Minimalism and post minimalism: Theories and reper

M i n i m a l i s m a n d P o s t m i n i m a l i s m : t h e o r i e s a n d r e p e r c u s s i o n s Department of Art History, Theory, and Criticism 4372 The School of the Art Institute of Chicago David Getsy, Instructor [d-getsy@nwu.edu] Spring 2000 / Tuesdays 9 am - 12 pm / Champlain 319 c o u r s e de s c r i pt i o n Providing an in-depth investigation into the innovations in art theory and practice commonly known as “Minimalism” and “Postminimalism,” the course follows the development of Minimal stylehood and tracks its far-reaching implications. Throughout, the greater emphasis on the viewer’s contribution to the aesthetic encounter, the transformation of the role of the artist, and the expanded definition of art will be examined. Close evaluations of primary texts and art objects will form the basis for a discussion. • • • m e t h o d o f e va l u a t i o n Students will be evaluated primarily on attendance, preparation, and class discussion. All students are expected to attend class meetings with the required readings completed. There will be two writing assignments: (1) a short paper on a relevant artwork in a Chicago collection or public space due on 28 March 2000 and (2) an in- class final examination to be held on 9 May 2000. The examination will be based primarily on the readings and class discussions. Students have the option of writing a full research paper on a relevant topic in lieu of taking the final. Papers must be 12-15 pages in length.