, Pictures at an Exhibition: A Petersburg Album
Jennifer Moore, The Veronica Maneuver
Brittany Cavallaro, Girl-King
Oliver de la Paz, Post Subject: A Fable
John Repp, Fat Jersey Blues
Emilia Phillips, Signaletics
Seth Abramson, Thievery
Steve Kistulentz, Little Black Daydream
Jason Bredle, Carnival
Emily Rosko, Prop Rockery
Alison Pelegrin, Hurricane Party
Matthew Guenette, American Busboy
Joshua Harmon, Le Spleen de Poughkeepsie
Titles published since 2010.
For a complete listing of titles published in the series,
go to www.uakron.edu/uapress/poetry .
EMPTY CLIP

EMILIA PHILLIPS
Copyright © 2018 by The University of Akron Press
All rights reserved • First Edition 2018 • Manufactured in the United States of America.
All inquiries and permission requests should be addressed to the publisher,
The University of Akron Press, Akron, Ohio 44325-1703.
ISBN: 978-1-629220-99-4 (paper)
ISBN: 978-1-629221-00-7 (ePDF)
ISBN: 978-1-629221-01-4 (ePub)
Library of Congress Cataloging-in-Publication Data
  Names: Phillips, Emilia, author.
Title: Empty clip / Emilia Phillips.
Description: First edition. | Akron, Ohio : The University of Akron Press, 2018. | Series: Akron series in poetry |
Identifiers: LCCN 2017051217 (print) | LCCN 2017054840 (ebook) | ISBN 9781629221007 (ePDF) | ISBN 9781629221014 (ePub) | ISBN 9781629220994 (paper : alk. paper)
Classification: LCC PS3616.H4553 (ebook) | LCC PS3616.H4553 A6 2018 (print) | DDC 811/.6–dc23
LC record available at https://lccn.loc.gov/2017051217
∞The paper used in this publication meets the minimum requirements of ANSI/NISO z39.48–1992 (Permanence of Paper).
Cover image: Can’t Forget, Won’t Forget by Rhed Fawell. Cover design by Amy Freels.
Empty Clip was designed and typeset in New Baskerville by Amy Freels and printed on sixty-pound natural and bound by Bookmasters of Ashland, Ohio.
CONTENTS
This is how I came to know how to
HOLLOW POINT
To the Neighbor Boy with His Father’s Hunting Rifle, Begging the Police to Shoot
Hollow Point
Before Hotel Security Got There
Overpass
Campus Shooter PowerPoint and Information Session
To the Previous Tenant
Denouement
Apostrophe, Oregon Hill
On a Late-Night Encounter with a Barefoot College Student Wearing Only a Party Dress and a Man’s Blazer
Nocturne, Lamar’s Chrystal Lounge
One Year After Contemplating Suicide
SPLIT SCREEN
“The days that were have now”
The CIA Live-tweets the Assassination of Usama Bin Ladin Five Years Later
The Uncanny Valley
Pica of Unsaid Things
Barista
Fingers in a Throat
facesofdeath.com
Scar
On Receipt of a Dick Pic
Self-Portrait Without a Body
Dream of the Phone Booth
Notes
Acknowledgments
FOR JOEY KINGSLEY AND LENA MOSES-SCHMITT
Let heaven and men and devils, let them all, All, all, cry shame against me, yet I’ll speak .
—EMILIA IN OTHELLO
THIS IS HOW I CAME TO KNOW HOW TO
forget afternoons           crying after St.
Kindergarten, not what happens but who
makes them
happen. The Red-
Haired Man. Lie down ,
said the grass to the sky. Lie down , said time
to the roof. A memory of a memory, and then
the memory
I didn’t
remember until I was asked if, to —     I’m playing
with a cutaway
dollhouse, the others
asleep on their blue       pallets, the corners
of the sweet boy’s mouth
crumbed, his eyelashes candid as what we hide
from ourselves. My arm loosens,
my weight,
my weight         falling from my earthward
hips, legs unfolding, to my feet as I’m lifted, he lifts
me up, the doll dropping
top-heavy from my hand, her hair       frayed, my soles’
duplicitous shadow in the dim
window light gauzed
by sheer
curtains that rise—      Lie down , said the ear to
the whisper. Lie down , said
the dark to the anchorite
light the door         opened upon
as he swung
me into the kitchen
whose song is coffee burbling and gossip
except there’s no
one now
this afternoon, the pantry full       of graham crackers and Peter Pan
peanut butter, the bare
bulb is
on. Then it is             off. Lie
down , the teacher said
to the children. Lie down , the life
to the lie—
the school denies
a man like that
ever working there. Lie down in the length
of your body, which is more
linear than
time.

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