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ISSN 1471-0498 DEPARTMENT OF ECONOMICS DISCUSSION PAPER SERIES MONETARY MODELS AND INFLATION TARGETING IN EMERGING MARKET ECONOMIES Valpy FitzGerald Number 189 May 2004 Manor Road Building, Oxford OX1 3UQ

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Introduction to Chinese LiteratureFall 2005: EAS 232Professor: Martin Kern (mkern@) Survey of classical Chinese literature. All readings are in English. Topics include: nature of the Chinese language; the beginnings of poetry; development of narrative and historical writing; classical Chinese poetics; nature poetry; literature of protest, dissent, and political satire; love poetry; religious and philosophical ideas in Chinese literature. (LA) RequirementsActive and informed participation, based on the readings, in the weekly precept. Writings: 1. two-pageweekly essayson a primary text of your choice, due on precept day; 2.eight pagemid-term paper (due October 27); 3. twelve pagefinal paper (due January 17). GradingClass participation and weekly writings 40 %. Mid-term paper 20 %. Final paper 40 %. ReadingsReadings average ca. 100 pages per week.You must read all assigned texts before precept.The principal textbook is Stephen Owen,An Anthology of Chinese Literature (NewYork: Norton, 1996), to be purchased at the University Store. In addition to the textbook and secondary readings, the following title is strongly recommended for historical background: Jacques Gernet,A History of Chinese Civilization (Cambridge: Cambridge University Press, 2nd ed. 1996 [and later]). As the semester proceeds, read the relevant parts of pp. 1-348. The book is available at the University Store. Readings on reserve (hard copy) in the East Asian Library (3rd floor of Frist Campus Center): Owen,An Anthology of Chinese Literature; Gernet,A History of Chinese Civilization; Wang,From Ritual to Allegory; Graham,Chuang-tzu; Durrant,The Cloudy Mirror. All other readings are on E-reserve and can be accessed either through the Blackboard course site or athttp://infoshare1.princeton.edu/reserves/elecres.html.

Syllabus and Reading List9/15: Introductionto the Course: How to read a Chinese poem9/20: TheWord and the World in Chinese Poetry* James J.Y. Liu, “The Paradox of Poetics and the Poetics of Paradox,” 49-70; * Stephen Owen,Traditional Chinese Poetry and Poetics: Omen of the World, 78-107. 9/22: Beginnings:Myth, Sacrifice, and Poetry (Classic of Poetry)* Anthology, 3-29, 124-128; * C.H. Wang,From Ritual to Allegory, 1-51. 9/27: Songsof Love and Anger (Classic of Poetry)* Anthology, 30-57; * Pauline Yu,The Reading of Imagery in the Chinese Poetic Tradition, 44-83. 9/29: Searchingfor the Goddess and Calling Back the Soul (Songs from the South)* Anthology, 156-175, 204-212; * David Hawkes, “The Quest of the Goddess,” 42-68. * Pauline Yu,The Reading of Imagery in the Chinese Poetic Tradition, 84-117. 10/4: Heavenlyand Imperial Journeys (Songs from the South)* Anthology, 176-197; * Martin Kern, “Western Han Aesthetics and the Genesis of theFu,” 383-437; 10/6: ThePleasures of Thinking (Zhuangzi)* A. C. Graham,Chuang-tzu, 3-26, 43-93.10/11: AncientStories and Histories (Zuo zhuan, Sima Qian)* Anthology, 87-99, 135-145; * Stephen Durrant,The Cloudy Mirror, 1-45, 71-98. 10/13: EarlyLiterary Thought (“Great Preface,” “Records of Music”)* Anthology, 58-70; * Mark Edward Lewis,Writing and Authority in Early China, 147-176. 

10/18: TheEmergence of the Lyrical Mode (Han and Wei Poetry)* Anthology, 227-237, 249-273; * Burton Watson,Chinese Lyricism, 15-51. 10/20: QuietVisions of Nature (Tao Qian)* Anthology, 309-323; * Stephen Owen, “The Selfs Perfect Mirror: Poetry as Autobiography,” 71-85; * Yim-tze Kwong, “Naturalness and Authenticity: The Poetry of Tao Qian,” 35-77. 10/25: Landscapesof the Mind: Medieval Poetics* Anthology, 282-284; 335-348; * Ronald C. Egan, “Poet, Mind, and World,” 101-126. 10/27: CraftedMeditations (Wang Wei, Meng Haoran)* Anthology, 383-396; * Pauline Yu,The Poetry of Wang Wei, 1-42. 11/8: Memoryand Displacement (Tang poetry)* Anthology, 459-477; * Hans H. Frankel, “The Contemplation of the Past in Tang Poetry,” 345-365; * Stephen Owen,Remembrances, 1-32. 11/10: Geniusand Taoism (Li Bai)* Anthology, 284-285, 376-378, 397-404; * Stephen Owen,The Great Age of Chinese Poetry, 109-143; * Paul W. Kroll, “Li Pos Transcendent Diction,” 99-117. 11/15: Selfand History (Du Fu)* Anthology, 420-440; * Yoshikawa Kojirô, “Tu Fus Poetics and Poetry,” 1-26; * Daniel Hsieh, “Du Fus ‘Gazing at the Mountain,” 1-18.11/17: Balladsof Bitter Truth (Du Fu, Bai Juyi)* Anthology, 416-420, 441-458, 468-469; * Eva Shan Chou,Reconsidering Tu Fu, 61-106. 11/22: Phantasiesof Beauty and Violence (Li Shangyin, Li He)* Anthology, 289, 478-484, 489-496, 510-517;

* James J.Y. Liu,The Poetry of Li Shang-yin, 51-57, 207-219; * J.D. Frodsham,Goddesses, Ghosts, and Demons, xi-lviii. 11/29: Proseand Morality, “Ancient Style” (Han Yu, Liu Zongyuan)* Anthology, 597-603, 617-618; * Charles Hartman,Han Yü and the Tang Search for Unity, 211-257. 12/1: TheDevelopment of “Ancient Style Prose” (Ouyang Xiu)* Anthology, 609-610, 613-614, 629-630, 684-688. * Ronald C. Egan,The Literary Works of Ou-yang Hsiu, 12-77; 12/6: Landscapesof the Mind (Su Shi, Liu Zongyuan, Ouyang Xiu)* Anthology, 292-294, 611-612, 621-624, 663-676; * Ronald C. Egan,Word, Image, and Deed in the Life of Su Shi, 207-260. 12/8: Themesand Forms of Song Poetry* Yoshikawa Kojir•,An Introduction to Sung Poetry, 1-48. 12/13: Pleasuresof Poetic Life Style (Mei Yaochen, Su Shi, Ouyang Xiu)* Anthology, 637-655, 678-683; * Ronald C. Egan,Word, Image, and Deed in the Life of Su Shi, 261-309. 12/15: Conclusions:Deep Structures of Chinese Literature

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