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La lecture à portée de main
Tout savoir sur nos offres
Tout savoir sur nos offres
Informations
| Publié par | script-cinema |
| Nombre de lectures | 4 |
| Licence : |
En savoir + Paternité, pas d'utilisation commerciale, partage des conditions initiales à l'identique
|
| Langue | English |
Extrait
Written by
Jonathan Nolan & Christopher Nolan
Story by
Christopher Nolan & David S. Goyer
BLACK SCREEN.
Harvey Dent was needed. He was everything Gotham has been crying out for. He was...a hero. Not the hero we deserved - the hero we needed. Nothing less than a knight, shining...
The sound of cracking. Splintering. A shape appears, in ice. The shape of a BAT. The ice disintegrates...
EXT. GOTHAM STREET - DAY
Gordon stands before a massive picture of Harvey Dent.
But I knew Harvey Dent. I was...his friend. And it will be a very long time before someone inspires us the way he did. Gordon, choked with emotion, gathers the papers of his eulogy. I believed in Harvey Dent. And we FADE TO BLACK.
CUT TO:
Racing along a cratered dirt road, and we are -
INT. LAND CRUISER JOSTLING OVER UNEVEN TERRAIN - DAY
Three Hooded Men guarded by East European Militia. A third Militia drives. Next to him is a nervous, bespectacled man.
EXT. AIRSTRIP, EASTERN EUROPE - DAY
An airstrip overlooking a grey city rocked by artillery fire. A bland CIA Operative, flanked by Special Forces Men, stands in front of a commuter plane. CIA Man watches the Land Cruiser pull up, hard. The Militia Men jump out of the vehicle. The Driver shoves the bespectacled man in front of the CIA Man.
2.
Dr. Pavel, I'm CIA. Dr. Pavel nods, nervous. CIA Man hands the Driver a briefcase.
He wasn't alone. CIA Man, confused, spots the Hooded Men. He turns to Dr. Pavel.
You don't get to bring friends.
DR. PAVEL
(SHAKEN) They are not my friends.
Don't worry, no charge for them.
Why would I want them?
They were trying to grab your prize. (Smiles.) They work for the mercenary. The masked man.
CIA MAN
(EXCITED) Bane? The Driver nods. CIA Man turns to his Special Forces Men.
Get 'em on board - I'll call it in.
EXT. SKIES OVER MOUNTAIN RANGE - DAY
The commuter plane struggles over snow-capped mountains.
INT. MAIN CABIN, COMMUTER PLANE - CONTINUOUS
The three Hooded Men kneel by the cargo door, handcuffed. CIA Man grabs Hooded Man 1.
What are you doing in the middle of my operation?
3.
Hooded Man 1 says nothing. CIA Man pulls out a handgun. The flight plan I just filed with the Agency lists me, my men, and Dr. Pavel here. But only one of you. CIA Man opens the cargo door. Special Forces hang Hooded Man 1 out into the howling wind - CIA Man shouts above the wind.
CIA MAN
MY AIRCRAFT! (Cocks weapon.)
SO...WHO PAID YOU TO GRAB DR.
PAVEL?!
Nothing. CIA Man fires out the open door and the Special Forces yank Hooded Man 1 back in, clubbing him quiet.
CIA MAN
HE DIDN'T FLY SO GOOD! WHO WANTS TO
TRY NEXT?!
The Soldiers grab Hooded Man 2, hang him out the door.
CIA MAN
TELL ME ABOUT BANE! WHY DOES HE
WEAR THE MASK?!
The prisoner says nothing. CIA Man presses the gun to the man's hood - he cocks the gun...nothing.
CIA MAN
LOT OF LOYALTY FOR A HIRED GUN!
Or he's wondering why someone would shoot a man before throwing him out of an aeroplane.
CIA Man turns to the Third Prisoner. Shuts the cargo door.
Wiseguy, huh? At least you can talk. Who are you?
We are nothing. We are the dirt beneath your feet. And no one cared who I was until I put on the mask...
CIA Man, wary, approaches the Third Prisoner - pulls off his hood, revealing a dark mask with a breathing apparatus. The eyes behind it are cold. Still. This is Bane.
4.
Who we are does not matter. What matters is our plan.
CIA MAN
(FASCINATED) If I pull this off, will you die?
It would be extremely painful.
You're a big guy -
For you.
CIA MAN
(UNNERVED) Was being caught part of your plan?
Of course. Dr. Pavel refused our offer in favor of yours. We had to know what he told you about us.
Nothing! I said nothing!
Why not just ask him?
He would not have told us.
You have methods.
Him, I need healthy. You present no such problem. CIA Man laughs for the Special Forces' benefit. A heavy bass tone is rising. The Sergeant looks out the window.
EXT. SKIES OVER MOUNTAIN RANGE - CONTINUOUS
The commuter plane is dwarfed by a massive transport plane looming over it, dangerously close...
5.
INT. MAIN CABIN, COMMUTER PLANE - CONTINUOUS
The plane lurches. The noise is building.
Sir?
Well congratulations, you got yourselves caught. What's the next step of your master plan?
Crashing this plane...
EXT. MOUNTAINS - CONTINUOUS
The ramp of the transport opens... Four men leap out on tethers - dropping towards the commuter plane, two each side...
INT. MAIN CABIN, COMMUTER PLANE - CONTINUOUS
The Spacial Forces react to the turbulence from the plane above. CIA Man looks at Bane.
BANE
(RISING) With no survivors. A Special Forces soldier spins around - an Armed Man is outside the window. Bang -
EXT. SKIES OVER MOUNTAIN RANGE - CONTINUOUS
Two men shoot through the windows, the other two attach grapples to the fuselage - give the thumbs up - hoists start to pull and the tail of the commuter plane is lifted, unnaturally.
INT. COCKPIT, COMMUTER PLANE - CONTINUOUS
The Pilots battle the controls as the plane tilts forward.
6.
INT. MAIN CABIN, COMMUTER PLANE - CONTINUOUS
Like lightning, Bane has the CIA Man is his handcuffed arms, legs wrapped around a seat back, The entire cabin upends. Tumbling chaos - Soldiers falling - Bane cracks CIA Man's neck and drops him onto the Sergeant - they tumble down the plane, smashing into the cockpit door with a terminal thud. Dr. Pavel, strapped in, pushes against the seat in front of him - the plane vibrates, trying to tear itself apart.
EXT. ATLAS MOUNTAINS - CONTINUOUS
The men climb the tail of the smaller plane as it dangles helplessly above the mountains. Its wings shear off.
INT. MAIN CABIN, COMMUTER PLANE - CONTINUOUS
Bane breaks his handcuffs as if they were plastic, then opens his legs and drops down the cabin, somersaulting gracefully and using his arms to stop himself halfway down, by Dr. Pavel.
EXT. SKIES OVER MOUNTAIN RANGE - CONTINUOUS
The men attach explosives to the tail, then jump away, swinging out as the tail explodes.
INT. MAIN CABIN, COMMUTER PLANE - CONTINUOUS
An explosion takes off the rear door of the cabin - the Armed Men drop through the smoke on cables. A body bag is lowered into the cabin. Bane lies it on the seat backs next to Dr. Pavel and unzips it to reveal a body the same age and build as Dr. Pavel.
Bane rips Dr. Pavel's sleeve - pulls out a length of surgical tubing - pushes a needle into Dr. Pavel's arm - runs the tube to the body's arm... Dr. Pavel watches, horrified, as Bane starts compressions on the body's chest, drawing Dr. Pavel's blood across the tube and into the body...
An Armed Man pulls Hooded Man 1 up through the cabin and out. Bane stops Hooded Man 2.
7.
Friend. They expect one of us in the wreckage. The man nods, unhooks himself, takes Bane's arm.
Have we started the fire?
BANE
(NODS) The fire rises. Hooded Man 2 hands Bane his line. Bane clips it around Dr. Pavel, takes out a knife and cuts Dr. Pavel's seat belt. Dr. Pavel panics, flails. Bane takes his arms. Gentle.
Calm, Doctor. Now is not time for fear... Bane slides Dr. Pavel out of his seat. They hang in the vertical, windblown cabin. Bane takes out a detonator.
That comes later. Bane presses the detonator - the cabin drops from around them, revealing the terrifying drop to the peaks below. Dr. Pavel screams as they are hoisted up towards the transport, and we -
CUT TO:
EXT. GOTHAM - EVENING
Drifting over the vast city...
Harvey Dent Day may not be our oldest public holiday... ...moving past the enormous Gotham Bridge...
But we're here tonight because it's one of the most important... ...over the Gotham river to the Palisades on the far side...
8.
Harvey Dent's uncompromising stand against organized crime and, yes, ultimately, his sacrifice, have made Gotham a safer place than it was at the time of his death, eight years ago... ...finding a party in the grounds of Wayne Manor. The Mayor addresses the wealthy and powerful of Gotham.
This city has seen a historic turnaround. No city is without crime. But this city is without organized crime because the Dent Act gave law enforcement teeth in its fight against the mob. Now people are talking about repealing the Dent Act. And to them I say...not on my watch. Enthusiastic applause as the Mayor wraps up. I want to thank the Wayne Foundation for hosting this event. I'm told Mr. Wayne couldn't be here tonight, but I'm sure he's with us in spirit...
High above, on a darkened balcony, a lone figure. Watching.
Now I'm going to give way to an important voice...
Down below at the bar, Commissioner Gordon examines some sheets of densely written paper. A Congressman muscles in.
Commissioner.
Congressman.
Ever lay eyes on Wayne at one of these things? Gordon shakes his head. Gordon's Deputy Commissioner, Foley, cuts in.
9.
No one has. Not in years.
He can tell you about the bad old days, when the criminals and corrupt ran this town with such a tight grasp that people put their faith in a murderous thug in a mask and a cape. A thug who showed his true nature when he betrayed the trust of this great man - (Turns to picture of Dent.) And murdered him in cold blood. The Congressman watches a tray of canap�s breeze past, then grabs the ass of the maid carrying them. She freezes.
Sweetheart, not so fast with the chow.
(turns, tight smile)
Shrimp balls? The Congressman grabs two. The Maid moves off. The Congressman glances down at Gordon's papers.
Jim Gordon can tell you the truth about Harvey Dent...
Jesus, Gordon, is that your speech? We're gonna be here all night.
Maybe the truth about Harvey isn't so simple, Congressman.
But I'll let him tell you himself - Commissioner Gordon? Applause. Gordon approaches the mike. Looks down at his long speech. Thinks.
The truth...? INSERT CUT: Harvey Dent, face half destroyed, threatens Gordon's son with a handgun.
10.
Gordon surveys the audience. Deciding. I have written a speech telling the truth about Harvey Dent... Gordon folds up his speech. Maybe the time isn't right... Gordon stuffs the papers inside his jacket. The Congressman mutters under his breath.
Thank Christ for that...
Maybe right now all you need to know is that there are a thousand inmates in Blackgate Prison as a direct result of the Dent Act. These are violent criminals, essential cogs in the organized crime machine that terrorized Gotham for so long. Maybe, for now, all I should say about Harvey Dent's death is this...it has not been for nothing. The figure on the balcony turns back into the mansion. People clap as Gordon leaves the mike. Gordon approaches Foley.
The second shift reports in?
On your desk. But you should put in some more time with the Mayor -
That's your department.
Gordon heads for the line of town cars in the gravel drive.
Anyone shown him the crime stats?
He goes by his gut, and it continues to bother him, whatever the numbers.
Must be popular with the wife.
11.
Not really. She took the kids and moved to Cleveland.
He'll have plenty of time for visits. Mayor's dumping him in the spring.
Really? He's a hero.
War hero. This is peacetime. Stay smart, the job's yours.
INT. KITCHENS, WAYNE MANOR - MOMENTS LATER
Our Maid dives into the bustle of Wayne Manor below stairs - Caterers and Maids, Wait Staff. She overhears another Maid.
They say he never leaves the East Wing.
I heard he had an accident - that he's disfigured.
The other Maids signal her to be quiet. All the chatter has died. Alfred has entered the kitchen.
Mr. Till, why are your people using the main stairs? Alfred places a glass of water on a tray next to a covered plate. Picks up the tray, looks around the chaotic kitchen.
Where's Mrs. Bolton?
She's up at the bar, sir. Can I help?
Alfred looks at the Maid. Hands her a key and the tray.
The East drawing room. Unlock the door, place the tray on the table, lock the door again. Nothing more.
12.
The Maid nods. Takes the tray.
INT. HALL, WAYNE MANOR - MOMENTS LATER
Following the Maid through the empty house. She comes to the large oak door to the East Wing. Unlocks it...
INT. DRAWING ROOM, EAST WING, WAYNE MANOR - CONTINUOUS
The room is dark, quiet. The Maid places the tray on the table. She looks at the inner door opposite. It is ajar...
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